Maisonnat, Claude.
Maisonnat, Claude, 19..-2019
VIAF ID: 311801309 (Personal)
Permalink: http://viaf.org/viaf/311801309
Preferred Forms
- 200 _ | ‡a Maisonnat ‡b Claude
- 100 1 0 ‡a Maisonnat, Claude
- 100 1 _ ‡a Maisonnat, Claude
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- 100 1 _ ‡a Maisonnat, Claude
- 100 1 _ ‡a Maisonnat, Claude
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- 100 1 _ ‡a Maisonnat, Claude, ‡d 19..-2019
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Works
Title | Sources |
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Alice Munro's "Lives of Girls and Women" : a Bildüngsroman, a Female Künstlerroman, and Beyond : connecting past and present, connecting the self : the construction af revelation | |
ALMAYER'S FOLLY : ETUDE TEXTUELLE | |
Alphonse Daudet | |
Anatole France | |
Au coeur des ténèbres | |
Author's note to "A set of six" | |
The big sleep by R. Chandler | |
Books of my childhood | |
Coercion to speak in "Chance" : the significance of Marlow's underhand games | |
Congo diary | |
Conrad and language | |
Deterritorialising the subject : desire and narrativity in Anita Desai's short stories : ("Games at twilight" and "Diamond dust") | |
The Economy of the Principles of the Feminine in the Works of Ernest J. Gaines. | |
L' écriture à fragmentation dans "Carpenter's gothic" | |
Espace et écriture ou l'herméneutique dans "Heart of darkness" de Joseph Conrad, "Under the volcano" de Malcolm Lowry et "Voss" de Patrick White | |
First thing I remember | |
Flight | |
Foreword to Corsican and Irish Landscapes | |
Form and disorder in Salman Rushdie's "Shame" | |
From childhood to adulthood : developing with language in "Th God of small things" by Arundhati Roy | |
Genre and Gender Issues in Early Black Women's Writings. A Comparative Study of Harriet Jacobs, Harriet Wilson and Hannah Crafts. | |
"The Handmaid's Tale", roman protéen : table ronde avec l'auteur | |
Henry James | |
Images of transgression : Carmilla (1872), Dracula (1897) and Anne Rice's vampires. | |
Joseph Conrad and the voicing of textuality | |
Laughing Anne | |
Listy | |
Lord Jim : Joseph Conrad | |
Messianisme, mysticisme et monothéisme : le RSI dans les œuvres de Tom Robbins | |
"Midnight's children" ou Le dévoilement de l'écriture | |
A multitude of sins, Richard Ford | |
My best story and why I think so | |
Nature of crime | |
Les notions de temps et d'espace dans l'ecriture styronienne : la faille temporelle de l'existence | |
The notions of time and space in Styronian writing : the temporal gap of existence. | |
La nouvelle anglo-saxonne, c1998: | |
Obsessions and obsessive writing in "Enduring Love" by Ian McEwan | |
On the North Sea outrage | |
Parole et métissage : réponses féminines au morcellement identitaire : Tsitsi Dangarembga, "Nervous Conditions", Simone Schwarz-Bart, "Pluie et vent sur Télumée Miracle", Myriam Warner-Vieyra, "Juletane | |
The Poetical and the ideological in contemporary Arab American Poetry : study of « 19 Varieties of Gazelle » by Naomi Shihab Nye, « In the Country of My Dreams » by Elmaz Abinader, « The Capital of Solitude » of Gregory Orfalea and « Before our eyes » of Lawrence Joseph. | |
Poland in life and letters of Joseph Conrad | |
The problem of filiation in Beckett's "Murphy" | |
Proust as creator | |
The quest for identity in and for the contemporary detective novel : Ruth Rendell's "Asta's Book | |
The returns of the reader in "An outcast of the Islands" | |
Rewriting / reprising in literature : the paradoxes of intertextuality | |
Self-assertion of a West-Indian Girl in Jamaica Kincaid's "Annie John" | |
The short stories of John McGahern | |
Silence of the sea | |
Some reflections on the loss of the "Titanic" | |
Sophie's choice, William Styron | |
The subject and the world in Janet Frame's "Scented Gardens for the Blind" | |
The symbolic act of narration in Joseph Conrad's "The Shadow-Line" | |
Temps, Histoire et Identités dans l'œuvre de Derek Walcott | |
Time, History and Identities in Walcott’s works. | |
Tours et détours du genre : les avatars de l'écriture féminine africaine américaine autour de Harriet Jacobs, Harriet Wilson et Hannah Crafts | |
Vérité et connaissance dans l'oeuvre fictionnelle de Thomas Pynchon, de "The voice of the hamster" à "Against the day" | |
The vertigo in the margins in the works of Salman Rushdie. Metaphoric and metonymic strategies. |