Abingdon, Willoughby Bertie, Earl of, 1740-1799
Abingdon, Willoughby Bertie, 4th Earl of 1740-1799
Abingdon, Willoughby Bertie, 1740-1799
Bertie, Willoughby 1740-1799
Willoughby Bertie, 4th Earl of Abingdon English peer and music patron
Abingdon, Willoughby Bertie, 1740-1799, comte
Bertie, Willoughby, 4th Earl of Abingdon
VIAF ID: 10277416 ( Personal )
Permalink: http://viaf.org/viaf/10277416
Preferred Forms
- 100 1 _ ‡a Abingdon, Willoughby Bertie ‡d 1740-1799
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- 100 1 _ ‡a Abingdon, Willoughby Bertie, ‡c Earl of, ‡d 1740-1799
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- 100 1 _ ‡a Abingdon, Willoughby Bertie, ‡d 1740-1799, ‡c comte
- 100 1 _ ‡a Bertie, Willoughby ‡d 1740-1799
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- 100 1 _ ‡a Willoughby Bertie, 4th Earl of Abingdon ‡c English peer and music patron
4xx's: Alternate Name Forms (26)
5xx's: Related Names (4)
- 500 1 _ ‡a Abingdon, Willoughby Bertie, 3rd Earl of ‡d 1692-1760
- 551 _ _ ‡a Gainsborough
- 551 _ _ ‡a Gainsborough ‡4 ortg ‡4 https://d-nb.info/standards/elementset/gnd#placeOfBirth
- 551 _ _ ‡a Rycote
Works
Title | Sources |
---|---|
6 Sonatas | |
An adieu to the turf : a poetical epistle from The E-l of A----n To His Grace The A-----p of Y--k | |
Adieu, ye jovial youths | |
American militia | |
The Amorous Rencountre. A song [[London?], Ball] | |
Cantatas | |
[caption title, f.73v:] The Blind Boy - the Music composed by The Earl of Abingdon | |
Case of Otmoor. | |
Convention march | |
Corydon : a pastoral to the memory of William Shenstone, Esqr. : for three voices | |
Country dances (1787) | |
Dedication to the collective body of the people of England : in which the source of our present political distractions are (sic) pointed out, and a plan proposed for their remedy and redress | |
The Earl of Abingdon's two late speeches in the House of lords, upon the affairs of Ireland; with his lordship's celebrated bill upon the same occasion. | |
The effects of gaming | |
The feelings of a lovesick heart | |
From place to place forlorn I go | |
General Washington's minuet | |
Gentle love this hour befriend me | |
Gentle youth thy tears are vain | |
Glorious armies of the sky | |
Halleluiah | |
Hymn to the praise and glory of God | |
Hymns | |
in four views ... [London, T. Monzani] | |
Instrumental music. | |
Invocation of Neptun | |
The kiss : a song | |
Lady Elizabeth Spencer's minuet | |
A letter to Lady Loughborough, from the Earl of Abingdon, in consequence of her presentation of the colours to the Bloomsbury and Inns of Court Association. | |
Lord Abingdon's minuet | |
The love-sick maid | |
[Manuscript music, untitled] | |
March of the thirteen stripes | |
Mentre dormi | |
A merry land by this light | |
Music for Lord Abingdon / Haydn, J.C.Bach, Grétry...[et al.] / The hanoverian ensemble | |
Musick and beauty | |
Musick has power to melt the soul | |
Nor can I think my suit is vain | |
Nymphs answer from the tomb | |
Pastorales | |
The Political Rationalist. [[London?], s.n.] | |
Psalms | |
A public letter from the Earl of Abingdon to the University of Oxford | |
A representation of the execution of Mary Queen of Scot's in seven views, the music composed for and adapted to each view [London, Theobald Monzani (engraved by W. N. Gardiner after J. F. Rigaud)] | |
Saw you the nymph. A song. [[London?], s.n.] | |
A selection of twelve psalms and hymns, set to music according to the rules laid down for the Church ... to which is prefixed a print ... the drawing and engraving by ... Rigaud and Gardiner [London, Theobald Monzani; Thomas Skillern] | |
Sentimental catches and glees | |
Silent nymph here sunk to rest | |
Six sonatas for two german flutes or two violins and a bass dedicated to the right honourable the Earl of Abingdon by J. O. Astorga. Opera III. London, printed for the author by R. Bremner at the Harp and Hautboy facing Somerset House in the Strand | |
Songs | |
Songs, flutes (2), violins (2), bass instrument accompaniment, D major (1794) | |
Songs, flutes (2), violins (2), bass instrument accompaniment, D major (1795) | |
Songs, flutes (2), violins (2), bass instrument accompaniment, F minor | |
Songs, flutes (2), violins (2), bass instrument accompaniment, G major (1794) | |
Songs, flutes (2), violins (2), bass instrument accompaniment, G major (1795) | |
A speech : Intended to be spoken by the Earl of Abingdon, at the meeting convened by the sheriff, for the nomination of proper gentlemen to represent the county of Oxford in Parliament | |
Speech of the Earl of Abingdon, on His Lordship's motion for postponing the further consideration of the question for the abolition of the slave trade : With some strictures on the speech of the Bishop of St. David's. | |
The state test, or the subversion of parties. [Song] [[London], James Balls] | |
Swains lamentation over the tomb | |
Thoughts on the letter of Edmund Burke, Esq. to the sheriffs of Bristol on the affairs of America | |
[title page:] Joseph Haydn. / Unvollendetes Oratorium. / [at bottom, in pencil by other hand:] Orchester Partitur: Verl N|o 136 / Orchester-Stimmen: Verl. N|o 137 | |
To the printers of Jackson's Oxford Journal. Sirs, .. | |
Trio. | |
Twelve country dances and three capriccios for two flutes and a bass, with three minuets for two flutes, two violins, horns and bass [London, Theobald Monzani; Longman & Broderip; George Smart] | |
Twenty-one vocal pieces for several voices with a piano forte accompaniment. Selected from various English poets. Also seven sonets extracted from the late very ingenious specimens of Oriental poetry by I. D. Carlyle [[London], Theobald Monzani] | |
[Two minuets] | |
Ultrum horum [and] Mavis accipe. Two songs [[London], Theobald Monzani] | |
Vocal pieces | |
Wakefull nightingale | |
Washington's beat up for the English Constitution | |
Wavering state of love | |
When I know that your heart is another's | |
Ye fair married dames. A song. [[London?], s.n.] |