Townsend, Joyce H.
Townsend, Joyce
Joyce Townsend
Townsend, Joyce M.
Townsend, J. H.
VIAF ID: 100296467 (Personal)
Permalink: http://viaf.org/viaf/100296467
Preferred Forms
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100 0 _ ‡a Joyce Townsend
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100 1 _ ‡a Townsend, J. H.
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100 1 _ ‡a Townsend, Joyce
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100 1 _ ‡a Townsend, Joyce H
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100 1 _ ‡a Townsend, Joyce H.
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100 1 _ ‡a Townsend, Joyce H.
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4xx's: Alternate Name Forms (8)
Works
Title | Sources |
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The artist's process : technology and interpretation |
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Assessment of indoor air quality and the risk of damage to cultural heritage objects using MEMORI®dosimetry |
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THE BENEFITS AND RISKS OF ANOXIC DISPLAY FOR COLORANTS |
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Book review |
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British Watercolour Cakes from the Eighteenth to the Early Twentieth Century |
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Characterisation of VOCs Surrounding Naum Gabo’s Construction in Space ‘Two Cones’, (Tate) by in situ SPME GC-MS Monitoring |
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A chemiluminescence study of madder lakes on paper |
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Conservation science 2007 : papers from the Conference held in Milan, Italy 10-11 May 2007 |
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Contributions to the Turin Congress |
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Dirt and pictures separated : papers given at a conference held jointly by UKIC and the Tate Gallery, January 1990 |
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Editorial |
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Expression and sensibility - art technological sources and the rise of modernism : proceedings of the seventh symposium of the ICOM-CC working group on Art Technological Source Research, held at the State Academy of Fine Art and Design, Stuttgart, 10-11 November 2016 |
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G.F. Watts in context: his choice of materials and techniques |
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Gels in the conservation of art |
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Girl in a Chemise c.1905 by Pablo Picasso |
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The Handsome Pork-Butcher c.1924–6, c.1929–35 by Francis Picabia |
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IIC 2018 Turin Congress preprints |
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Inside Francis Bacon |
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An introduction to materials and chemistry |
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A Lively Parrot: Frances Hodgkins's Wings Over Water |
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Making and transforming art |
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Masterpiece of Deception: an art mystery |
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Materiali d'artista : l'atelier del pittore nell'Otto e Novecento |
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The materials and techniques of J. M. W. Turner: primings and supports |
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The materials used by British oil painters throughout the nineteenth century |
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Modern metals in museums |
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Nineteenth-century paint media: the formulation and properties of megilps |
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Nude Woman in a Red Armchair 1932 by Pablo Picasso |
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The object in context: crossing conservation boundaries |
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Paint and purpose : a study of technique in British art |
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Photochemical colour change for traditional watercolour pigments in low oxygen levels |
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Picasso, Picabia, Ernst : new perspectives |
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Portrait of a Doctor c.1935–1947, by Francis Picabia |
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Preparation for painting : the artist's choice and its consequences |
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The proceedings of the Symposium "Resins in conservation" : held at the University of Edinburgh, U.K. 21st - 22nd May 1982 / ed. by J. O. Tate, N. H. Tennent and J. H. Townsend. - Edinburgh, 1988. |
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Resins |
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Resins, ancient and modern : pre-prints of the SSCR's 2nd Resins Conference, held at the Department of Zoology, University of Aberdeen, 13-14 September 1995 |
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Rome, Turkey and Jerusalem |
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The significance of the refractive index of adhesives for glass repair |
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A simple integrating dosimeter for ultraviolet light |
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Studying the European Visual Arts 1800-1850 paintings, sculpture, interiors and art on paper : CATS proceedings, III, 2016 |
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Tate’s Painting of a Man in Tudor Costume: A Sixteenth-Century Portrait or a Nineteenth-Century Pastiche? |
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Tate watercolour manual : lessons from the great masters |
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Testimonies of artists' practice |
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Thoughts on Christ's coming |
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The Three Dancers 1925 by Pablo Picasso |
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Turner's painting techniques |
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The Upper Room: A Study of Materials and Stability |
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THE USE OF RIPOLIN BY PICABIA INTHE FIG LEAF |
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William Blake : the painter at work |
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The woman in white : Joanna Hiffernan and James McNeill Whistler |
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সম্পাদকীয় |
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