Holman, Peter, 1946-....
Holman, Peter
Peter Holman English conductor and musicologist
VIAF ID: 29629586 ( Personal )
Permalink: http://viaf.org/viaf/29629586
Preferred Forms
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- 100 1 _ ‡a Holman, Peter ‡d 1946-
- 100 1 _ ‡a Holman, Peter ‡d 1946-
- 100 1 0 ‡a Holman, Peter ‡d 1946-
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- 100 1 _ ‡a Holman, Peter, ‡d 1946-
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- 100 1 _ ‡a Holman, Peter, ‡d 1946-....
- 100 0 _ ‡a Peter Holman ‡c English conductor and musicologist
4xx's: Alternate Name Forms (13)
5xx's: Related Names (3)
Works
Title | Sources |
---|---|
Abdelazer | |
Airs | |
Apothéose de Lully (34 min 04 s) | |
Armonico tributo Salzburg, 1682 | |
Art of playing the guitar or cittra | |
Ayres for the theatre | |
Before the baton : musical direction and conducting in Stuart and Georgian Britain | |
A biographical dictionary of English court musicians 1485-1714 / comp. by Andrew Ashbee and David Lasocki. - Aldershot, cop. 1998. | |
Bonduca | |
The Broken consort, part 1 Duos for two bass viols ; Fantasia and corant in D minor | |
Chaconnes | |
Chamber music. | |
Concertos | |
Creep softly, purling streams | |
Dances from Terpsichore : (1612) | |
Dowland: Lachrimae (1604) | |
Fancy, almaine and corant | |
Fantaisies | |
Four and twenty fiddlers : the violin at the English court, 1540-1690 | |
From Renaissance to Baroque : change in instruments and instrumental music in the seventeenth century : proceedings of the National Early Music Association Conference held, in association with the Department of Music, University of York and the York Early Music Festival, at the University College of Ripon and York St. John, York, 2-4 July 1999 | |
Gaillardes | |
German consort music, 1660-1710 | |
Gordian knot unty'd | |
Hark! hark! the lark music for Shakespeare's company. | |
Have mercy upon me, o God | |
Henry Purcell | |
A high-priz'd noise violin music for Charles I. | |
Italian baroque trumpet music. | |
John Jenkins and his time : studies in English consort music | |
Kamermūzika. | |
[Kein Hauptsachtitel erfasst] | |
Konserter | |
Lachrimae, or, Seaven teares | |
lark | |
Lessons | |
Life after death : the viola da gamba in britain from purcell to dolmetsch | |
Lyra consort | |
Madrigals | |
The masque at Lord Hay's marriage | |
The masque of Oberon | |
Music for lute and mandolin | |
Music for Prince Charles : fantasias and dances | |
Music in the British provinces, 1690-1914 | |
Musical exchange between Britain and Europe, 1500-1800 : essays in honour of Peter Holman | |
Muzyka wokalna | |
Odes for St. Cecilia's Day | |
Le Parnasse | |
Pavanes | |
Pièces, op. 2. Suite, no. 2. [from old catalog] | |
Purcell's London Consort music in England from Charles II to Queen Anne. | |
The rare theatrical : New York Public Library, Drexel MS 3976 | |
Restoration music for three violins, bass viol, and continuo | |
Ricercares | |
Sacred vocal music of Claudio Monteverdi. | |
Selections | |
Sonates | |
The song of Moses Let God arise | |
Suites | |
Theatre music | |
Timon of Athens | |
Trio in C, RV 82 (9 min 22 s) | |
Trio in G minor, RV85 (8 min 36 s) | |
Trio sonatas | |
Trios | |
Twelve sonatas : (1676) : for trumpets, strings, timpani and continuo : (Sonatae tam aris, quam aulis servientes) | |
Vital spark of heav'nly flame music of death and resurrection from English Parish churches and chapels, 1760-1840. | |
Was mir behagt, ist nur die muntre Jagd (kantata). | |
wedding maske | |
Werke | |
Where art thou god of dreams | |
Works. |