Kollmann, Augustus Frederic Christopher, 1756-1829
Kollmann, August Friedrich Christoph 1756-1829
Augustus Frederic Christopher Kollmann Composer and musical theorist (1756-1829)
Kollmann, Augustus Frederic Christopher
VIAF ID: 29658934 ( Personal )
Permalink: http://viaf.org/viaf/29658934
Preferred Forms
- 100 0 _ ‡a Augustus Frederic Christopher Kollmann ‡c Composer and musical theorist (1756-1829)
- 200 _ | ‡a Kollmann ‡b Augustus Frederic Christopher ‡f 1756-1829
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- 100 1 _ ‡a Kollmann, Augustus Frederic Christopher
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- 100 1 _ ‡a Kollmann, Augustus Frederic Christopher ‡d 1756-1829
- 100 1 _ ‡a Kollmann, Augustus Frederic Christopher ‡d 1756-1829
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- 100 1 _ ‡a Kollmann, Augustus Frederic Christopher, ‡d 1756-1829
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4xx's: Alternate Name Forms (31)
5xx's: Related Names (5)
- 551 _ _ ‡a Engelbostel ‡4 ortg ‡4 http://d-nb.info/standards/elementset/gnd#placeOfBirth
- 551 1 _ ‡a Engelbostel
- 551 _ _ ‡a London ‡4 orts ‡4 http://d-nb.info/standards/elementset/gnd#placeOfDeath
- 551 _ _ ‡a London ‡4 ortw ‡4 http://d-nb.info/standards/elementset/gnd#placeOfActivity
- 551 1 _ ‡a London
Works
Title | Sources |
---|---|
6 Sacred songs | |
[caption title, p. 10:] 5. Wie groß ist des Allmächt'gen Güte. [p. 11:] Lob der Güte Gottes. | |
[caption title, p. 12:] 6. Nach einer Prüfung kurzer Tage. [p. 13:] Von dem Himmel. | |
[caption title, p. 4:] 2. Herr von meinem kurzen Leben. [p. 5:] Abendlied am Sonntage. | |
[caption title, p. 6:] 3. Mein erstes Sinnen geh' auf Dank. [p. 7:] Tägliches Morgenlied. | |
[caption title, p. 8:] 4. Für alle Güte sey gepreist. [p. 9:] Tägliches Abendlied. | |
A characteristic march [Es] with the sentiments that are expressed in it, as perform'd by the Third Reg|t of Guards [London, author] | |
Divertimentos | |
Essay on musical harmony | |
An essay on practical musical composition, according to the nature of that science, and the principles of the greatest musical authors | |
Exercises | |
The first beginning on the piano forte, according to an improved method of teaching beginners, containing an explanatory introduction, the rudiments of the art of playing on key'd instruments, & a series of progressive lessons and sonatinas ... opera V [London, Edinburgh, Corri, Dussek & Co.; London, Edinburgh, for the author] | |
Four sonatas [C, G, D, F] for the harpsichord or piano forte with an accompanyment for a violin ... op. II [London, author (J. Scherer)] | |
Fugues | |
Hymns | |
An introduction to extemporary modulation, ca. 1820: | |
An introduction to the art of preluding and extemporizing, in six lessons for the harpsichord or harp ... | |
[Lettre de Aug. Friederic Kollmann à Monsieur Smyth, 23 Février 1810] | |
Marches | |
music collection of St. Michael's college, Tenbury | |
A new march [Es] composed for the corps of Light Horse Volunteers of the cities of London and Westminster [London, J. Dale] | |
New theory of musical harmony | |
The num'rous works of God. A hymn, with various harmonies to the same melody, translated from the German, & composed for one or four voices, with an accompaniment for the piano forte or organ [London, Robert Birchall] | |
Practical guide to thorough bass. [from old catalog] | |
The Prussian battle march, translated and adapted for England [London, R. Wornum] | |
Quarterly musical register | |
Remarks on what Mr. J.B. Logier calls his new system of musical education; with a sequel. | |
Sechs Generalbass | Übungen mit einer Solostimme für die | Violino. | von | Kollmann, Organist an der deutschen | Hofcapelle in London. | F. C. H. Meyer. | |
The shipwreck, or Loss of the Halsewell East-Indiaman. Being a grand instrumental piece, adapted to the piano-forte with an accompaniment for a violin and violoncello ... opera VI. [London, Edinburgh, Corri, Dussek & Co.; London, Edinburgh, for the author] | |
Six sonatinas for the piano forte ... op. IV. [London, R. Wornum] | |
Sonatas | |
Symphonies | |
A symphony [F] for the piano-forte, a violin, & violoncello; with analytical explanations, of the subjects and imitations, the modulations, the counterpoint inversions, and the rhythmical order it contains ... opera VII [London, Longman & Broderip; for the author] | |
[title page, f.1r:] Carl Philipp Emanuel Bachs | CLAVI[E]RSONATEN | Mit Einer | Violin und Violoncell | zur Begleitung | Erste Sammlung | Leipzig | Im Verlage des Autors | 1776. | |
[title page:] Sechs | geistliche Lieder | mit neuen | vierstimmigen Choralmelodien, | welche | zugleich mit dem bloßen Generalbasse beygefüget worden | von | August Friedrich Christoph Kollmann, | Organist an der Königlichen deutschen Hofcapelle zu St. James. | [vignette] | Erste Ausgabe. | Leipzig, | gedruckt bey Johann Gottlob Jmmanuel Breitkopf. | |
Tutors | |
Twelve analyzed fugues, with double counterpoints in all intervals, and introductory explanations. | |
Über Logier's Musikunterrichts-System | |
Unpublished Continental music manuscripts of the 17th, 18th and 19th centuries | |
[without title] |