Reese, Gustave, 1899-1977.
Reese, Gustave
Gustave Reese
Reese, Gustav, 1899-1977
Gustave Reese American musicologist
VIAF ID: 46864320 ( Personal )
Permalink: http://viaf.org/viaf/46864320
Preferred Forms
- 100 0 _ ‡a Gustave Reese
- 100 0 _ ‡a Gustave Reese ‡c American musicologist
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- 200 _ | ‡a Reese ‡b Gustave ‡f 1899-1977
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- 100 1 _ ‡a Reese, Gustave
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- 100 1 0 ‡a Reese, Gustave
- 100 1 _ ‡a Reese, Gustave
- 100 1 _ ‡a Reese, Gustave
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- 100 1 _ ‡a Reese, Gustave ‡d 1899-1977
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- 100 1 _ ‡a Reese, Gustave, ‡d 1899-1977
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4xx's: Alternate Name Forms (32)
5xx's: Related Names (2)
- 551 1 _ ‡a Berkeley, CA
- 551 1 _ ‡a New York
Works
Title | Sources |
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Alma redemptoris mater | |
Amereis mi vous, cuer dous ? | |
Amour de moi | |
Amours et ma dame aussi | |
Beata progenies | |
Biographical Dictionnary of musicians. - | |
birthday offering to [C E] | |
Ce fut en mai | |
The commonwealth of music | |
Crist and Sainte Marie | |
Da poi che'l sole | |
Dance of death | |
Daz Gedeones wollenvlius intouwe | |
Di novo è guint'un cavalier errante | |
Douce dame jolie | |
Erich Wolfgang Korngold collection | |
Essays in musicology, in honor of Dragan Plamenac on his 70th birthday. | |
Evolutionismus und Theismus bei John Fiske | |
Fourscore classics of music literature : a guide to selected original sources on theory and other writings on music not available in English, with descriptive sketches and bibliographical references | |
Frutos del dolor | |
The golden age of the madrigal : twelve Italian madrigals for five-part chorus of mixed voices | |
In seculum arhlex seculi | |
Journal | |
A la fontenele qui sourt soz la raime | |
Lettre | |
Ma fin est mon commencement | |
Man mei longe him lives wene | |
Maria, muster reinû mait | |
Music in the Middle Ages | |
Music in the middle ages, with an introduction on the music of ancient times | |
Music in the Renaissance | |
Music of the illustrious confraternity of our Lady at 's-Hertogenbosch from 1330 to 1600 | |
Music written for radio | |
La música en el renacimiento | |
La música en la edad media : con una introducción sobre la música en la edad antigua | |
La musica nel Medioevo | |
Musice actiue micrologus | |
Musique naturelle et musique artificielle : in memoriam Gustav Reese | |
New data about the Serbian chant | |
The New Grove high Renaissance masters : Josquin, Palestrina, Lassus, Byrd, Victoria | |
Nie alerst lebe ich mir werde | |
nocte è curta | |
Notes sur les Barzelette et les Canzoni a ballo du Quattrocento italien, d'après des documents inédits | |
Ockeghem à Notre-Dame de Paris. (1463-1470) | |
Ockeghem's Canon for thirty-six voices : an essay in musical iconography | |
Papers of the American musicological society. Annual meeting 1941. Edited by Gustave Reese | |
Papers read at the International congress of musicology held at New York, September 11th to 16th 1939, edited by Arthur Mendel, Gustave Reese and Gilbert Chase | |
Pierrot lunaire | |
Pois preyatz me senhor | |
Por conforter ma pesance | |
Pre-English use of the term "Virginal" | |
prisoner's song | |
Publications of Dragan Plamenac | |
Quand' io ero giovinetto | |
Quand' io pens' al martire | |
Questa fanciull' amor | |
Questo mostrarsi lieta a tutte l'hore | |
Quivi sospiri, pianti ed alti guai | |
Quoando dormy ve come la mya Seignore | |
Rappresentazione di Anima e di Corpo | |
Reis glorios, varais lums eclartate | |
Resjouissez vous bourgeoises | |
Robin m'aime, Robin m'a | |
Roma gaudens iubila | |
Rosa das rosas | |
Si j'ay pour vous | |
Since beauty that is boundless, grace that charms me | |
Some enemies of folk-music in America | |
Some problems confronting musicians in the American | |
Spanish musicians in sixteenth-century England | |
Talent mesprus | |
Tanto mi trovo | |
Text underlay in early fifteenth-century musical manuscripts | |
Therein deep sighing, weeping, groans loud and fearful | |
Tous les regretz qu'oncques furent au monde | |
Tresoriers de Lille [Pieros li Borgnes] | |
Tribute to Manfred Bukofzer, 1910-1955 | |
Unvürzaghete | |
Venite a laudare | |
Verament' in amore | |
Wach auff, mgn hort | |
Welcoming remarks | |
When I was a merry stripling | |
Women's songs from the Yemen : their tonal structure and form. |