Križnar, Anabelle
Križnar, Anabelle (1972 - )
Anabelle Križnar
VIAF ID: 164149842011602842155 (Personal)
Permalink: http://viaf.org/viaf/164149842011602842155
Preferred Forms
- 100 0 _ ‡a Anabelle Križnar
- 100 1 _ ‡a Križnar, Anabelle
- 100 1 _ ‡a Križnar, Anabelle
- 100 1 _ ‡a Križnar, Anabelle
-
4xx's: Alternate Name Forms (6)
Works
Title | Sources |
---|---|
Cultural heritage science at CNA (Seville, Spain) applications of XRF and IBA techniques to art and archaeological objects | |
Educación en arte y patrimonio cultural. La preparación y examen científico de microestratigrafías como herramienta formativa en educación artística y formación de especialistas del patrimonio cultural | |
Exhibiting archival and library materials and works of art on paper : standards in preservation | |
Gerald Dobler: Die gotischen Wandmalereien in der Oberpfalz | |
Gotske freske v istrski cerkvi sv. Barnabe v Vižinadi | |
Igrače sem si delal kar sam : Ricardo Vitali, restavrator | |
Interdisciplinary approach to medieval wall paintings in Slovenia : between art history and material analysis : invited contribution | |
Istra, del evropskega prostora : mednarodni simpozij v Kopru | |
Lep dan kliče | |
"Lepota je matematično izražena harmonija" : razstava v Palazzo Strozzi v Firenzah | |
Libro de actas | |
Ljubljana: Auszeichnung und Bild | |
Loške poti : 50 izletov po Selškem, Poljanskem in Žirovskem | |
Maltechniken und Werkstoffe der älteren Villacher Werkstätte | |
Material and imaging analysis procedure for the investigation of paintings in the Archbishop's Palace of Seville | |
Material and technical analysis of La Inmaculada by Francisco Pacheco | |
Materiali in tehnike starejše beljaške slikarske delavnice | |
Materials and techniques of mural paintings attributed to Johannes Aquila in Central Eastern Europe around 1400 | |
Materials and techniques of selected mural paintings on the “Gothic Road” around fourteen-hundred (Slovakia) | |
Materials applied in Bernardo Martorellʼs painting analysed by portable XRF | |
Microanalysis of gothic mural paintings in Slovenia : Investigation of the technique used by the masters | |
Mineralogy of supports and selected pigments in mediaeval churches of Slovenia | |
Mlajša plast poslikave rotunde v Selu v Prekmurju | |
Murals of the so-called "hybrid" gothic style in Slovenia (fourteenth Century) : connections between their stylistic and technical history | |
Non-destructive analysis of pigments in a triptych by Marten de Vos | |
Non-destructive in situ examination of a 16th century Spanish panel painting "San Telmo" | |
Non-destructive XRF analysis of selected Flemish panel paintings in the Fine Arts Museum of Seville | |
Nuevo sistema portátil de micro-fuorescencia de rayos X basado en óptica aplicaciones en Patrimonio Cultural | |
Obnovljena, a ne povsem : Giotto in Cimabue nikoli več cela | |
Odsev časa v umetnosti : pregled ustvarjanja 20. stoletja | |
A panel painting by The Master of the Female Half-Lengths analysed by portable XRF | |
Pigment identification using x-ray fluorescence in a polychromated sculpture by Pedro Millán | |
Pigments and inks applied in Juan Vespucci’s Portolan Chart (1520) | |
Pigments and painting preparations of Gonzalo de Bilbao analysed by non-destructive XRF technique | |
Pinturas murales góticas en Eslovenia: Confirmación de la relación entre varios ciclos mediante su examen cientifico | |
Pinturas murales góticas en iglesias de Eslovenia: el encuentro entre las corrientes italianas y norte-europeas | |
Las pinturas murales medievales en la zona litoral de Eslovenia - materiales y técnicas | |
Plasters in mediaeval mural paintings of Carinthia and their influence on Slovenia | |
Polychromed sculptures of Mercadante and Millán analysed by XRF non-destructive technique | |
Pomembna nova odkritja : Acta historiae artis Slovenica 8 | |
Portable XRF study of the pigments applied in Juan Hispalense's 15th century panel painting | |
Prava mešanica za ustvarjalno delo : nekoč udobna podeželska vila nad Firencami je danes študijsko središče ameriške univerze Johnsa Hopkinsa. Enosemestrski programi za študente | |
Raman microspectroscopic analysis of pigments of the Gothic wall painting fromthe Dominican Monastery in Ptuj (Slovenia) | |
Razstavljanje arhivskega in knjižničnega gradiva ter likovnih del na papirju: Standardi materialnega varovanja, Arhiv Republike Slovenije, Ljubljana 2004, 224 strani | |
Reflexionen für Manfred Koller = Reflections to Manfred Koller | |
Restauratorenblätter 31/2012 | |
Restavriranje fragmentov srednjeveških stenskih poslikav z Oddelka za umetnostno zgodovino Filozofske fakultete v Ljubljani | |
La riqueza de los pigmentos en las pinturas murales del siglo XIII del emporio del oeste en la iglesia parroquial de San Jorge en Ptuj (Eslovenia) | |
Roberto Boddi, restavrator, konservator, klimatolog : počutim se priviligiranega | |
Samotna boginja lova | |
Scientific study of the bozzetto of Murillo’s painting Moses and the water from the rock of Horeb | |
Slog in tehnika srednjeveškega stenskega slikarstva na Slovenskem, 2006: | |
Slovenija v umetnostnem srcu Evrope : izšel je zbornik pomembnih skupnih raziskav bavarskih in slovenskih umetnostnih zgodovinarjev | |
Spominska knjiga ljubljanske plemiške družbe sv. Dizme | |
Sredi španskega vrveža : dr. Anabelle Križnar, umetnostna zgodovinarka | |
Study of two large‐dimension Murillo's paintings by means of macro X‐ray fluorescence imaging, point X‐rayfluorescence analysis, and stratigraphic studies | |
Takoimenovana "Vojvodska delavnica" in stensko slikarstvo ok. 1400 v vzhodnih Alpah : magistrsko delo | |
Tehnična izvedba nekaterih srednjeveških stenskih poslikav v severovzhodni Sloveniji | |
Vpliv južnotirolske umetnosti na dela "gornještajerske vojvodske delavnice" v St. Ruprechtu in St. Lorenzu v dolini reke Mürz na Gornjem Štajerskem | |
Were wall paintings in Unterferlach and Feistritz an der Drau carried out by the Older Villach Workshop? analysis of materials and techniques | |
Workshop practice in Slovenian wall paintings from the fourteenth and fifteenth centuries | |
XRF analysis of two terracotta polychrome sculptures by Pietro Torrigiano | |
Zadnja leta goriških grofov : razstava v treh mestih | |
Zurbarán attribution hypothesis supported by pigment analysis and multiband images observation of four paintings by his workshop |