Walter Phillips Gallery
Walter J. Phillips Gallery Banff, Alberta
Walter Phillips Gallery (Alberta)
Walter Phillips Gallery (Banff, Canada)
VIAF ID: 149426939 ( Corporate )
Permalink: http://viaf.org/viaf/149426939
Preferred Forms
- 110 2 _ ‡a Walter J. Phillips Gallery Banff, Alberta
- 110 2 _ ‡a Walter Phillips Gallery
- 110 2 _ ‡a Walter Phillips Gallery
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- 151 _ _ ‡a Walter Phillips Gallery
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- 110 2 _ ‡a Walter Phillips Gallery (Banff, Canada)
4xx's: Alternate Name Forms (11)
Works
Title | Sources |
---|---|
Armature, November 24-December 16, 1988 | |
Arousing sensation : a case study of controversy surrounding art and the erotic | |
Book ends and odd books : publications refuting conventional form from the Banff Centre Library collection. | |
British performance series : fall 1987 : Tina Keane, Charlie Hooker, Nigel Rolfe, Alastair MacLennan. | |
Bungalow blitz | |
Chinaman's Peak, walking the mountain | |
À ciel ouvert : le nouveau pleinairisme, 2012 | |
Clay between my fingers : Millie Chen, Jamelie Hassan, Baco Ohama, Garry Williams | |
Convergence of metamorphoses = Convergence des métamorphoses. | |
Convergent territories : the gallery as artist's studio : October 19-November 7, 1982. | |
Correspondences : Walter Phillips Gallery, the Banff Centre School of Fine Arts, Banff, Alberta, August 5-September 7, 1981, John McEwen, Christopher Pratt, Tim Zuck, September 14-October 4, 1981, Tony Brown, George Legrady, John McEwen. | |
Double take, provoking the image, November 26-December 17, 1986. | |
Duality, March 4-27, 1988, Walter Phillips Gallery for the production, presentation and exhibition of contemporary art. | |
Enns, Evans & Ulrich. | |
Epiphany | |
Essential form : Jocelyne Alloucherie, Eric Cameron, François Girard, Rodney Graham, Warren Murfitt, Shirley Yanover. | |
Even space does not repeat | |
The Event horizon : essays on hope, sexuality, social space, and media(tion) in art | |
Eye of nature | |
Food for thought, Iain Baxter, June 19-July 19, 1987. | |
Frame of mind : viewpoints on photography in contemporary Canadian art | |
Frances Stark : my best thing | |
The gallery as periscope : a work in situ on the trees the gallery frames : Walter Phillips Gallery, November 24 to December 5, 1982 | |
Gisele Amantea | |
Helen Chadwick, Shelagh Keeley : in side up. | |
Heroics : a critical view : Ida Applebroog, Sara Diamond, Viola Frey, Leon Golub, Stephen Hutchings, Imants Tillers | |
Home making | |
How to avoid the future tense | |
Imaginary standard distance : Allyson Clay. | |
Imagined places, an exhibition of works by seventeen artists, August 1-18, 1985. | |
Inese Birstins & Anne Flaten Pixley : Walter Phillips Gallery, August 11-September 16, 1983 | |
Installations : Rita McKeough, Tom McMillin, Dennis Oppenheim. | |
James Luna : Indian legends, 1. | |
John & Lou's 1923 voyage | |
Key : an exhibition of works by visual artists at the Banff Centre, July 15-30, 1989 | |
Lida Abdul | |
Living utopia and disaster 2007 : Alberta biennial of contemporary art | |
Local interpretations | |
Making a noise! : Aboriginal perspectives on art, art history, critical writing, and community | |
Memories springing : waters singing | |
Memory track : September 19-October 16, 1988 : Terry Allen, Ron Benner, Dominique Blain, Barbara Lounder, Caroline Simmons. | |
Muntadas : stadium | |
Noise under the tongue. | |
Obsession, compulsion, collection : on objects, display culture and interpretation | |
Private investigators : undercover in public space | |
Queues, rendezvous, riots : questioning the public in art and architecture | |
Radio | |
Radio rethink : art, sound, and transmission | |
Raising Frankenstein : curatorial education and its discontents | |
Reconnaissance, March 26-April 28, 1987, three panoramic views | |
Resistance or submission, snatches of a Christian conversation, bribes d'une conversation chrétienne, 29 of August to 26 of September, 1986 | |
Résistance ou soumission | |
Revisions | |
Revisions, Joane Cardinal-Schubert, Jimmie Durham, Hachivi Edgar Heap of Birds, Zacharias Kunuk, Mike MacDonald, Alan Michelson, Edward Poitras, Pierre Sioui : essays | |
Ron Moppett : Walter Phillips Gallery, June 7-July 6, 1982 | |
The Second link, c1983: | |
The Second link : viewpoints on video in the eighties | |
The second particle wave theory : (as performed on the banks of the River Wear, a stone's throw from S'underland and Duham Cathedral) | |
Selected survey of radio art in Canada, 1967-1992 | |
Signaux poétiques = Poetic signals. | |
Silke Otto-Knapp : present time exercise | |
Siting technology : Dale Amundson, Diana Burgoyne, Mona Hatoum, Richard Kriesche, Nancy Paterson, Tom Sherman, Nell Tenhaaf | |
Le souci de soi, November 1-22, 1985. | |
Staking land claims | |
Sylvain P. Cousineau : photographs and paintings : Dunlop Art Gallery, Regina Public Library, Regina, Sasktachewan, April 26-June 1, 1980, Walter Phillips Gallery, the Banff Center School of Fine Art, Banff, Alberta, October 2-19, 1980, Mendel Art Gallery, Saskatoon, Sasktachewan, Jan. 9-Feb. 3, 1981. | |
Territories of difference | |
The theme of the event, part I, part II = Le thm̈e de l'v̌n̈ement, partie I, partie II | |
Thickness of matter, July 24-August 14, 1987. | |
Tom Dean, excerpts from a description of the universe, February 2-March 1, 1987. | |
Transference : Don Corman, Chris Cran, Billy J. McCarroll, Steve Peterson, Arlene Stamp, John Will | |
Transference, tradition, technology : native new media exploring visual & digital culture | |
Vancouver now : Vancouver '86 : insertion. | |
Video theatrics, August 4-30, 1987. | |
Virtue vs. vice / Cecily Moon and Sandra Meigs. | |
Who I think I am : Ron Terada | |
World upside down = Le monde à l'envers |