Welchman, John C., 1958-....
Welchman, John C.
Welchman, John
John C. Welchman britský vysokoškolský pedagog dějin umění, též kurátor výstav a kritik umění
VIAF ID: 54216609 (Personal)
Permalink: http://viaf.org/viaf/54216609
Preferred Forms
- 100 0 _ ‡a John C. Welchman ‡c britský vysokoškolský pedagog dějin umění, též kurátor výstav a kritik umění
- 200 _ | ‡a Welchman ‡b John C. ‡f 1958-....
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- 100 1 _ ‡a Welchman, John
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- 100 1 _ ‡a Welchman, John C
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- 100 1 _ ‡a Welchman, John C.
- 100 1 _ ‡a Welchman, John C.
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- 100 1 _ ‡a Welchman, John C. ‡d 1958-
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- 100 1 _ ‡a Welchman, John C., ‡d 1958-....
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4xx's: Alternate Name Forms (14)
5xx's: Related Names (2)
Works
Title | Sources |
---|---|
The aesthetics of risk | |
Aint't painting a pain | |
Anca Munteanu Rimnic | |
Andreas Hofer = Andy Hope 1930 | |
apparatus of discomfort, an interview | |
Art after appropriation : essays on art in the 1990s | |
The art museum of my dreams or a place for the work and the human being | |
Black sphinx : on the comedic in modern art | |
Caribbean pirates | |
Cave myths : (endless spelunking) : [tentoonstelling in Quetzal Art Center, 30-3-2019-30-3-2020] | |
Clegg & Guttmann : collected portraits / [exposition, Stuttgart, Württembergischer Kunstverein, 20 juillet - 4 septembre 1988]. | |
Cody Choi - culture cuts [coincides with the following Exhibitions: Cody Choi - Culture Cuts ; May 9 - August 2, 2015, Kunsthalle Düsseldorf ; Apil 8 - August 23, 2016, Musée d'Art Contemporain, Marseille] | |
Cody Choi : farewell to the 20th century | |
Collateral | |
Color light matter mind | |
The Dada & surrealist word-image | |
Day is done : [exhibition, Gagosian Gallery, New York, November 11-December 17, 2005] | |
Del siglo XX al XXI : ensayos sobre arte europeo | |
dispositif perturbateur, entretien | |
Fatigue empire | |
Femmy Otten : slow down love | |
First love : a novella. illustrated volume | |
Foul perfection : essays and criticism | |
Guillaume Bijl (Ausstellungskatalog, 2016) | |
An inquiry into meaning and truth and more : Thomas Raat | |
Institutional critique and after | |
Invisible colors : a visual history of titles | |
Invisible colours / John C. Welchman. - New Haven, Conn., 1997. | |
John Baldessari : it's alive : interview | |
Jumps of the cat : Guillaume Bijl's simulation therapy | |
Koen van den Broek : cut away the Snoopy : [Exhibition Marlborough Contemporary, London, from 25 June to 2 August 2014] | |
Koen van den Broek : out of place | |
Kwang Young Chun : mulberry mindscapes | |
L'art conceptuel | |
Left behind : Jim Shaw : [exposition, CAPC-Musée d'art contemporain de Bordeaux, 7 mai-19 septembre 2010] | |
Medley tour by Andy Hope 1930 [anlässlich der Ausstellung Medley Tour by Andy Hope 1930, 24. Februar - 29. April, 2012, Kestnergesellschaft, Hannover] | |
Michael Kunze : halkyonische Tage : = Halcyon days : [Ausstellung], Kunsthalle Düsseldorf, [6. April-30. Juni 2013] | |
Mike Kelley | |
Mike Kelley : interviews, conversations, and chit-chat, 1986-2004 : with AA Bronson, Larry Clark, Kim Gordon, Thurston Moore, Jutta Koether, Harmony Korine, Tony Oursler, Richard Prince, Jim Shaw, Michael Smith, Jeffrey Sconce, John Waters, and John C. Welchman | |
Minor histories : statements, conversations, proposals | |
Modernism relocated : towards a cultural studies of visual modernity | |
Ni apparence ni illusion | |
On the last afternoon : disrupted ecologies and the work of Joyce Campbell | |
Orshi Drozdik : adventure & appropriation 1975-2001 | |
Past realization : essays on contemporary European art | |
Les peintres contemporains et leur technique | |
Public matters : debates & documents from the Skulptur Projekte Archives | |
Pulpo = octopus : Yoshua Okón | |
Recent pasts : art in Southern California from the 90s to now : volume 1 of the SoCCAS symposia (Southern California Consortium of Art Schools) | |
Rethinking borders | |
Richard Jackson | |
Royal Book Lodge | |
"Sculptors and modellers" : Tate Gallery, 11 June - 15 July 1984 | |
Sculpture and the vitrine | |
Seton Smith | |
Tala Madani : shit moms : Secession, Nov. 22, 2019-Feb. 9, 2020 | |
This is what comes ... : collective histories of northern irish art | |
Tim Hawkinson : [mapping the marvellous] | |
The uncanny | |
Uncanny by Mike Kelley, artist ; [on the occasion of the Exhibition The Uncanny by Mike Kelley, Tate Liverpool, 20 February - 3 May 2004 ; Museum Moderner Kunst Stiftung Ludwig Wien, 15 July - 31 October 2004] | |
Vasco Araújo | |
Warren Neidich : the noologist's handbook and other art experiments | |
XX-XXI | |
Yoshua Okón : collateral : [exhibition, Mexico, MUAC, 23 September 2017 to 11 February 2018 ; Puebla, Museo Amparo, 3 March to 4 June 2018], anglais |