Jones, Amelia
Jones, Amelia, 1961-....
Amelia Jones American art historian
VIAF ID: 29677593 ( Personal )
Permalink: http://viaf.org/viaf/29677593
Preferred Forms
- 100 0 _ ‡a Amelia Jones ‡c American art historian
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- 200 _ | ‡a Jones ‡b Amelia ‡f 1961-....
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- 100 1 _ ‡a Jones, Amelia
- 100 1 _ ‡a Jones, Amelia
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- 100 1 _ ‡a Jones, Amelia
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- 100 1 _ ‡a Jones, Amelia ‡d 1961-
- 100 1 _ ‡a Jones, Amelia ‡d 1961-
- 100 1 _ ‡a Jones, Amelia ‡d 1961-
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- 100 1 _ ‡a Jones, Amelia, ‡d 1961-....
4xx's: Alternate Name Forms (16)
5xx's: Related Names (6)
- 510 2 _ ‡a McGill University
- 510 2 _ ‡a McGill University ‡b Faculty of Arts
- 510 2 _ ‡a McGill University ‡g Montréal ‡b Faculty of Arts ‡e Affiliation
- 510 2 _ ‡a University of California, Riverside
- 510 2 _ ‡a University of Manchester
- 510 2 _ ‡a Whitechapel Art Gallery
Works
Title | Sources |
---|---|
About face : stonewall, revolt, and new queer art | |
Agnes Nedregård : performance works : The Big Toe | |
Art of the twentieth century : a reader | |
The artist is present : artistic re-enactments and the impossibility of presence | |
artist's body | |
Asco - elite of the obscure a retrospective, 1972 - 1987 ; [in conjunction with the Exhibition Asco: Elite of the Obscure, a Retrospective, 1972 - 1987 ; Los Angeles County Museum of Art, Los Angeles, California, September 4 - December 4, 2011, Williams College Museum of Art, Williamstown, Massachusetts, February 4 - July 29, 2012 and further venues] | |
La Batalla de los géneros : Centro Galego de Arte Contemporánea, 13 septiembre / 9 diciembre 2007 | |
Body art performing the subject | |
Body art : uprizarjanje subjekta | |
The body inscribed : challenging tradition | |
Body Talks : Interview : [exposition, Nantes, Pionnières, Zoo galerie, du 5 mars au 7 mai 2022] | |
Bracha Lichtenberg Ettinger | |
Chris Burden : extreme measures : [exhibition, New York, New Museum, October 2, 2013-January 12, 2014 | |
Cindy Sherman : retrospective | |
companion to contemporary art since 1945 | |
corps de l'artiste | |
El Cuerpo del artista | |
The 'do-it-yourself' artwork : participation from fluxus to new media | |
Facing forward : art & theory from a future perspective | |
feminism and visual culture reader | |
Feminizem inc : branje "postfeminizma" v času antifeminizma | |
From Performing to Commodity : Live Art as Commodity | |
The gothic | |
Heresies | |
History Makers | |
Homo fronterizus : 1492-2020 | |
In between subjects : a critical genealogy of queer performance | |
In the cut : der männliche Körper in der Feministischen Kunst =the male body in feminist art | |
Interpreting feminist bodies : the unframeability of desire | |
Irrational modernism a neurasthenic history of New York Dada | |
Janez Janša - Life II (in progress) | |
Kiki Smith - Hearing You with My Eyes | |
Kunst und Körper | |
Letters from a radical performance art curator : performing the curatorial | |
"Lubricating the system" and other feminist curatorial and art dilemmas | |
Manon, a person : a Swiss pioneer of body and performance art / [exposition, Zürich, Helmhaus, du 23 février au 20 avril 2008 ; New York, Swiss Institute Contemporary Art, du 28 avril au 13 juin 2009]. | |
Mónica Mayer : si tiene dudas ... pregunte : una exposición retrocolectiva = when in doubt ... ask : a retrocollective exhibit | |
Name readymade | |
Niki de Saint Phalle in the 1960s : [exhibition Menil Collection, Houston, 10.09, 2021-23.01, 2022 and the Museum of Contemporary Art San Diego, 03.04-17.07, 2022] | |
Od uprizarjanja h poblagovljenju : performans kot tržno blago | |
On transperformance | |
Otherwise imagining queer feminist art histories | |
Paul McCarthy [exhibition, Museum of contemporary art, Los Angeles, November 12, 2000-January 21, 2001 ; New museum of contemporary art, New York, February 22-May 13, 2001] | |
Paul McCarthy : Pinocchio | |
Perform, repeat, record live art in history | |
Performing Loitering : feminist protest in the Indian city | |
Performing the sentence : research and teaching in performative fine arts | |
Politics in a glass case : feminism, exhibition cultures and curatorial transgressions | |
Postmodernism and the en-gendering of Marcel Duchamp | |
Predor | |
Pri/kazujući falus : muški umjetnici prikazuju muškost | |
Queer communion Ron Athey | |
Rachel Lachowicz | |
The rhetoric of the frame : essays on the boundaries of the artwork | |
Robin Mitchell, Mira Schor, Faith Wilding, Nancy Youdelman | |
Rupture | |
Screen/space : the projected image in contemporary art | |
Seeing differently : a history and theory of identification and the visual arts | |
Self/image : technology, representation, and the contemporary subject | |
Sexual politics : Judy Chicago's Dinner party in feminist art history | |
Sexuality | |
The studio | |
Suzanne Lacy between Kaprow and Chicago : pedagogy and performance | |
Telo kot iver v očesu : pogovor s teoretičarko Amelio Jones | |
Les traces matérielles, la temporalité et le geste en art contemporain | |
Tujka, ki na glas kritizira Marino Abramović : Amelia Jones | |
Valérie Blass : [exposition], Musée d'art contemporain de Montréal du 2 février au 22 avril 2012 | |
Whiteness, a wayward construction, 2003: | |
Wojna i pokój | |
Ženska mora biti grda, da bi jo jemali resno : Amelia Jones, umetnostna zgodovinarka o body artu | |
예술가의 몸 |