Tudor, David, 1926-1996
Tudor, David
David Tudor American pianist and composer
Tudor, David, 1926-
Tudor, David (American musician, composer, and sound artist, 1926-1996)
VIAF ID: 42035532 ( Personal )
Permalink: http://viaf.org/viaf/42035532
Preferred Forms
- 100 0 _ ‡a David Tudor ‡c American pianist and composer
- 100 0 _ ‡a David Tudor ‡c American pianist and composer
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- 200 _ | ‡a Tudor ‡b David ‡f 1926-1996
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- 100 1 _ ‡a Tudor, David
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- 100 1 _ ‡a Tudor, David ‡d 1926-1996
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- 100 1 _ ‡a Tudor, David ‡d 1926-1996
- 100 1 0 ‡a Tudor, David ‡d 1926-1996
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- 100 1 _ ‡a Tudor, David ‡g American musician, composer, and sound artist, 1926-1996
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- 100 1 _ ‡a Tudor, David, ‡d 1926-1996
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- 100 1 _ ‡a Tudor, David, ‡d 1926-1996
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4xx's: Alternate Name Forms (24)
5xx's: Related Names (2)
- 551 _ _ ‡a Philadelphia, Pa. ‡4 ortg ‡4 https://d-nb.info/standards/elementset/gnd#placeOfBirth
- 551 _ _ ‡a Tomkins Cove, NY ‡4 orts ‡4 https://d-nb.info/standards/elementset/gnd#placeOfDeath
Works
Title | Sources |
---|---|
The 25-year retrospective concert of the music of John Cage | |
4'33" | |
50 Jahre neue Musik in Darmstadt | |
Anima Pepsi | |
Bandoneon! (A combine) | |
Cartridge music | |
Compositions by Phil Winsor, Cindy McTee, James Piekarski, Rodney Waschka II, Robert Keefe, Rowell Rogers, Larry Austin. | |
Les Concerts du Domaine Musical | |
David Tudor & Gordon Mumma | |
Dialects | |
Due parole per chiederti notizie lettere (inedite) a David Tudor | |
Duo for violinist and pianist | |
Earle Brown - a life in music | |
Electronic music | |
Electronic music. Selections | |
EXTENDED VOICES | |
For piano with preparations (11 min 26 s) | |
Fünfundsiebzig Jahre Donaueschinger Musiktage 1921-1996 | |
Harry Partch; John Cage | |
Impromptu et variations deux | |
Improvisation ajoutée | |
Instrumental music. | |
Interpolation mobile pour flûte | |
John Cage and David Tudor : correspondence on interpretation and performance | |
John Cage, Variations V | |
Klavierkonzert 1957-58 ; Diary ; Gespräch | |
Klavierstücke | |
Kompositionen 1950-1972 | |
Kompositionen neunzehnhundert fünfzig zu neunzehnhundert siebzig zwei | |
Konserter | |
Kontakte | |
A Larry Austin retrospective 1967-94. | |
[Lettre de David Tudor à J. Barraqué, 1956] | |
Music for piano | |
Music of changes | |
--Musics, metaphors, machines-- | |
Musik in Deutschland 1950 - 2000 | |
Neural network plus | |
Neural synthesis. No. 6-9 | |
Neutral network plus | |
orgue moderne | |
Pepscillator | |
Pepsibird | |
Phonemes | |
Piano avant-garde David Tudor recordings, 1956-60 | |
The piano concertos | |
Pierre Boulez, le Domaine musical : 1956...1967 | |
Présence de la musique contemporaine | |
Proiezioni sonore | |
Pulsers | |
Quantitäten | |
Rainforest 4 | |
Rainforest, no. 1 | |
Rainforest, no 2 | |
Sea Tails | |
A Second wind for organ. [Sound recording] | |
SEPR. | |
Serenata 1 | |
Sextet for seven | |
Shock | |
Solo for piano by John Cage, second realization | |
SOLOS FOR VOICE 2 | |
Stråkkvartett nr 4 | |
Stykker | |
Toneburst | |
Transición II. [from old catalog] | |
Untitled | |
Variasjoner | |
Variationen, Nr. 5. | |
Variations IV. [Sound recording] | |
The viola in my life | |
Virtual focus | |
Virtual focus. Selections | |
Voces. | |
Wave train : (music from 1959 to 1968) | |
Wayfaring sounds : 1960 = (Klänge unterwegs) | |
Weatherings | |
Webwork | |
Wergo 40 years : 1962-2002. | |
Werke | |
Works. | |
Zyklus ; Refrain |