Peters, W. C. (William Cumming), 1805-1866
Peters, William Cumming 1805-1866
William Cumming Peters
Peters, William Cumming
VIAF ID: 31561527 (Personal)
Permalink: http://viaf.org/viaf/31561527
Preferred Forms
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- 100 1 _ ‡a Peters, W. C. ‡q (William Cumming), ‡d 1805-1866
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- 100 1 _ ‡a Peters, William Cumming ‡d 1805-1866
- 100 1 _ ‡a Peters, William Cumming ‡d 1805-1866
- 100 0 _ ‡a William Cumming Peters
4xx's: Alternate Name Forms (14)
5xx's: Related Names (1)
- 510 2 _ ‡a Peters & Webster
Works
Title | Sources |
---|---|
Affection's fond kiss; | |
The Alvarado waltz. | |
The Ashland quadrilles: | |
The Babe divine; hymn for Epiphany. | |
Benedetta sia la madre | |
Burrowes' piano-forte primer, c1898: | |
The camp of glory! | |
I cannot forget thee; ballad. | |
The Cincinnati bop waltz | |
Confitebor tibi Domine; Psalm 110, adapted from Hadyn. | |
The corn crackers; a sett of quadrilles, composed, selected and arr. for the piano forte. | |
The Diana waltz. | |
O doubt not; song. | |
The eclectic piano-forte school. Arranged from the works of the best European composers ... | |
Elements of thorough-base... | |
Favorite German waltz | |
Gie each a cup &fill it fu; an admired Scotch ballad. | |
The Greek march. | |
Gregorian mass for the dead. | |
I've a sweetheart by the Rhine, or, "A sweetheart everywhere." (Tyrolerlied). | |
The Jubilee mass, adapted for festival occasions | |
Kind, kind and gentle is she : a favorite Scotch ballad | |
Lady awaken. | |
Laudate Dominum; Psalm 116 [i.e. 117] adapted from Haydn. | |
The Lauterbacher waltz, c1847: | |
"Let me kiss him for his mother!" | |
The Louisville gallopade, arranged for the piano forte and dedicated to Miss Mary Mitchel | |
Louisville march and quick step. | |
Mass of the Annunciation, in D Minor, arranged for two soprano voices, with a contralto or bass voice ad lib... | |
The Matamoras grand march. | |
Mother dear! Ballad. | |
My heart is like a silent lute. Ballad | |
Natalie, the maid of the mill | |
Natilie | |
The night | |
No wreath of fame have I to trine. | |
Oh sing no more that gentle song, 2000: | |
The old familiar strain, I loved in happier years; a favourite ballad | |
Old rosin the bow, 1864 | |
Peters' art of singing... | |
Peters' catholic harmonist | |
Peters' celebrated Mass in D | |
Peters' eclectic pianoforte instructor | |
Peter's highland march | |
Peters' mass in G for soprano and vass voices ... also the Cantica vespera ... | |
The picket; [ballad] | |
Pittsburgh march. | |
The Rebecca waltz, for the piano forte. | |
O salutaris hostia; for benediction or the offertory. | |
Santa Anna's march, to which is added a popular melody composed on the battle field of Buena Vista | |
Serenade. | |
Shall we meet again, Mary. | |
Smiles and kind words. A favorite ballad, composed for and inscribed to Miss Rebecca F. Gallagher | |
"The spotted fawn:" a favorite Western refrain | |
Sweet memories of thee | |
Symphony, D major | |
There's not a word thy lips hath breath'd; a German air arr. for the piano forte. | |
They are come, they are come, thro' the tempest and foam; song and chorus | |
Thy cheek is pale, thy lip is mute; a favorite ballad. | |
The token flower. Ballad | |
Twilight is closing; ballad. |