Parry, John 1710-1782
Parry, John
Parry, John 1710c-1782
John Parry Ddall Welsh musician
Parry, John, approximately 1710-1782
Parry, John, ca. 1710-1782
Parry, John ca1710-1782
VIAF ID: 62800193 (Personal)
Permalink: http://viaf.org/viaf/62800193
Preferred Forms
- 100 0 _ ‡a John Parry Ddall ‡c Welsh musician
- 200 _ | ‡a Parry ‡b John ‡f 1710-1782
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- 100 1 _ ‡a Parry, John ‡d 1710-1782
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- 100 1 _ ‡a Parry, John ‡d ca1710-1782
- 100 1 _ ‡a Parry, John, ‡d approximately 1710-1782
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4xx's: Alternate Name Forms (35)
5xx's: Related Names (2)
- 551 1 _ ‡a Bryn Cynan
- 551 1 _ ‡a Ruabon
Works
Title | Sources |
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17th- and 18th-century harp music [SR] 1984: | |
The 29th of May [...] Variations per Mr Parry | |
Airs | |
I am my mammy's anly bairn | |
Antient British music, 1742 | |
As beaut'ous as Flora. Norah, the pride of Kildare. A ballad [V/pf] [London, D'Almaine] | |
Ballads | |
Bards we're told (in ancient lore) | |
Beauty in tears. A ballad [V/pf], sung ... in the grand romance of Lodoiska, written & arranged by John Parry. [London, Dublin, Goulding, D'Almaine, Potter & Co.] | |
The Birks of Invermay | |
Blame me not my gentle laddie an answer to "Smile again my bonnie lassie" ... | |
Can love be controlled by advice | |
[caption title:] Dafydd Gangwen :. variations | [...] J. Parry | |
[caption title, f.16r:] The Berks of Endermay. | |
[caption title, f.30v:] The Lass that was laden with care by J. Parry | |
[caption title, f.38v:] Meillionem, or S.r Watkin's Delight. by J. Parry | |
[caption title, f. 79r:] A Scotch Song | |
[caption title, p.130:] The Lass of Paties Mill | |
[caption title, p.21:] 2.d Air - [space] by M|r Parry | |
The Carnarvonshire March | |
Collection of Welsh, English & Scotch airs with new variations | |
Collection of Welsh, English & Scotch airs with new variations. Selections | |
Dafudd gareg wen | |
Donald is no more! A ballad | |
Dygan troiad tant | |
O Erin! thy shores are before me | |
Flow gently, deva a duet | |
Fortunatus a popular air | |
Four new sonatas for the harp, 1761 | |
A fourth fantasia for Wheatstone's patent symphonion in which are introduced Cielo, a miei lunghi spasini, the favorite Swiss air in the overture to William Tell | |
Goulding & Cos. collection of new and favorite country dances reels & waltzes | |
Gran marcha y Rondo para piano forte, y flauta | |
The Hanoverian rondo for the piano forte, composed to correspond with the Arabian and Russian rondos ... | |
Harp recital at Carnegie Hall | |
[heading:] Smile again my bony Lassie! | [right:] John Parry. | |
The Highland Laddie; [...] with Parry's Variations | |
I'm o'er young to marry yet Scotch ballad, sung by Madme. Caraddri Allan, at the festivals & public concerts | |
Lessons. Harfa. Nr 2 | |
Lessons, harp | |
Lessons, harp. No. 1 | |
Lessons, harp. No. 2 | |
Lessons Harpe ou clavecin No 1 Ré majeur | |
Love, port & sherry a new song | |
I love to hear the wood lark sing a favorite rondeau for the voice and piano forte | |
O merry row the bonny bark | |
Mild as the moonbeam! the favorite quartetto, introduced in the opera of Artaxerxes at the Theatres Royal, Covent Garden and Drury Lane ... | |
[mit Evan Williams:] Antient British music, or A collection of tunes, never before published, which are retained by the Cambro-Britons ... part I, containing twenty-four airs, set for the harp, harpsichord, violin, and all within the compass of the german flute; and figured for a thorough-bass. [London, Mickleborough; for the compilers] | |
Music for harp [SR] p1975 (a.e.) | |
New March | |
No. 3 of progressive rondos for the piano forte : subject C'est l'amour | |
No. [38] of Goulding & D'Almaine's new & correct edition of Scottish songs | |
Now smiling summer gilds the scene | |
O'er the braes and o'er the burn | |
Oh! No - we never mention her an admired ballad, from Bayly's Melodies of various nations | |
The opera hat a favorite dance | |
Pieces | |
Poor Dennis O'Larry had, ere he could marry | |
The Reply | |
Robin is my only Jo | |
Sonata in D major | |
Sonata K 132 | |
Sonaten, Hf (1761) | |
Suite III | |
TAMERLANE | AN | OPERA | Compos'd by M|r. Handel | And Corrected & figur'd by his own Hand. | Engrav'd on Copper Plates. | And to render this work more acceptable to Gentlemen | & Ladies, every Song is truly Translated into English | Verse, & the Words Engrav'd to the Musick under the | Italian, which was never done before in any OPERA. | LONDON | Engrav'd, Printed & Sold by J. Cluer in Bow Church Yard, Price 16|s. for y|e Flute 2|s:6|d | Where may be had the Opera of Julius Cæsar in Score & for y|e Flute. A Pocket Companion | for Gentlemen & Ladies being a Collection of Opera Songs in English and Italian. | |
Tamerlano | |
The thrush a rondo, for the piano forte with an accompaniment for the flute or flageolot ... No. 2. | |
[title page:] BRITISH HARMONY | Being a COLLECTION of | ANTIENT WELSH AIRS | The traditional Remains of those | ORIGINALLY SUNG | By the | Bards of Wales, carefully compiled | and now first published with some additional Variations | By JOHN PARRY | Inscribed with all due Esteem and Gratitude to | Sir WATKIN WILLIAMS WYNN. | LONDON | Printed by Broderip & Wilkinson No 13 Hay market Manufacturers | of the Patent Pedal Harps, Piano Fortes & Barrel Organs. &c. &c. &c. | |
[title page:] Herrn | Hermann Kestner | in | Hannover. | Der Untergang der Barden, | Cyklus | Alt-Walisischer Volksgesänge | aus der Sammlung von | John Parry | in deutscher Übersetzung | von | Hermann Kestner | für Männerchor, Baß=Solo mit Orgel u. Pianofortebegleitung | bearbeitet von | O. H. LANGE. | [by Kestner:] geb. d. 17|t|e|n April 1820 gest. d. 8|t|e|n Nov. 1887. | |
Toccata baroque & neo-baroque music for harp [Enregistrement sonore] | |
O! twine a wreath of evergreen | |
Waters of Elle a canzonet from the popular novel of Glenarvon | |
We are two roving minstrels a duet, sung ... by Master Smith and Master Parry, at the Eisteddvod or Meeting of Welsh bards & minstrels held on the 22nd of May 1823, at the Freemason's Hall | |
Y tri thelynor, 1945: |