Iturbide, Graciela, 1942-....
Iturbide, Graciela
Graciela Iturbide fotógrafa mexicana
Iturbide, Graciela (Mexican photographer and filmmaker, born 1942)
VIAF ID: 96559337 ( Personal )
Permalink: http://viaf.org/viaf/96559337
Preferred Forms
- 100 0 _ ‡a Graciela Iturbide ‡c fotógrafa mexicana
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- 100 1 _ ‡a Iturbide, Graciela
- 100 1 _ ‡a Iturbide, Graciela
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- 100 1 0 ‡a Iturbide, Graciela ‡d 1942-
- 100 1 _ ‡a Iturbide, Graciela ‡d 1942-
- 100 1 _ ‡a Iturbide, Graciela ‡d 1942-
- 100 1 _ ‡a Iturbide, Graciela ‡g Mexican photographer and filmmaker, born 1942
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- 100 1 _ ‡a Iturbide, Graciela, ‡d 1942-
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- 100 1 _ ‡a Iturbide, Graciela, ‡d 1942-
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- 100 1 _ ‡a Iturbide, Graciela, ‡d 1942-....
4xx's: Alternate Name Forms (33)
5xx's: Related Names (1)
Works
Title | Sources |
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Asor | |
Buenaventura, Colombia. Children in Puente Nayero play an improvised game of table football. The success of the Puente Nayero Humanitarian Space has encouraged residents on the neighboring street of Punta Icaco to begin organizing to create their own humanitarian space | |
Buenaventura, Colombia. The land in Puente Nayero is man-made, reclaimed from the waters of Buenaventura Bay by piling up layers of garbage, rocks, dirt and cement. Many of the community's wooden houses rest partially on land, but extend into the bay, suspended above the water on stilts | |
Centric 39 | |
Contemporary photographers, c1982: | |
Conversaciones con fotógrafos lo real | |
Core samples from the world | |
En el nombre del padre | |
El entorno invisible | |
Eyes to fly with : portraits, self-portraits, and other photographs | |
Fiesta und Ritual Graciela Iturbides Mexiko | |
Fotografies. Seleccions | |
Fridas Kleider aus dem Museo Frida Kahlo, Mexico City | |
Graciela Iturbide [16 junio-6 septiembre 2009, Fundación Mapfre, Instituto de Cultura, Sala de Exposiciones Azca] | |
Graciela Iturbide : del 24 d'abril al 28 de maig de 1992 | |
Graciela Iturbide habla con Fabienne Bradu | |
Graciela Iturbide : la forma y la memoria ; Museo de Arte Contemporáneo de Monterrey, febrero-agosto 1996 | |
Graciela Iturbide : Museo del Palacio de Bellas Artes, Septiembre - octubre de 1993, Ciudad de México. | |
Graciela Iturbide : on dreams, symbols, and imagination | |
Graciela Iturbide : place Laganne, Toulouse, mai 90 | |
Graciela Iturbide : the Hasselblad award 2008 | |
Heliotropo 37 | |
Images of the spirit | |
Indiens du Chiapas. Vie quotidienne. (1975 - 1989). [Cote :5798] | |
Juchitan De Las Mujeres. (1975 - 1995). [Cote :2714] | |
Leben! Sterben! : 200 Jahre Mexiko | |
Leben! Streben! | |
Legorreta + Legorreta | |
Luz y luna, las lunitas | |
México | |
Mexique. 1988. [Cote :2716] | |
Mi ojo | |
Mujer angel (angel woman), Sonora Desert | |
[Mujer Guaymi] [photographie] | |
No hay nadie | |
Nuestra Senora de las Iguanas (Our Lady of the Iguanas), Juchitan, Oaxaca | |
Oaxaca, Mexico. Abel, 16, adopted a stray dog in Oaxaca that he calls Amigo. In Honduras, he was recruited by a gang but resisted. When they threatened his life, he fled to Mexico alone. On his journey, he was chased many times by both migration officers and criminals. Now he lives in a shelter for teen refugees and migrants | |
Oaxaca, Mexico. El Alacrán (a nickname he chose in order to protect his identity), 17, watches a video he created of his gang's activities when he was a member of Mara Salvatrucha (MS-13). He joined MS-13 as a 9-year-old in Honduras. When El Alacrán refused to kill a rival, the head of his gang ordered El Alacrán's own brother to kill him for his defiance. He fled to Mexico and applied for asylum, but his application was denied because he didn't have proof that his life had been threatened. He plans to appeal | |
oiseaux | |
Pajaros | |
Palenque, Mexico. Lesly Mariela feeds her baby at the Jtatic Samuel Ruiz shelter. To escape the violence in her native Honduras, she walked for days with her two children, aged six months and two years. She plans to ask for asylum in Mexico, and dreams about moving far away from the violence -- "to Alaska if it'd be possible" | |
Palenque, Mexico. Refugees and migrants wait under a tree hoping to climb aboard a passing freight train heading north. Thousands of refugees and migrants ride atop the trains, known as La Bestia ("The Beast"), part of their perilous journey from Central and South America | |
Photographe. (1975 - 1995). [Cote :sans cote] | |
Photographs. Selections | |
Piedras | |
Primer dia del Verano (First Day of Summer), Veracruz | |
Los que viven en la Arena | |
Quibdó, Colombia. A group of Emberá women make beaded jewelry. After being driven from their traditional lands and settling in the outskirts of the city of Quibdó, they found themselves without means of support. Now they make their traditional jewelry and sell it in Bogotá, 500 miles away | |
[Recueil. Photographies originales. Oeuvre de Graciela Iturbide] | |
Relatos de luz | |
Revolution and ritual : the photographs of Sara Castrejón, Graciela Iturbide, and Tatiana Parcero | |
Roma | |
Sandra Eleta the invisible world | |
Self portrait in a velvet dress | |
Sueños de papel | |
Tenosique, Mexico. A young couple unwinds in La 72 shelter. While awaiting the verdict on their applications, asylum-seekers are allowed to stay in the shelter for up to three months, but must try to earn a living | |
Tenosique, Mexico. This refugee is building a roof over La 72 shelter's playground. The mural behind him lists some of the worst acts of violence against refugees and migrants in Mexico, including the 2010 San Fernando massacre | |
Tenosique, Mexico. This young couple from Honduras met in La 72 shelter and fell in love. During the nearly three months they have been at La 72, they have applied and been approved for refugee status. They are ready to start a new life in Mexico | |
Tenosique, Mexico. Two residents of La 72 shelter enjoy a short break from work. Kevin, on the right, is a minor who traveled to Mexico on his own. Since late 2011, the U.S. government has recorded a dramatic rise in the number of unaccompanied and separated children who have tried to cross the border from Mexico. The increase is largely driven by an influx of children fleeing the countries of the Northern Triangle | |
There is no one | |
Tiempo suspendido | |
Twelve days | |
Vie quotidienne au Chiapas [Image fixe numérisée] | |
Yo estuve en Avándaro |