Michelson, Annette
Michelson, Annette, 1922-2018
Michelson, Annette, 1922-
Annette Michelson American art and film critic and writer
Michelson, Annette (American film scholar and art critic, 1922-2018)
VIAF ID: 140441 ( Personal )
Permalink: http://viaf.org/viaf/140441
Preferred Forms
- 100 0 _ ‡a Annette Michelson ‡c American art and film critic and writer
-
- 100 1 _ ‡a Michelson, Annette
-
-
-
-
- 100 1 _ ‡a Michelson, Annette
-
-
-
-
-
-
- 100 1 _ ‡a Michelson, Annette
-
-
- 100 1 _ ‡a Michelson, Annette ‡d 1922-2018
- 100 1 _ ‡a Michelson, Annette ‡d 1922-2018
- 100 1 _ ‡a Michelson, Annette ‡g American film scholar and art critic, 1922-2018
-
-
- 100 1 _ ‡a Michelson, Annette, ‡d 1922-2018
4xx's: Alternate Name Forms (9)
5xx's: Related Names (2)
Works
Title | Sources |
---|---|
03.23.03 : premières rencontres internationales d'art contemporain, Montréal, 1977 | |
Amos Gitai | |
Andy Warhol | |
The art of moving shadows | |
Berrocal : Albert Loeb Gallery, April 5 - May 1, 1965 | |
Camera obscura, camera lucida essays in honor of Annette Michelson | |
Cinema, censorship, and the state : the writings of Nagisa Oshima, 1956-1978 | |
Cremonini | |
Dossier on the institutional debate | |
Drawing into film : directors' drawings : March 26-April 24, 1993 | |
Essays. Selections | |
Euphorie des Erkennens Denken in Filmen und anderes | |
Hollis Frampton, l'écliptique du savoir : film, photographie, vidéo | |
Isamu Noguchi : Galerie Claude Bernard, 1964 | |
Jean Messagier : choix d'estampes 1945-1966 : catalogue chronologique et synoptique | |
Junction and journey : trains and film : essays / [exposition, New-York, The Museum of Modern Art, du 21 juin au 1er octobre 1991]. | |
Kimber Smith : 17. August bis 23. September 1962, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Kunsthalle Grabbeplatz | |
Kino-eye the writings of Dziga Vertov | |
Larry Bell : [exposition], Galerie Ileana Sonnabend, Paris, [novembre 1967] | |
L'histoire d'Une histoire du cinéma | |
Literary and philosophical essays | |
Lucinda Childs | |
Mark Tobey : Galerie Jeanne Bucher [exposition] avril 1965 | |
The Marquis de Sade | |
Michael Snow | |
Les monotypes de Tobey, 1965. | |
Montage and modern life, 1919 - 1942 | |
New forms in film : Montreux 1974 | |
New Vertov studies | |
October. - Cambridge, Mass., 1976-. | |
October : the first decade, 1976-1986 | |
On the eve of the future : selected writings on film | |
On the wings of hypothesis collected writings on Soviet cinema | |
Picturing the modern city Retrat de la ciutat moderna | |
Porträt Louise Anna Kubelka : 1978-1996 wöchentlich fotografiert | |
Praxis du cinéma | |
The Regime of the concentration camp in the post-war world, 1945-1953 : four investigations conducted by the International Commission against Concentration Camp Practices | |
Richard Serra | |
Robert Morris | |
Roy Lichtenstein, New York doesn't exist | |
Situations | |
Sonderborg : [exposition, du 30 octobre au 30 novembre 1962], Galerie Karl Flinker | |
Sul futuro dell'arte | |
Television / A challenge to the psychoanalytic establishment | |
Theory of film practique | |
Three sculptors, Berrocal, Ipousteguy, Müller : [exhibition] October 15-November 10. | |
To the distant observer : form and meaning in the Japanese cinema | |
Toward a non-cochlear sonic art | |
Writings on laughter, Sacrifice, Nietzsche, Un-knowing |