Bryson, Norman 1949-
Bryson, Norman
Bryson, William Norman 1949–
Norman Bryson art historian of French eighteenth-century painting
VIAF ID: 24782 (Personal)
Permalink: http://viaf.org/viaf/24782
Preferred Forms
- 200 _ | ‡a Bryson ‡b Norman ‡f 1949-....
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- 100 1 _ ‡a Bryson, Norman
- 100 1 0 ‡a Bryson, Norman
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- 100 1 _ ‡a Bryson, Norman
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- 100 1 _ ‡a Bryson, Norman ‡d 1949-
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- 100 1 _ ‡a Bryson, Norman, ‡d 1949-
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- 100 1 _ ‡a Bryson, Norman, ‡d 1949-....
- 100 1 _ ‡a Bryson, Norman ‡d 1949-
- 100 0 _ ‡a Norman Bryson ‡c art historian of French eighteenth-century painting
4xx's: Alternate Name Forms (13)
5xx's: Related Names (2)
Works
Title | Sources |
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21세기 문화 미리 보기 | |
76th annual meeting College Art Association of America, february 11-13 1988, Houston : abstracts and program statements | |
Andreas Gursky : [exhibition, Gagosian gallery, Beverly Hills, March 4 - May 1, 2010] | |
Anya Gallaccio | |
Augenschmaus : vom Essen im Stillleben | |
Calligram essays in new art history from France | |
Cambridge studies in new art history and criticism | |
Cindy Sherman, 1975-1993 | |
Complicity and the daily draw Susan Turcot drawings 2003 - 2005 | |
Cute Futures : Mariko Mori's techno-enlightenment | |
Dyskurs, figura | |
Gaze in the expanded field | |
Gender and Power in the Japanese Visual Field | |
Hersilia's sisters Jacques-Louis David, women, and the emergence of civil society in post-revolution France | |
Hiroshi Sugimoto's metabolic photography | |
Hypermental : wahnafte Wirlichkeit 1950-2000 von Salvador Dali bis Jeff Koons : Kunsthaus Zürich, 17. November 2000-21. Januar 2001 : Hamburger Kunsthalle, 16. Februar-6. May, 2001 | |
The ideal and the abject : Cindy Sherman's historical portraits | |
La Imagen masculina y la jerarquía social en la pintura del siglo XIX. El caso de Jean-Louis-André-Théodore Gericault | |
In Medusa's gaze still life paintings from Upstate New York museums [exhibition circulating through Rochester, Utica, Syracuse, Ithaca, Albany, Buffalo, New York State, from December 7, 1991 to May 2, 1993] | |
Inside/out : new Chinese art | |
Jeff Wall | |
John Currin | |
Kapoor's vertigo | |
Liz Rideal stills | |
Looking at the overlooked | |
Looking at the overlooked : four essays on still life painting | |
Looking in : the art of viewing | |
Mark Dion | |
Mary Kelly : Interim : Corpus I, Pecunia II, Historia III, Potestas IV : [exposition, New-York, New Museum of Contemporary Art, du 16 février au 8 avril 1990 ; Vancouver, Vancouver Art Gallery, du 16 mai au 31 juillet 1990 ; Toronto, Power Plant, du 1er février au 17 mars 1991]. | |
Matthew Barney's gonadotrophic cavalcade | |
The natural attitude | |
Ne-mjesta Jeffa Walla | |
Het ongeziene in beeld : vier essays over het stilleven | |
Prussian blue : [exhibition Museo Universitario Arte Contemporáneo (MUAC), Mexico City, 27.08, 2016-12.02, 2017 | |
Robert Therrien. | |
Sehen und die Malerei die Logik des Blicks | |
Sharon Lockhart | |
Spojrzenie w rozszerzonym polu | |
Stilleben das Übersehene in der Malerei | |
Sugimoto : portraits | |
The swimmer, & other poems. | |
Teaching the text | |
Thomas Ruff : Spektakel und Überwachung | |
Thomas Struth : portraits | |
Too near, too far | |
Tradition and desire : from David to Delacroix | |
Umjetničko djelo kao društvena činjenica : kritičke perspektive povijesti umjetnosti | |
Vanessa Beecroft | |
Victor Burgin : una exposición retrospectiva, Fundació Antoni Tàpies 6 abril-17 junio 2001 | |
Vision and painting : the logic of the gaze | |
Visión y pintura : la lógica de la mirada | |
Visual theory : painting and interpretation | |
Vizualni studiji : umjetnost i mediji u doba slikovnog obrata | |
Volver a mirar : cuatro ensayos sobre la pintura de naturalezas muertas | |
Word and image, 1981:publisher's info. (William Norman Bryson) | |
Word and image French painting of the Ancien Régime | |
몸과 미술 새로운 미술사의 시각 | |
시각성·성·테크놀로지·물신주의·문화 번역과 세계성 |