Rees, Ellen 1967-
Rees, Ellen
Rees, Ellen R., 19..-....
Rees, Ellen R.
Ellen Rees
VIAF ID: 5207515 ( Personal )
Permalink: http://viaf.org/viaf/5207515
Preferred Forms
- 100 0 _ ‡a Ellen Rees
- 200 _ | ‡a Rees ‡b Ellen R.
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- 100 1 _ ‡a Rees, Ellen
- 100 1 _ ‡a Rees, Ellen
- 100 1 _ ‡a Rees, Ellen R., ‡d 19..-....
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- 100 1 _ ‡a Rees, Ellen ‡d 1967-
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4xx's: Alternate Name Forms (6)
5xx's: Related Names (7)
- 510 2 _ ‡a Arizona State University
- 510 2 _ ‡a Arizona State University ‡e Affiliation
- 510 2 _ ‡a Universitetet i Oslo
- 510 2 _ ‡a Universitetet i Oslo ‡e Affiliation
- 510 2 _ ‡a University of Oregon (Eugene, Or.)
- 510 2 _ ‡a University of Oregon ‡9 g:Eugene, Or. ‡e Affiliation
- 510 2 _ ‡a University of Washington
Works
Title | Sources |
---|---|
Abject masculinity in Niels Fredrik Dahl's Herre | |
Åsne Seierstad's En av oss : perpetrator and victim in the construction of national innocence | |
Den barmhjertige Ibsen : Simon Strangers Gjengangeren | |
Between the map and the terrain : Erlend O. Nødtvedt's Vestlandet | |
Bjørnson’s Sigurd Slembe and the place of the Sámi in Norway’s Cultural Archive | |
Bjørnsons "Sæterromantikk" | |
Bjørnsons Sigurd Slembe og samenes plass i Norges kulturelle arkiv | |
Body, corpus, and corpse : delineating Henrik Ibsen in A.S. Byatt's 'The biographer's tale' | |
A brief history of the Centre for Ibsen Studies | |
By the open sea : Ibsen's Fruen fra havet and Fosse's Nokon kjem til å komme | |
Cabins in modern Norwegian literature : negotiating place and identity | |
Cora Sandel, Norwegian neo-realist or European modernist? | |
Domesticated wilderness in two Norwegian children's classics | |
Dramatizing biographers: Michael Meyer’s A meeting in Rome and Robert Ferguson’s Dr. Ibsen’s ghosts | |
Entanglements of adaptation, allegory, and reception : Jaws and An enemy of the people | |
Erik Bjerck Hagen: Hvordan lese Ibsen? samtalen om hans dramatikk 1879–2015 | |
Figurative space in the novels of Cora Sandel. - | |
Fogden, kvinnen og taterungen : omstreifermotivet i Ibsens Brand | |
Gunnar Larsens leting etter det egentlige Norge i Bull | |
Hagar Olsson's Chitambo and the ambiguitie of female modernism | |
Hamsun i Tromsø V: rapport fra den 5. internasjonale Hamsun-konferansen, 2011 | |
Hamsun's problematic "I" : The wanderer trilogy as performative biographism | |
Henrik Ibsen som tegneseriefigur : fra sfinksen til Dovregubben | |
The hunter's cabin as anti-modern retreat | |
Ibsen exposed : Atle Næss's Sensommer and Niels Fredrik Dahl's Henrik og Emilie | |
Ibsen in performance | |
Ibsen, Sancthansnatten og de «saakaldte lavere kunstarter» = Henrik Ibsen, Saint John’s night, and the ‘so-called lower art forms’ | |
Ibsen's Peer Gynt and the production of meaning | |
Ingvar Ambjørnsens hytte-noir | |
Introduction | |
Knut Hamsun: The dark side of literary brilliance : [review] | |
Kulturmøter i nordisk samtidslitteratur : festskrift til Per Thomas Andersen | |
Mark B. Sandberg, Ibsen's houses: architectural metaphor and the modern uncanny, Cambridge, UK, Cambridge University Press, 2015 : [review] | |
Mass media and popular reception | |
Melodramatic traces and places in The lady from the sea | |
Minoritetsdiskurser i norsk litteratur | |
Nikolaj Frobenius's Teori og praksis in theory and practice | |
The Nordic 'quirky feel-good' | |
On the margins : nordic women modernists of the 1930s | |
På spor av modernismen i Cora Sandels "Alberte-trilogi | |
Patriarchal consumption of the female body in Cecilie Løveid's Måkespisere | |
Peer Gynt: the missing years : Peer Gynt (Oscar Apfel, Morosco, 1915) : Peer Gynts Jugend and Peer Gynts Wanderjahre und Tod (Victor Barnowsky, Richard Oswald-film, 1919) | |
Personal ideology and collective cinema : Folk flest bor i Kina and contemporary norwegian political consciousness | |
Peter Larsen: Ibsen og fotografene | |
The place of the nation in Camilla Collett's Amtmandens Døttre | |
Den populærkulturelle Ibsen : en studie i nyere norsk resepsjon | |
The post-cabin in late modernity | |
Post-secular salvation: Hallvard Bræin's Gatas Gynt | |
Preface | |
Den reflekterende overflaten: Erlend Loes Doppler (2004) og Volvo lastvagnar (2005) | |
The seter as a transgressive allegorical home | |
Sverre Lyngstad: Knut Hamsun, novelist : a critical assessment | |
Tourism and colonial desire in Knut Hamsun's Pan | |
Tropes revisited : Evert Sprinchorn's Ibsen's kingdom: the man and his works and recent historical research in Ibsen studies |