Haydon, Benjamin Robert, 1786-1846
Benjamin Haydon
Haydon, Benjamin Robert
Haydon, Benjamin Robert (English painter, teacher, and author, 1786-1846)
היידון, בנג'מין רוברט, 1786-1846
Haydon, Benjamin R. (1786-1846)
VIAF ID: 29662326 (Personal)
Permalink: http://viaf.org/viaf/29662326
Preferred Forms
- 100 0 _ ‡a Benjamin Haydon
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- 200 _ | ‡a Haydon ‡b Benjamin Robert ‡f 1786-1846
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- 100 1 _ ‡a Haydon, Benjamin Robert
- 100 1 _ ‡a Haydon, Benjamin Robert
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- 100 1 _ ‡a Haydon, Benjamin Robert ‡d 1786-1846
- 100 1 _ ‡a Haydon, Benjamin Robert ‡d 1786-1846
- 100 1 _ ‡a Haydon, Benjamin Robert ‡g English painter, teacher, and author, 1786-1846
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- 100 1 _ ‡a Haydon, Benjamin Robert, ‡d 1786-1846
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- 100 1 _ ‡a Haydon, Benjamin Robert, ‡d 1786-1846
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4xx's: Alternate Name Forms (23)
5xx's: Related Names (1)
Works
Title | Sources |
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1816-1824 | |
Alexandre Ier et Napoléon d'après leur correspondance inédite | |
The art of ellipsis : the early Keats and B. R. Haydon | |
The Autobiography and journals of- : (1786-1846). | |
centenaire d'Iéna (1806-1906) | |
conversation avec Napoléon à l'île d'Elbe | |
Correspondence et Table-Talk | |
Daniel O'Connell M.P. for the City of Dublin [.] 9th February 1841. | |
Une défaite de Napoléon, la rétractation de Pie VII | |
derniers jours de Napoléon en France (22 juin-15 juillet 1815) | |
Description of a painting of Jerusalem and the surrounding country, as it appears at this time, from the Mount of Olives | |
diary of Benjamin Robert Haydon | |
expédition maritime en 1793 | |
Explanation of the picture of Chairing the Members, a scene in the mock election, which took place at the King's Bench Prison, July, 1827 : now exhibiting at the Bazaar, Old Bond Street. | |
Eylau dans la peinture et l'histoire | |
Giudizio dei conoscitori delle Belle Arti : comparato con quello dei professori di esse : e massime relativamente ai Marmi di Lord Elgin | |
instruments de Napoléon | |
The judgement of connoisseurs upon works of art compared with that of professional men : in reference more particularly to the Elgin Marbles | |
Lectures on painting and design [microform] | |
Letters from Elizabeth Barrett to B. R. Haydon | |
Lettres à Joseph Bonaparte | |
mariage de Napoléon avec Marie-Louise | |
mort du duc d'Enghien | |
Napoléon Bonaparte d'après quelques publications récentes | |
Napoléon et la presse | |
Napoléon et les pamphlétaires allemands en 1806 | |
Napoléon était-il épileptique | |
Napoléon Musing At Saint Helena [estampe] | |
New churches considered with respect to the opportunities they offer for the encouragement of painting, by B. R. Haydon | |
Painting, and the fine arts : being the articles under those heads contributed to the seventh ed. of the Encyclopaedia Britannica | |
Paul Ier et Bonaparte | |
The poetical works and other writings of John Keats, now first brought together, including poems and numerous letters not before published; | |
Une querelle célèbre | |
Sentiment des connoisseurs sur les ouvrages de l'art comparé avec celui des artistes; et plus particulièrement sur les marbres de Lord Elgin. | |
Some enquiry into the causes which have obstructed the advance of historical painting, for the last seventy years in England | |
Souvenirs inédits sur Napoléon Ier | |
Study of a Group of People Talking | |
Study of a Male Nude, in a Laid out Position on the Floor | |
Study of a Man, Looking Through a Telescope, Accompanied by Two Women | |
Study of a Man on His Knees | |
Study of a Reclining, Nude Figure | |
Study of a Religious Ceremony Scene | |
Study of a Right Hand [recto] | |
Study of a Sleeping Man, with a Hat and Clasped Hands | |
Study of a Soldier | |
Study of a Woman, Carrying a Child | |
Study of an Ethnic Woman's Face, in Profile, Wearing Earrings | |
Study of Christ Raising Lazarus | |
Study of Figures Sitting Under a Tree | |
Study of Male Heads | |
Study of the Resurrection of Lazarus | |
Study of the Statue of Diana in the Vatican [verso] | |
Study of Two Figures and Two Legs | |
Study sketch for the painting, Christ's Entry Into Jerusalem | |
Thoughts on the relative value of fresco and oil painting, as applied to the architectural decorations of the Houses of Parliament : read at the Friday evening meeting at the Royal Institution, Albemarle Street, March 4, 1842 | |
To the British Nation this Engraving of The Hero and his Horse on the Field of Waterloo, Twenty Years after the Battle, is most humbly dedicated by The Publisher | |
Unexpected Visitor | |
Venus and Anchise | |
Works | |
Xenophon and the Greeks Sighting the Sea [recto] | |
শিরোনামহীন |