Maisonnat, Claude.
Maisonnat, Claude, 19..-2019
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VIAF ID: 311801309 (Personal)
Permalink: http://viaf.org/viaf/311801309
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100 1 _ ‡a Maisonnat, Claude
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100 1 _ ‡a Maisonnat, Claude
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Maisonnat, Claude
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Maisonnat, Claude
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Maisonnat, Claude
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100 1 _ ‡a Maisonnat, Claude
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Maisonnat, Claude
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19..-2019
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100 1 _ ‡a Maisonnat, Claude.
Works
| Title | Sources |
|---|---|
| Alice Munro's "Lives of Girls and Women" : a Bildüngsroman, a Female Künstlerroman, and Beyond : connecting past and present, connecting the self : the construction af revelation |
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| ALMAYER'S FOLLY : ETUDE TEXTUELLE |
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| Alphonse Daudet |
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| Anatole France |
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| Au coeur des ténèbres |
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| Author's note to "A set of six" |
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| The big sleep by R. Chandler |
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| Books of my childhood |
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| Coercion to speak in "Chance" : the significance of Marlow's underhand games |
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| Congo diary |
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| Conrad |
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| Deterritorialising the subject : desire and narrativity in Anita Desai's short stories : ("Games at twilight" and "Diamond dust") |
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| The Economy of the Principles of the Feminine in the Works of Ernest J. Gaines. |
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| L' écriture à fragmentation dans "Carpenter's gothic" |
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| Espace et écriture ou l'herméneutique dans "Heart of darkness" de Joseph Conrad, "Under the volcano" de Malcolm Lowry et "Voss" de Patrick White |
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| First thing I remember |
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| Flight |
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| Foreword to Corsican and Irish Landscapes |
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| Form and disorder in Salman Rushdie's "Shame" |
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| From childhood to adulthood : developing with language in "Th God of small things" by Arundhati Roy |
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| Genre and Gender Issues in Early Black Women's Writings. A Comparative Study of Harriet Jacobs, Harriet Wilson and Hannah Crafts. |
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| "The Handmaid's Tale", roman protéen : table ronde avec l'auteur |
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| Henry James |
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| Images of transgression : Carmilla (1872), Dracula (1897) and Anne Rice's vampires. |
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| Joseph Conrad and the voicing of textuality / Claude Maisonnat. - Lublin ; New York, 2017. |
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| Laughing Anne |
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| Listy |
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| Messianisme, mysticisme et monothéisme : le RSI dans les œuvres de Tom Robbins |
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| "Midnight's children" ou Le dévoilement de l'écriture |
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| A multitude of sins, Richard Ford |
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| My best story and why I think so |
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| Nature of crime |
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| Les notions de temps et d'espace dans l'ecriture styronienne : la faille temporelle de l'existence |
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| The notions of time and space in Styronian writing : the temporal gap of existence. |
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| La nouvelle anglo-saxonne, c1998: |
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| Obsessions and obsessive writing in "Enduring Love" by Ian McEwan |
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| On the North Sea outrage |
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| Parole et métissage : réponses féminines au morcellement identitaire : Tsitsi Dangarembga, "Nervous Conditions", Simone Schwarz-Bart, "Pluie et vent sur Télumée Miracle", Myriam Warner-Vieyra, "Juletane |
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| The Poetical and the ideological in contemporary Arab American Poetry : study of « 19 Varieties of Gazelle » by Naomi Shihab Nye, « In the Country of My Dreams » by Elmaz Abinader, « The Capital of Solitude » of Gregory Orfalea and « Before our eyes » of Lawrence Joseph. |
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| The problem of filiation in Beckett's "Murphy" |
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| Proust as creator |
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| The quest for identity in and for the contemporary detective novel : Ruth Rendell's "Asta's Book |
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| The returns of the reader in "An outcast of the Islands" |
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| Rewriting / reprising in literature : the paradoxes of intertextuality |
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| Self-assertion of a West-Indian Girl in Jamaica Kincaid's "Annie John" |
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| The short stories of John McGahern |
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| Silence of the sea |
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| Some reflections on the loss of the "Titanic" |
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| Sophie's choice, William Styron |
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| The subject and the world in Janet Frame's "Scented Gardens for the Blind" |
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| The symbolic act of narration in Joseph Conrad's "The Shadow-Line" |
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| Temps, Histoire et Identités dans l'œuvre de Derek Walcott |
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| Time, History and Identities in Walcott’s works. |
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| Tours et détours du genre : les avatars de l'écriture féminine africaine américaine autour de Harriet Jacobs, Harriet Wilson et Hannah Crafts |
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| Vérité et connaissance dans l'oeuvre fictionnelle de Thomas Pynchon, de "The voice of the hamster" à "Against the day" |
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| The vertigo in the margins in the works of Salman Rushdie. Metaphoric and metonymic strategies. |
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