Fried, Michael, 1939-....
Fried, Michael
Fried, Michael, kunst
Michael Fried American art critic
Fried, Michael M. (1939- )
Fried, M
VIAF ID: 46761268 ( Personal )
Permalink: http://viaf.org/viaf/46761268
Preferred Forms
- 200 _ | ‡a Fried ‡b Michael ‡f 1939-....
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- 100 1 _ ‡a Fried, Michael
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- 100 1 _ ‡a Fried, Michael
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- 100 1 0 ‡a Fried, Michael
- 100 1 _ ‡a Fried, Michael
- 100 1 _ ‡a Fried, Michael
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- 100 1 _ ‡a Fried, Michael ‡d 1939-
- 100 1 _ ‡a Fried, Michael ‡d 1939-
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- 100 1 _ ‡a Fried, Michael, ‡d 1939-
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- 100 1 _ ‡a Fried, Michael, ‡d 1939-....
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- 100 0 _ ‡a Michael Fried ‡c American art critic
4xx's: Alternate Name Forms (23)
5xx's: Related Names (2)
Works
Title | Sources |
---|---|
Absorption and theatricality | |
Absorption and theatricality : painting and beholder in the age of Diderot | |
Another light Jacques-Louis David to Thomas Demand | |
Anri Sala : catalogue réalisé à l'occasion de l'exposition... au Centre Pompidou, Galerie sud, 3 mai - 6 août 2012 | |
Anthony Caro | |
Apollonius of Perga's Conica text, context, subtext | |
Art and objecthood | |
At first light | |
Caro at Museo Correr | |
Caro : Park Avenue series : [exhibition, June 6 - Jule 27, 2013], Gagosian Gallery, London | |
Charles Ray, Skulpturen 1997 - 2014 [anlässlich der Ausstellung "Charles Ray. Skulpturen 1997 - 2014", Kunstmuseum Basel, 15. Juni - 28. September 2014 ; The Art Institute of Chicago, 17. Mai - 4. Oktober 2015] | |
Chorale cantata : for soprano, oboe, violin and strings | |
Collyer's Core | |
Contre la théâtralité du minimalisme à la photographie contemporaine | |
Coubert's realism | |
Courbet reconsidered : [The Brooklyn Museum, November 4,1988 - January 16, 1989, The Minneapolis Institute of Arts, February 18 - April 30, 1989] | |
Courbet's realism | |
David after David : essays on the later work : based on the proceedings of a symposium co-sponsored by the Getty Research Williamstown, Massachusetts Institute and the Sterling and the Sterling and Francine clark Ibstiture, held 24-25 June 2005 at the Clark in Williamstown, Massachusetts] | |
Discussions in contemporary culture : number one | |
Douglas Gordon. | |
Esejas. | |
Essays. Selections | |
Esthétique et origines de la peinture moderne | |
Flaubert's "gueuloir" : on Madame Bovary and Salammbô | |
Four honest outlaws : Sala, Ray, Marioni, Gordon | |
French Suite a book of essays | |
Frontiers in gastric emptying : proceedings of an International Symposium : held in Lausanne, Switzerland, September 26 to 28, 1993 | |
Inferential statistics in the behavioral sciences : Workbook in | |
Jackson Pollock : blind spots | |
Jeff Wall, Wittgenstein et le quotidien | |
John Riddy photographs | |
L'anti-narcisse : Courbet et Hegel | |
Larry Poons | |
El lugar del espectador : estética y orígenes de la pintura moderna | |
Manet's modernism, or, The face of painting in the 1860s | |
Menzel's realism art and embodiment in nineteenth-century Berlin | |
Menzels Realismus Kunst und Verkörperung im Berlin des 19. Jahrhunderts | |
modernisme de Manet ou Le visage de la peinture dans les années 1860 | |
Moment of Caravaggio | |
Morris Louis | |
n79089516 | |
Other hands : [poems] | |
Painting with demons the art of Gerolamo Savoldo | |
Philippe Parreno : films 1987-2010 | |
Photography degree zero : reflections on Roland Barthes's Camera lucida | |
place du spectateur | |
Poems. Selections | |
Poems. Selections (Appetites) | |
The pool : for SATB chorus and piano | |
Pourquoi la photographie a aujourd'hui force d'art | |
Promesse du Bonheur | |
El "Punctum" de Roland Barthes | |
Realism, writing, disfiguration on Thomas Eakins and Stephen Crane | |
Refracting vision : essays on the writings of Michael Fried | |
salon de 1846 | |
Sculpture, 1997-2014 | |
Shape as form | |
Simple daylight : soprano and piano | |
Stephen Shore | |
Tennyson's Dark garden | |
Things beyond resemblance : James Welling photographs | |
Thomas Demand : animations. | |
Thomas Demand : the complete papers | |
Three American painters: Kenneth Noland, Jules Olitski, Frank Stella. | |
To the center of the earth, 1994: | |
Warum Photographie als Kunst so bedeutend ist wie nie zuvor | |
What was literary impressionism ? | |
Why photography matters as art as never before | |
Works. | |
Writing back to modern art : after Greenberg, Fried and Clark | |
"Zdobycz" Gustawa Courbeta : (z ekskursem na temat "Śmierci jelenia") | |
예술이 사랑한 사진 | |
没入と演劇性 : ディドロの時代の絵画と観者 |