Lawrence, Jacob, 1917-2000.
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Jacob Lawrence African American painter and art professor (1917-2000)
Lawrence, Jacob, 1917-
לורנס, ג'ייקוב, 1917-2000
Lawrence, Jacob (American painter, 1917-2000)
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VIAF ID: 42644829 (Personal)
Permalink: http://viaf.org/viaf/42644829
Preferred Forms
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Jacob Lawrence
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African American painter and art professor (1917-2000)
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200 _ | ‡a Lawrence ‡b Jacob ‡f 1917-2000
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100 1 _ ‡a Lawrence, Jacob ‡d (1917-2000)
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Lawrence, Jacob
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1917-
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100 1 _
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Lawrence, Jacob
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1917-2000
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100 1 _
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Lawrence, Jacob
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1917-2000
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100 1 _
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Lawrence, Jacob
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1917-2000
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100 1 _ ‡a Lawrence, Jacob ‡d 1917-2000
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100 1 _ ‡a Lawrence, Jacob ‡d 1917-2000
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Lawrence, Jacob
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American painter, 1917-2000
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100 1 _ ‡a Lawrence, Jacob, ‡d 1917-
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100 1 _ ‡a Lawrence, Jacob, ‡d 1917-2000
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100 1 _ ‡a Lawrence, Jacob, ‡d 1917-2000
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Lawrence, Jacob,
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1917-2000
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100 1 _ ‡a Lawrence, Jacob, ‡d 1917-2000
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Lawrence, Jacob,
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1917-2000
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100 1 _ ‡a Lawrence, Jacob, ‡d 1917-2000
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100 1 _
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Lawrence, Jacob,
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1917-2000
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100 1 _ ‡a Lawrence, Jacob, ‡d 1917-2000
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100 1 _ ‡a Lawrence, Jacob, ‡d 1917-2000.
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100 1 _ ‡a לורנס, ג'ייקוב, ‡d 1917-2000
4xx's: Alternate Name Forms (38)
5xx's: Related Names (3)
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Atlantic City, NJ
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https://d-nb.info/standards/elementset/gnd#placeOfBirth
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Knight, Gwendolyn
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1913-2005
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https://d-nb.info/standards/elementset/gnd#familialRelationship
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Beziehung familiaer
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Seattle, Wash.
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orts
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https://d-nb.info/standards/elementset/gnd#placeOfDeath
Works
| Title | Sources |
|---|---|
| Aesop's fables |
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| I can fly. |
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| The first book of Moses, called Genesis : the King James Version |
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| The Great Migration : an American Story |
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| Harriet et la terre promise |
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| Hiroshima |
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| Housing for the Negroes was a very difficult problem |
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| In every home people who had not gone North met and tried to decide if they should go North or not |
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| In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement |
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| Industries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor camps were numerous |
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| Jacob Lawrence, 2015: |
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| Jacob Lawrence : the Harriet Tubman series : January 18-March 2, 1986, Albright-Knox Art Gallery, Buffalo, New York. |
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| Jesse Jackson |
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| John Brown. 1978 |
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| John Brown series |
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| Juke Box |
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| Junk |
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| Kids & African American art |
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| The labor agent who had been sent South by Northern industry was a very familiar person in the Negro counties |
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| The Library |
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| "Men exist for the sake of one another. Teach them then or bear with them."--Marcus Aurelius Antoninus, Meditations, VIII:59. From the series Great Ideas of Western Man. |
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| migrants arrived in great numbers |
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| migration gained in momentum |
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| Migration of the Negro |
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| The Migration Series, Panel no. 17: Tenant farmers received harsh treatment at the hands of planters. |
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| The Migration Series, Panel no. 39: Railroad platforms were piled high with luggage. |
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| The Migration Series, Panel no. 47: As the migrant population grew, good housing became scarce. |
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| The Migration Series, Panel no. 5: Migrants were advanced passage on the railroads, paid for by northern industry. Northern industry was to be repaid by the migrants out of their future wages. |
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| The Migration Series, Panel no. 51: African Americans seeking to find better housing attempted to move into new areas. This resulted in the bombing of their new homes. |
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| The Migration Series, Panel no. 53: African American, long-time residents of northern cities met the migrants with aloofness and disdain. |
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| The Migration Series, Panel no. 55: The migrants, having moved suddenly into a crowded and unhealthy environment, soon contracted tuberculosis. The death rate rose. |
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| The Migration Series, Panel no. 59: In the North they had the freedom to vote. |
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| Nach der Flucht |
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| Negro press was also influential in urging the people to leave the South |
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| Negro was the largest source of labor to be found after all others had been exhausted |
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| New Jersey, from the United States Series |
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| Nigeria series |
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| Oeuvre. Extraits |
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| One-way ticket |
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| Painting Harlem modern, (University of California Press) |
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| Paintings. Selections |
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| The Photographer |
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| Pool Parlor |
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| railroad stations were at times so over-packed with people leaving that special guards had to be called in to keep order |
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| Sans titre |
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| The Shoemaker |
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| Still Life With Masks |
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| Struggle ... from the history of the American people |
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| Struggle Series - No. 10: Washington Crossing the Delaware |
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| The Studio |
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| Study for the Munich Olympic Games Poster |
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| Supermarket Flora |
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| They also worked in large numbers on the railroad |
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| They did not always leave because they were promised work in the North. Many of them left because of Southern conditions one of them being great floods that ruined the crops and therefore they were unable to make a living where they were |
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| Toussaint at Ennery |
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| The Toussaint L'Ouverture series : a visual narration of the liberation of Haiti in 1804 under the leadership of General Toussaint L'Ouverture |
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| The Toussaint L'Ouverture series; [exhibition] December 8-30, 1968, the Art Gallery, Fisk University. |
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| Toussaint L'Ouverture : the fight for Haiti's freedom |
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| trains were packed continually with migrants |
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| Two rebels |
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| Underground railroad: Fording a stream |
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| [Untitled with African American woman and man sitting at a table reading before a window showing street scene] |
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| The Visitors |
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| War Series: Casualty - The Secretary of War Regrets |
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| War Series: Victory |
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| We, the people of the United States, in order to form a more perfect Union, establish justice, insure domestic tranquility... --17 September 1787 |
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| The Wedding |
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| Workshop |
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| World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home |
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| Миграция (серия картин) |
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| শিরোনামহীন |
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| 大遷徙系列 |
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