Naor, Chaya.
Naʾor, Ḥayah ca. 20./21. Jh.
נאור, חיה
VIAF ID: 162719878 ( Personal )
Permalink: http://viaf.org/viaf/162719878
Preferred Forms
- 200 _ | ‡a Naor ‡b Chaya
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- 100 1 _ ‡a Naor, Chaya
- 100 1 _ ‡a Naor, Chaya
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- 100 1 _ ‡a Naor, Chaya
- 100 1 _ ‡a Naor, Chaya
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- 100 1 _ ‡a Naʾor, Ḥayah ‡d ca. 20./21. Jh.
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4xx's: Alternate Name Forms (6)
Works
Title | Sources |
---|---|
(The) abyss | |
(The) abyss bridging the divide between Israel and the Arab world | |
Athens in Jerusalem : classical antiquity and Hellenism in the making of the modern secular Jew | |
Ben-Gurion against the Knesset | |
Emanuel Ringelblum : the man and the historian | |
Franz Kafka : a question of Jewish identity : two perspectives | |
Haskalah and history : the emergence of a modern jewish historical consciousness | |
Haśkalah ṿe-hisṭoryah. | |
The Hebrew Bible reborn : from Holy Scripture to the Book of Books : a history of biblical culture and the battles over the Bible in modern Judaism | |
In first person plural : growing up with a disadvantaged community | |
Ish she-nirtsaḥ paʻamayim. | |
ʾiyš šenirṣaḥ paʿamayyim : ḥayyaw, mišpaṭw wmwtw šel D"r Yiśraʾel qasṭner | |
The Jewish Enlightenment | |
The Jews of Eastern Europe : 1772-1881 | |
Mahpekhat ha-neʼorut. | |
The man who was murdered twice : the life, trial and death of Israel Kasztner | |
Naʻar kotev ben ha-ḥomot. | |
The origins of Jewish secularization in eighteenth-century Europe | |
Parrhesia | |
Seper hamaʿaśiym. | |
Shorashim 'aḳurim. | |
Shorshe ha-hilun | |
Staging and stagers in modern Jewish Palestine, 2004: | |
Tales in context : 'Sefer ha-ma'asim' in medieval Northern France : (Bodleian Library, University of Oxford, Ms. Bodl. Or. 135) | |
Trapped : essays on the history of the Czech Jews, 1939-1945 | |
Udi Aloni, 1992: | |
Udi Aloni : Parrhesia, (public realm), the Museum of Israeli Art, Ramat Gan : Apologetic intelligence, Julie M. Gallery, Tel Aviv | |
Yahadut bi-rei ha-Yavanut ve-hofaat ha-Yehudi ha-Helenisti ha-moderni. | |
A youth writing between the walls : notebooks from the Lodz Ghetto | |
?מה באמת מפריד בינינו לבין העולם הערבי : התהום | |
פרהסיה: המוזיאון לאמנות ישראלית, רמת גן : מחשב אפולוגטי: גלריה ג'ולי מ. תל-אביב |