McEvilley, Thomas, 1939-2013.
McEvilley, Thomas, 1939-
McEvilley, Thomas
מקאווילי, תומס, 1939-2013
Thomas McEvilley American writer and scholar
MacEvilley, Thomas
VIAF ID: 39461214 ( Personal )
Permalink: http://viaf.org/viaf/39461214
Preferred Forms
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- 200 _ | ‡a McEvilley ‡b Thomas ‡f 1939-....
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- 100 1 _ ‡a McEvilley, Thomas
- 100 1 _ ‡a McEvilley, Thomas
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- 100 1 0 ‡a McEvilley, Thomas ‡d 1939-2013
- 100 1 _ ‡a McEvilley, Thomas ‡d 1939-2013
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- 100 1 _ ‡a McEvilley, Thomas, ‡d 1939-2013
- 100 1 _ ‡a McEvilley, Thomas, ‡d 1939-2013
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- 100 0 _ ‡a Thomas McEvilley ‡c American writer and scholar
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4xx's: Alternate Name Forms (34)
Works
Title | Sources |
---|---|
Anish Kapoor : British Pavilion : XLIV Venice Biennale : May-September, 1990 | |
Anish Kapoor : [exposicion, Madrid], Centro de arte Reina Sofia, febrero-mayo 1991 | |
Anselm Kiefer : I hold all indias in my hands | |
Anthony Cragg : parts of the world | |
Arimaspia | |
Art & discontent : theory at the millennium | |
Art & otherness : crisis in cultural identity | |
Art can see : Les Levine, Medienskulptur = Les Levine, media sculpture / [exposition, Stuttgart, Galerie der Stadt Stuttgart, du 24 juin au 31 août 1997]. | |
Art, contenu et mécontentement : la théorie de l'art et la fin de l'histoire | |
Art, love, friendship : Marina Abramovic and Ulay together & apart | |
The art of Dove Bradshaw : nature, change and indeterminacy | |
Art on the edge and over : searching for art's meaning in contemporary society 1970s-1990s | |
Atul Dodiya | |
Baselitz. | |
Beer, art and philosophy : a memoir : the act of drinking beer with friends is the highest form of art | |
Bernar Venet | |
Bill Beckley : [exposition], Nice, Galerie de la Marine, 18 juin - 21 septembre 2003. | |
Capacity : history, the world, and the self in contemporary art and criticism | |
Champ | |
Charles Ross : the substance of light | |
The classical novels | |
Conversations with Kostabi | |
La couleur seule : l'expérience du monochrome : [exposition, Lyon, musée Saint-Pierre, 7 octobre - 5 décembre, 1988]. | |
Defictions of Diogenes | |
Dennis Oppenheim and the mind grew fingers : selected works 1967-90 | |
Dresdner Frauen. | |
Eesti varamodernistliku kunsti teoreetiline ja ajalooline kontseptualiseerimine ning Karl Pärsimägi paradigmaleidmise perioodil. | |
Elizabeth Barbara Hitz, 1993-1995 | |
erste Akt = The first act | |
The exile's return : toward a redefinition of painting for the post-modern era | |
Fictivespace : Judith Schwarz/Arlene Stamp | |
Flower Power or triying to say the obvious about Sigmar Polke | |
François Morellet : collectie Henri Chotteau : Focus S.M.A.K. Gent, 27.01. - 01.04.2007 | |
Fusion: West African artists at the Venice Biennale | |
Huma Bhabha : [exhibition, Salon 94, November 17 to December 23, 2010 and Peter Blum Gallery, November 17, 2010 to January 15, 2011] | |
Ingeborg Lüscher : brightness/stillness : Goldie Paley Gallery, Moore College of Art and Design, February 24-March 26, 1995 | |
Inside the white cube : the ideology of the gallery space | |
James Croak | |
James Lee Byars the white mass : = herausgegeben von Friedhelm Mennekes : =mit Texten von Heinrich Heil : = Interview mit Lee Byars von Wolf Günter Thiel : = Übersetzung: Stefan Barmann, Kimi Lum, Michael Eldred, allemand | |
Jannis Kounellis | |
Kienholz, Five car stud | |
Kim MacConnel : Hôtel Beauregarde : [Holly Solomon Gallery, New York, 16 October-2 November 1991] | |
Kounellis : M/V Ionion Piraeus | |
Kunst und Unbehagen : Theorie am Ende des 20. Jahrhunderts | |
De la ruptura al "cul de sac" : arte en la segunda mitad del siglo XX | |
Leon Golub : [paintings = målningar Retrospektivt, Installation "Public violence" : Malmö Konsthall, 26.12.1992-7.2.1993 : Kulturhuset, Stockholm, 18.3.-25.4.1993] | |
L'identité culturelle en crise : art et différence à l'époque postmoderne et postcoloniale | |
Lucas Samaras : objects and subjects, 1969-1986 | |
Marina Abramović : objects, performance, video, sound | |
Marina Abramovic : the house with the ocean view : [New-York, Sean Kelly Gallery, November 15th to Tuesday, November 26th, 2002] | |
Meret Oppenheim : beyond the teacup / [exposition, New York, Guggenheim Museum, du 28 juin au 9 octobre 1996]. | |
Modus vivendi : Ulay & Marina Abramović : 1980-1985 | |
The more I die the lighter I get : Sudarshan Shetty | |
North of yesterday, 1987: | |
O'Doherty / Patrick Ireland : word, image, institutional critique | |
Palace of perfect | |
Pat Steir | |
Rivka Rinn: velocity particles | |
Sappho | |
Sculpture in the age of doubt | |
The shape of ancient thought : comparative studies in Greek and Indian philosophies | |
Sigmar Polke : join the dots : [exhibition, Tate Gallery Liverpool, 21 January - 17 April 1995] | |
The spinal serpent | |
Theoretical and historical conceptualisation of early Estonian modernist art and Karl Pärsimägi in the period of finding the paradigm. | |
Thornton Dial : image of the tiger | |
Tony Cragg : [exposition], musée départemental d'art contemporain de Rochechouart, 27 juin - 4 octobre 1992 ; Centre d'art contemporain du domaine de Kerguéhennec, 4 juillet - 1er novembre 1992 | |
The triumph of anti-art : conceptual and performance art in the formation of post-modernism | |
Ulay : der erste Akt | |
What the butler saw | |
Whispers : Ulay on Ulay | |
William Anastasi : a selection of works from 1960 to 1989 : [exhibition], Scott Hanson Gallery, New York, October 7 - 29, 1989 | |
The women of Dresden : October 19-November 24, 1990 ; 45 : October 19-December 1, 1990 | |
Works. | |
Yves the provocateur : Yves Klein and twentieth-century art | |
Zero mass, the art of Eric Orr | |
רבקה רין: חלקיקי מהירות |