Peretz, Isabelle.
![Sudoc [ABES], France](/viaf/images/flags/SUDOC.png "Sudoc [ABES], France")
Isabelle Peretz Canadian psychologist
Peretz, Isabelle, 1956-
VIAF ID: 59344825 (Personal)
Permalink: http://viaf.org/viaf/59344825
Preferred Forms
-
100 0 _
‡a
Isabelle Peretz
‡c
Canadian psychologist
-
200 _ 1 ‡a Peretz ‡b Isabelle
-
200 _ | ‡a Peretz ‡b Isabelle ‡f 1956-....
-
100 1 _
‡a
Peretz, Isabelle
-
100 1 _ ‡a Peretz, Isabelle
-
100 1 _ ‡a Peretz, Isabelle
-
100 1 _
‡a
Peretz, Isabelle
-
100 1 _ ‡a Peretz, Isabelle
-
100 1 _ ‡a Peretz, Isabelle
-
100 1 _ ‡a Peretz, Isabelle
-
100 1 _ ‡a Peretz, Isabelle
-
100 1 _
‡a
Peretz, Isabelle
-
100 1 _ ‡a Peretz, Isabelle
-
100 1 _
‡a
Peretz, Isabelle
-
100 1 _ ‡a Peretz, Isabelle
-
100 1 _ ‡a Peretz, Isabelle, ‡d 1956-
-
100 1 _ ‡a Peretz, Isabelle, ‡d 1956-
-
100 1 _ ‡a Peretz, Isabelle.
4xx's: Alternate Name Forms (14)
5xx's: Related Names (1)
- 551 _ _
‡a
Montréal
‡4
ortw
‡4
https://d-nb.info/standards/elementset/gnd#placeOfActivity
Works
| Title | Sources |
|---|---|
| Apprendre la musique. |
|
| The biological foundations of music, 2001: |
|
| The cognitive neuroscience of music (éd. ; travaille au département de psychologie de l'Université de Montréal) |
|
| Modes of processing melodies and ear asymmetry in non-musicians |
|
| The modulation of pain by attention and emotion: a dissociation of perceptual and spinal nociceptive processes |
|
| Modulation of the startle reflex by pleasant and unpleasant music. |
|
| The Montreal Protocol for Identification of Amusia |
|
| Music Agnosias: Selective Impairments of Music Recognition After Brain Damage |
|
| Music, language, and modularity in action |
|
| Music lexical networks: the cortical organization of music recognition. |
|
| Music listening engages specific cortical regions within the temporal lobes: differences between musicians and non-musicians. |
|
| Musical difficulties are rare: a study of "tone deafness" among university students. |
|
| The "Musical Emotional Bursts": a validated set of musical affect bursts to investigate auditory affective processing |
|
| Musical excerpts: indices relating to familiarity, age of acquisition and verbal associations |
|
| Musical scale properties are automatically processed in the human auditory cortex |
|
| Musical structural determinants of emotional judgments in dementia of the Alzheimer type. |
|
| Musical training improves the ability to understand speech-in-noise in older adults |
|
| Musique, langage, émotion : approche neuro-cognitive : textes issus du XXXe Symposium de l'Association de psychologie scientifique de langue française (APSLF) |
|
| The Nature and Nurture of Melody: A Twin Study of Musical Pitch and Rhythm Perception. |
|
| The nature of music from a biological perspective. |
|
| The need to consider underlying mechanisms: A response from dissonance |
|
| Neurobiological, cognitive, and emotional mechanisms in melodic intonation therapy |
|
| Neurophysiological and Behavioral Differences between Older and Younger Adults When Processing Violations of Tonal Structure in Music |
|
| Neuroscience and Music ("Neuromusic") III: disorders and plasticity. Preface |
|
| The Neurosciences and Music IV : Learning and Memory |
|
| A novel tool for evaluating children's musical abilities across age and culture |
|
| On the Relevance of Natural Stimuli for the Study of Brainstem Correlates: The Example of Consonance Perception |
|
| "Out-of-pitch" but still "in-time". An auditory psychophysical study in congenital amusic adults |
|
| Patterns of music agnosia associated with middle cerebral artery infarcts. |
|
| Perceiving the tonal ending of tune excerpts: the roles of pre-existing representation and musical expertise |
|
| Perception and action in singing |
|
| Pitch perception and production in congenital amusia: Evidence from Cantonese speakers |
|
| Playing Super Mario increases oculomotor inhibition and frontal eye field grey matter in older adults |
|
| Poor Synchronization to Musical Beat Generalizes to Speech |
|
| Pre-target neural oscillations predict variability in the detection of small pitch changes |
|
| Prelude or requiem for the 'Mozart effect'? |
|
| Priming paradigm reveals harmonic structure processing in congenital amusia |
|
| Processing interactions between phonology and melody: vowels sing but consonants speak |
|
| Processing of local and global musical information by unilateral brain-damaged patients |
|
| Processing prosodic and musical patterns: a neuropsychological investigation |
|
| A quoi sert la musique? |
|
| Random Feedback Makes Listeners Tone-Deaf. |
|
| Recognition of music in long-term memory: are melodic and temporal patterns equal partners? |
|
| Recording the human brainstem frequency-following-response in the free-field |
|
| Revisiting the dissociation between singing and speaking in expressive aphasia |
|
| The role of contour and intervals in the recognition of melody parts: evidence from cerebral asymmetries in musicians |
|
| Role of familiarity in auditory discrimination of musical instrument: a laterality study |
|
| Role of tempo entrainment in psychophysiological differentiation of happy and sad music? |
|
| Sensitivity to musical emotions in congenital amusia. |
|
| Shifting ear differences in melody recognition through strategy inducement |
|
| Should we make aphasic patients sing? |
|
| Singing ability is rooted in vocal-motor control of pitch |
|
| Singing Delays the Onset of Infant Distress |
|
| Singing proficiency in the general population |
|
| The singing voice is special: Persistence of superior memory for vocal melodies despite vocal-motor distractions |
|
| Songs as an aid for language acquisition. |
|
| The sound of mute vowels in auditory word-stem completion. |
|
| Specialized neural dynamics for verbal and tonal memory: fMRI evidence in congenital amusia |
|
| The specificity of neural responses to music and their relation to voice processing: an fMRI-adaptation study. |
|
| SPEECH INTONATION PERCEPTION DEFICITS IN MUSICAL TONE DEAFNESS |
|
| Speech vs. singing: infants choose happier sounds |
|
| Statistical learning of speech, not music, in congenital amusia |
|
| Steady-state evoked potentials as an index of multisensory temporal binding |
|
| Successful measurement of the mismatch negativity despite a concurrent movie soundtrack: reduced amplitude but normal component morphology |
|
| Tagging the neuronal entrainment to beat and meter. |
|
| Task determinants of ear differences in melody processing |
|
| Time course of melody recognition: a gating paradigm study. |
|
| Tone language fluency impairs pitch discrimination |
|
| Toward a biological account of music experience. |
|
| Towards a Neurobiology of Musical Emotions |
|
| Universal recognition of three basic emotions in music. |
|
| Using music as a mnemonic in normal aging and Alzheimer’s disease. |
|
| Varieties of musical disorders. The Montreal Battery of Evaluation of Amusia |
|
| Vocal pitch shift in congenital amusia (pitch deafness). |
|
| What is specific to music processing? Insights from congenital amusia. |
|
| What Makes Musical Prodigies? |
|
| Without it no music: cognition, biology and evolution of musicality |
|
