Drucker, Johanna, 1952-....
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Drucker, Johanna
Johanna Drucker American art historian
Drucker, Johanna (Johanna Ruth), 1952-
Drucker, Johanna (American author and artist, born 1952)
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Drucker, Johanna, n. 1952
VIAF ID: 71503942 (Personal)
Permalink: http://viaf.org/viaf/71503942
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Drucker, Johanna
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American author and artist, born 1952
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100 1 _ ‡a Drucker, Johanna ‡q (Johanna Ruth), ‡d 1952-
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Johanna Drucker
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American art historian
4xx's: Alternate Name Forms (16)
Works
| Title | Sources |
|---|---|
| 22, 2014: |
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| Alfabetski lavirint : slova u istoriji i imaginaciji : [sa 339 ilustracija] |
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| All the books catalogue raisonné |
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| Alphabetic labyrinth : the letters in history and imagination |
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| As no storm |
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| Biblio Unbound |
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| The book as art : artists' books from the National Museum of Women in the arts |
|
| Book Reviews |
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| Books, 1994: |
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| The century of artists' books |
|
| A chronology of books from 1970 to 1994, written on occasion of the show at Granary Books, New York City, June 1994 |
|
| Collaboration without Object(s) in the Early Happenings |
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| Le corps d'à côté : déplacements, extensions, relations |
|
| Cuba |
|
| Damaged nature, salvage culture : specific fragments |
|
| Dark decade |
|
| Diagrammatic writing |
|
| Diagrammatisk skrift |
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| Digital humanities |
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| Digital Klee. Esquisses Pédagogiques : Enquête sur le futur de la forme = dagogical Sketchbook : An inquiry into the future of forme |
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| Digital Ontologies: The Ideality of Form in/and Code Storage—or— Can Graphesis Challenge Mathesis? |
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| Digital reflections : the dialogue of art and technology |
|
| "Don't pay any attention to him. He's 90% water" : the cartooning career of Boris Drucker : a retrospective exhibition of the artist's work : [Louise and Bernard Palitz Gallery, Joseph I. Lubin House of Syracuse University, New York City, 21 March - 29 April 2005]. |
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| Downdrift |
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| The dual muse: the writer as artist, the artist as writer. |
|
| Emerging sentience |
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| Experimental - visual - concrete : avant-garde poetry since the 1960s |
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| Fabulas feminae |
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| Figuring the word : essays on books, writing, and visual poetics |
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| From A to Z our an (collective specifics) : an im partial bibliography; incidents in a non-relationship, or, how I came to not know who is |
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| A girl's life |
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| Graphesis visual forms of knowledge production |
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| Graphic design history a critical guide |
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| Her I.D., auto-, bio-, mono-graphy |
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| Heterochronologies: a platform for correlation and research in temporal graphics |
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| History of the/my word : fragments of a testimonial to history, some lived and realized moments open to claims of memory. |
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| Iliazd : a meta-biography of a modernist |
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| Information visualization and/as enunciation |
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| Inventing the alphabet : the origins of letters from antiquity to the present |
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| Italy, 1980: |
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| Johanna Drucker, Druckworks 1972-2012 |
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| Il labirinto alfabetico : le lettere nella storia e nel pensiero |
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| Letter in support of the PO.EX’70-80 project research proposal |
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| À l'interieur deu [sic] la langueage [sic] |
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| Night crawlers on the Web |
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| Nova reperta : new discoveries and inventions |
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| Off-world fairy tales |
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| Otherspace : Martian ty/opography |
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| Performative metatexts in metadata, and mark-up |
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| Perspectives on contemporary printmaking : critical writing since 1986 |
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| Le Petit Journal des Refusées |
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| Poetry plastique |
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| Public fantasy : an anthology of critical essays, fictions and project descriptions / [exposition, London, ICA, 1991]. |
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| Queenie & the prince slide-tape performance by Johanna Drucker plus films by Abigail Child, Yune twelfth at eight PM, intersection 756 Union St. SF, [dollar sign] two fifty. |
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| ReRites - Raw Output / Responses (paperback) |
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| Seeing double : Susan Bee and Miriam Laufer |
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| Simulant portrait |
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| SpecLab : digital aesthetics and projects in speculative computing |
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| Stochastic poetix |
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| Sweet dreams : contemporary art and complicity |
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| Testament of women : a new translation to & from the texts |
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| Theorizing modernism : visual art and the critical tradition |
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| Todos os livros catálogo comprovado |
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| Tongues : a parent language. |
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| Tribute to Emma Bee Bernstein (1985-2008) |
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| Twenty-six let her's not a matter of permission |
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| Typographically speaking : the art of Matthew Carter |
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| The visible word : experimental typography and modern art, 1909-1923 |
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| Visualisation l'interprétation modélisante |
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| Visualization and interpretation humanistic approaches to display |
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| Wall drawings and artist books |
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| What is? : nine epistemological essays |
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| Who's Afraid of Visual Culture? |
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| The Why and How of Middleware |
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| The word made flesh |
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| 다이어그램처럼 글쓰기 |
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