Boime, Albert
Boime, Albert, 1933-....
Boime, Albert, 1933-2008
Albert Boime American art historian
VIAF ID: 84206195 ( Personal )
Permalink: http://viaf.org/viaf/84206195
Preferred Forms
- 100 0 _ ‡a Albert Boime ‡c American art historian
- 200 _ | ‡a Boime ‡b Albert ‡f 1933-....
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- 100 1 _ ‡a Boime, Albert
- 100 1 _ ‡a Boime, Albert
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- 100 1 _ ‡a Boime, Albert
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- 100 1 _ ‡a Boime, Albert ‡d 1933-...
- 100 1 _ ‡a Boime, Albert ‡d 1933-2008
- 100 1 _ ‡a Boime, Albert, ‡d 1933-....
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4xx's: Alternate Name Forms (14)
5xx's: Related Names (1)
Works
Title | Sources |
---|---|
Academy and french painting in the nineteenth century | |
Akademī to furansu kindai kaiga | |
Art and the French Commune : imagining Paris after war and revolution | |
Art in an age of Bonapartism, 1800-1815 | |
Art in an age of civil struggle, 1848-1871 | |
Art in the age of revolution, 1750-1800 | |
The Art of Simon Dinnerstein | |
The art of the Macchia and the Risorgimento : representing culture and nationalism in nineteenth-century Italy | |
Artisti e imprenditori | |
The birth of abstract romanticism : art for the new humanity : Rumi and the paintings of Kamran Khavarani | |
Exigences de réalisme dans la peinture française entre 1830 et 1870 : [exposition, 5 novembre 1983-15 février 1984], Musée des beaux-arts de Chartres | |
Franz Kline : the early works as signals : [exhibition] University Art Gallery, State University of New York, Binghamton, New York, 14 March-18 April 1977, Neuberger Museum, State University of New York, Purchase, New York, 27 September-6 November 1977 | |
Goya | |
El Greco | |
Hierarchy and exclusion: b images of black people in the nineteenth century. | |
Hollow icons : the politics of sculpture in nineteenth-century France | |
The Infanta adventure and the lost Manet | |
Ken Aptekar : talking to pictures | |
The magisterial gaze : manifest destiny and American landscape painting, c. 1830-1865 | |
n79122064 | |
The odyssey of Jan Stussy in black and white : anxious visions and uncharted dreams | |
On connoisseurship and reason in the authentication of art | |
Paris 1889 : American artists at the Universal Exposition : [exhibition, organized by the Pennsylvania Academy of the Fine Arts; to be held at the Chrysler Museum, Norfolk, Va., Sept. 29-Dec. 17, 1989, at Pennsylvania Academy of the Fine Arts, Philadelphia, Feb. 1-Apr. 15, 1990, and at the Memphis Brooks Museum of Art, Tennessee, May 6-July 15, 1990] | |
Revelation of modernism : responses to cultural crises in fin-de-siècle painting | |
The Salon des refusés and the evolution of modern art | |
Social history of modern art | |
Sources for Sir John Everett Millais's "Christ in the house of his parents" | |
The statue of liberty building a collossus = La statue de la liberté : naissance d'un colosse | |
Thomas Couture and the eclectic vision | |
Thomas Couture; [drawings and some oil sketches] | |
Thomas Satterwhite Noble, 1835-1907 | |
The unveiling of the national icons : a plea for patriotic iconoclasm in a nationalist era | |
Van Gogh, La noche estrellada la historia de la materia y la materia de la historia | |
Van Gogh, la Nuit étoilée : l'histoire de la matière et la matière de l'histoire | |
Vincent van Gogh, die Sternennacht : die Geschichte des Stoffes und der Stoff der Geschichte | |
Vincent van Gogh, starry night a history of matter, a matter of history | |
Violence and Utopia : the work of Jerome Boime | |
アカデミーとフランス近代絵画 |