Watts, George Frederick, 1817-1904
George Frederic Watts
Watts, George Frederick
George Frederic Watts Painter and sculptor
Watts, George Frederick (English painter and sculptor, 1817-1904)
Watts, G.F. (George Frederic), 1817-1904
Watts, George Frederic
Уоттс, Д. Ф. 1817-1904 Джордж Фредерик
Watts, G. F. 1817-1904 George Frederick
VIAF ID: 10095477 ( Personal )
Permalink: http://viaf.org/viaf/10095477
Preferred Forms
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100 0 _ ‡a George Frederic Watts
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100 0 _ ‡a George Frederic Watts ‡c Painter and sculptor
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200 _ | ‡a Watts ‡b George Frederick ‡f 1817-1904
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100 1 _ ‡a Watts, George Frederick
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100 1 _ ‡a Watts, George Frederick ‡d 1817-1904
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100 1 _ ‡a Watts, George Frederick ‡g English painter and sculptor, 1817-1904
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100 1 _ ‡a Watts, George Frederick, ‡d 1817-1904
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100 1 _ ‡a Watts, George Frederick, ‡d 1817-1904
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100 1 _ ‡a Watts, George Frederick, ‡d 1817-1904
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4xx's: Alternate Name Forms (50)
5xx's: Related Names (2)
Works
Title | Sources |
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The annals of an artists life |
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The art of G.F. Watts, R.A., O.M.; a lecture delivered in the Town Hall, Manchester on May 31st, 1905 |
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bibliography of first editions of the books illustrated by Walter Crane |
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Blank postcard of G.F. Watts' portrait of Mrs Louis Huth |
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Brief van George Frederic Watts (1817-1904), geschreven aan William Edward Hartpole Lecky (1838-1903) |
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Chefs d'oeuvre |
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A Comparative clinical study of delinquent and non-delinquent negro boys : a dissertation in psychology presented to the Faculty of the Graduate school... for the degree of doctor of philosophy. Frederick Payne Watts. |
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A dissertation on the ancient and noted doctrine of revulsion and derivation : wherein the absurdity of the principles, on which the notion of revulsion was originally founded, is evidently demonstrated, and the immediate consequences of blood-letting plainly prov'd, both from the Laws of the Circulation, and the obvious Effects of this, and several other spontaneous and artificial Evacuations, in the Cure of Diseases, to be the emptying, exhausting those Vessels in particular, that more immediately communicate with the Orifice; and consequently that all Drains, whether by Bleeding, Issues, Setons, &c. should be made near, as they conveniently can, to the Part affected. By Giles Watts, M. D. At Battel in Sussex |
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Drawings. Selections |
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A few memories |
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G.F. Watts : a nineteenth century phenomenon : The Whitechapel Art Gallery, London, 22nd January to 3rd March 1974. |
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G.F. Watts - portraits : fame and beauty in Victorian society |
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G. F. Watts, the hall of fame : portraits of his famous contemporaries. |
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G.F. Watts : the last great Victorian |
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GF Watts |
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Hope |
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[John Stuart Mill, half-length portrait] |
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The landscapes of George Frederick Watts |
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The laurel and the thorn : a study of G.F. Watts |
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[Leslie Stephen, head-and-shoulders portrait, facing slightly right] |
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Letter from G.F. Watts to Sir William Henry Gregory re donation of his paintings to National Gallery |
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Masterpieces of G.F. Watts (1817-1904) |
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The purple East; a series of sonnets on England's desertion of Armenia |
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Reflections on slow and painful labours, and other subjects in midwifery. : Together with observations on several disorders incident to pregnant women. Interspersed with Remarks on Dr. Burton's Letter to Dr. Smellie, in which the Merits of the Cause between these two Authors are, in some Measure, considered. By Giles Watts, M.D |
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Representations of G.F. Watts : art making in Victorian culture |
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Ruth and Boaz |
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Samuel Augustus Barnett |
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Selvportræt |
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Sir Charles Hallé (né Carl Halle) |
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Sir Henry Taylor |
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Sir John Peter Grant |
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Sir (William Matthew) Flinders Petrie |
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Stopford Augustus Brooke |
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Stratford Canning, Viscount Stratford de Redcliffe |
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Studies of a kneeling knight |
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Studies of a Seated Draped Figure with a Book |
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Study for a Head of a Child |
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Study of a Lady leaning on a Chair |
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Study of Clouds |
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Study of Death for "Time and Death" |
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Sülvstporträt |
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Symphonies 1-7 |
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Le Temps, la Mort et le Jugement |
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Tennyson |
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Thomas Carlyle |
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Time, Death, and Judgement |
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A vindication of the new method of inoculating the small-pox, : against the arguments and objections of Dr. Langton and Mr. Bromfeild, Wherein it is demonstrated, That the Distemper communicated by this Method is the genuine small-pox; That Patients so inoculated are not in the least Danger of taking the Distemper in the natural way; and also That the Method itself bids fair, in the Hands of judicious Practitioners, to become in the highest Degree beneficial to Mankind: In which is comprehended An Inquiry into the true causes, Which render the Distemper so very favourable, In this Way of Inoculating. By Giles Watts, M.D |
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Violet Lindsay |
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Watts Memorial Exhibition at the Royal Hibernian Academy, 1906 : [with critical and biographical note, signed W.A., i.e., Sir Walter Armstrong]. |
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Wenn die Armut zur Tür hereinkommt, fliegt die Liebe zum Fenster hinaus |
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When Poverty Comes in at the Door Love Flies out of the Window |
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William Ewart Gladstone |
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The word in the pattern : a key to the symbols on the walls of the chapel at Compton |
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The works of G. F. Watts : The New Gallery, winter exhibition, 1896-7 |
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Zelfportret |
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Αυτοπροσωπογραφία |
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Аутопортрет |
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Джордж Фредерик Уотс [жизнь и деятельность художника альбом] |
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Надежда |
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Соблазнённая Ева |
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Ինքնապատկեր |
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דיוקן עצמי |
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תקווה |
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امید (نقاشی) |
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بورتريه ذاتي |
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لوحة ما بعد الطوفان |
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چهرهٔ خود |
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উইলিয়াম মরিস |
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এলেন টেরি |
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চার্লস বুথ |
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জর্জ মেরেডিথ |
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জুলিয়া মার্গারেট ক্যামেরন |
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ম্যাথু আর্নল্ড |
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রবার্ট ব্রাউনিং |
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ਹੋਪ |
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ആലീസ് |
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ภาพเหมือนตนเอง |
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オルフェウスとエウリュディケ |
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サー・ガラハッド (ワッツ) |
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乔治·弗雷德里克·瓦特像 |
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发现溺水 |
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阿爾弗雷德·丁尼生 |
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希望 |
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弥诺陶洛斯 (沃茨) |
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无所不在 (沃茨) |
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洪水过后 |
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玛门 (沃茨) |
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自画像 |
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