Caviness, Madeline Harrison, 1938-....
Caviness, Madeline Harrison
Caviness, Madeline H. (Madeline Harrison), 1938-
Madeline H. Caviness
VIAF ID: 110794333 ( Personal )
Permalink: http://viaf.org/viaf/110794333
Preferred Forms
- 200 _ | ‡a Caviness ‡b Madeline Harrison ‡f 1938-....
-
-
-
- 100 1 _ ‡a Caviness, Madeline Harrison
- 100 1 _ ‡a Caviness, Madeline Harrison
-
-
- 100 1 _ ‡a Caviness, Madeline Harrison ‡d 1938-
- 100 1 _ ‡a Caviness, Madeline Harrison ‡d 1938-
-
-
-
-
-
- 100 1 _ ‡a Caviness, Madeline Harrison, ‡d 1938-
- 100 1 _ ‡a Caviness, Madeline Harrison, ‡d 1938-....
- 100 0 _ ‡a Madeline H. Caviness
4xx's: Alternate Name Forms (9)
5xx's: Related Names (5)
- 510 2 _ ‡a Harvard University
- 510 2 _ ‡a Metropolitan Museum of Art (New York)
- 510 2 _ ‡a National Gallery of Art (Stati Uniti)
- 510 2 _ ‡a Tufts University
- 510 2 _ ‡a Tufts University ‡4 affi ‡4 https://d-nb.info/standards/elementset/gnd#affiliation ‡e Affiliation
Works
Title | Sources |
---|---|
The ancestors of Christ windows at Canterbury Cathedral : [issued in conjunction with the exhibition 'Canterbury and St. Albans: treasures from church and cloister', on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from September 20, 2013, to February 2, 2014] | |
Anchoress, abbess, and queen : donors and patrons or intercessors and matrons ? | |
Art in the medieval West and its audience | |
Artist : "to see, hear, and know all at once" | |
Artistic integration in gothic buildings : a post-modern construct ? | |
Biblical stories in windows : were they Bibles for the poor ? | |
Broadening the definitions of "art" : the reception of medieval works in the context of post-impressionist movements | |
Chūsei ni okeru josei no shikakuka : Miru koto supekutakuru soshite shikaku no kōzō | |
Conflicts between Regnum and Sacerdotium as reflected in a Canterbury psalter of ca. 1215 | |
A contemplative life in Washington | |
"De convenientia et cohaerentia antiqui et novi operis:" : medieval conservation, restoration, pastiche and forgery | |
The cultural patronage of medieval women | |
Deremble, Jean-Paul, and Manhes, Colette, "Les vitraux légendaires de Chartres : des récits en images" ; Wolfgang Kemp, "Sermo corporeus : Die Erzählung der mittelalterlichen Glasfenster | |
Early stained glass of Canterbury Cathedral, circa 1175-1220 | |
Erweiterung des "Kunst"-Begriffs : die Rezeption mittelalterlicher Werke im Kontext nachimpressionistischer Strömungen | |
Fifteenth century stained glass from the chapel of Hampton Court Herefordshire : the Apostles' creed and other subjects | |
four modes of seeing approaches to medieval imagery in honor of Madeline Harrison Caviness | |
Gender symbolism and text image relationships : Hildegard of Bingen's Scivias | |
The Germania of William Randolph Hearst, alias Citizen Kane | |
Glossary prepared for the CVMA of GB | |
Hildegard as designer of the illustrations to her works | |
Hildegard of Bingen : German illustrator, writer and musical composer, 1098[-]1179 | |
Hildegard of Bingen : some recent books | |
Iconoclasme et iconographie : quatre études de cas historiques | |
Images of Divine Order and the Third Mode of Seeing | |
International Colloquium of the Corpus Vitrearum (11th : 1982 : New York). Studies of medieval stained glass, 1984: | |
Learning from the Forest Lawn | |
A lost cycle of Canterbury paintings of 1220 | |
Louis Grodecki and Catherine Brisac, Gothic stained glass, 1200-1300 | |
Marginally correct | |
Medieval and Renaissance stained glass from New England collections | |
Modular assemblages : reconstructing the choir clerestory glazing of Soissons cathedral | |
New England and New York corpus vitrearum checklist I | |
No laughing matter : imag(in)ing chimeras and freaks around 1300 | |
Obscenity and alterity : images that shock and offened us/them, now/then ? | |
Paintings on glass studies in romanesque and gothic monumental art | |
Patron or matron ? a Capetian bride and a vade mecum for her marriage bed | |
Problems of conservation and restoration at Canterbury : a review of former and current practices | |
Putting the judge in his p(a)lace : pictorial authority in the Sachsenspiegel | |
The rationalization of sight and the authority of visions? : a feminist (re)vision | |
Saint-Yved of Braine : the primary sources for dating the gothic church | |
"The simple perception of matter" and the representation of narrative, ca. 1180-1280 | |
Stained glass before 1540 an annotated bibliography | |
Stained glass before 1700 in American collections | |
Stained glass windows | |
Sumptuous arts at the royal abbeys in Reims and Braine ornatus elegantiae, varietate stupendes | |
Unnatural spectacles, aristotelician precepts, and the construction of gender around 1300 | |
Virginia Chieffo Raguin, "Stained glass in thirteenth-century Burgundy" | |
Visual and cognitive impact of the Ancestors of Christ in Canterbury Cathedral and elsewhere | |
Visualizing women in the Middle Ages sight, spectacle and scopic economy | |
Le vitrail : recherches récentes | |
Women and Jews in the Sachsenspiegel picture-books | |
XVI. Corpus Vitrearum Medii Aevi | |
中世における女性の視覚化 : 視ること、スペクタクル、そして視覚の構造 |