Eckstein, Lars.
![Sudoc [ABES], France](/viaf/images/flags/SUDOC.png "Sudoc [ABES], France")
Eckstein, Lars, 1975-
Lars Eckstein
VIAF ID: 39715714 (Personal)
Permalink: http://viaf.org/viaf/39715714
Preferred Forms
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Eckstein
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Lars
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Eckstein, Lars
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100 1 _ ‡a Eckstein, Lars
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100 1 _ ‡a Eckstein, Lars
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100 1 _
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Eckstein, Lars
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100 1 _ ‡a Eckstein, Lars
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100 1 _ ‡a Eckstein, Lars
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100 1 _ ‡a Eckstein, Lars
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100 1 _ ‡a Eckstein, Lars
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100 1 _
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Eckstein, Lars
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Eckstein, Lars
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1975-
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100 1 _ ‡a Eckstein, Lars, ‡d 1975-
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100 1 _ ‡a Eckstein, Lars.
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Lars Eckstein
4xx's: Alternate Name Forms (12)
5xx's: Related Names (7)
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Eberhard Karls Universität Tübingen
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https://d-nb.info/standards/elementset/gnd#affiliation
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Affiliation
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Gesellschaft für Englische Romantik
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Gesellschaft für englische Romantik Allemagne, International symposium 12 2007
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Marbach am Neckar
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ortg
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https://d-nb.info/standards/elementset/gnd#placeOfBirth
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Rodopi
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Universität Potsdam
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affi
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https://d-nb.info/standards/elementset/gnd#affiliation
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Affiliation
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Universität Potsdam
Works
| Title | Sources |
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| Belonging in music and the music of unbelonging in Richard Powers’s The Time of Our Singing |
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| Bridehood revisited disarming concepts of gender and culture in recent Asian British film |
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| carte de Tupaia, maître d'astres et de navigation polynésienne |
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| Corporate ingression a new approach to contemporary anglophone postcolonial literature |
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| English literatures across the globe a companion |
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| Filming illegals |
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| Kleine Kosmopolitismen |
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| A love supreme Jazzthetic strategies in Toni Morrison's Beloved |
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| Luhmann in da Contact Zone Towards a Postcolonial Critique of Sociological Systems Theory |
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| Luhmann in the Contact Zone zur Theorie einer transkulturellen Moderne |
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| M.I.A.’s “Born Free” and the ambivalent politics of authenticity and provocation |
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| Making of Tupaia’s Map a Story of the Extent and Mastery of Polynesian Navigation, Competing Systems of Wayfinding on James Cook’s Endeavour, and the Invention of an Ingenious Cartographic System |
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| Monk Lewis’s Timour the Tartar, grand romantic orientalism and imperial melancholy |
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| Multi-ethnic Britain 2000+ new perspectives in literature, film and the arts |
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| Performing jazz, defying essence music as a metaphor of being in Jackie Kay’s trumpet |
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| pitfalls of picturing atlantic slavery Steven Spielbergs Amistad vs. Guy Deslauriers's Middle Passage |
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| Politics of passion and the production of human illegality |
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| politics of passion reframing affect and emotion in global modernity |
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| Postcolonial literatures in English an introduction |
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| Postcolonial piracy : media distribution and cultural production in the global south |
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| Re-membering the Black Atlantic on the poetics and politics of literary memory |
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| Reading song lyrics |
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| Recollecting bones the remains of German-Australian colonial entanglements |
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| Reflections of Lusáni Cissé Imperial Images and Sentient Critique |
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| Remembering the dismembered African human remains and memory cultures in and after repatriation |
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| Revisiting slave narratives / Les avatars contemporains des récits d'esclaves |
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| Romanticism today selected papers from the Tübingen conference of the German society for English Romanticism |
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| Sam Selvon, The Lonely Londoners (1956) |
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| Saturday on Dover Beach Ian McEwan, Matthew Arnold, and post-9/11 melancholia |
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| Sound matters postcolonial critique for a viral age |
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| Special issue Selling the caribbean: questions of value in a globalized world |
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| Think local sell global magical realism, The Whale Rider and the market |
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| Three ways of looking at illegal immigration clandestine existence in novels by Salman Rushdie, Christopher Hope and Caryl Phillips |
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| Torpedoing the authorship of popular music a reading of Gorillaz’ ‘Feel Good Inc.’ |
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| Transatlantic slavery and the literary imagination |
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| Visualisierung von Siedlungen der späten Eisenzeit im südlichen Afrika im digitalen Zeitalter |
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| Visualising Southern African late Iron Age settlements in the digital age |
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| ‘We’re destroyed if we mix. And we’re destroyed if we don’t’ indigeneity in the modern World system and the politics of Tricksterese in Pauline Melville’s The Ventriloquist’s Tale |
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