Baert, Barbara, 1967-....
Baert, Barbara
Barbara Baert
VIAF ID: 42060337 ( Personal )
Permalink: http://viaf.org/viaf/42060337
Preferred Forms
- 200 _ | ‡a Baert ‡b Barbara ‡f 1967-....
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- 100 1 _ ‡a Baert, Barbara
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- 100 1 _ ‡a Baert, Barbara
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- 100 1 _ ‡a Baert, Barbara ‡d 1967-
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- 100 1 _ ‡a Baert, Barbara, ‡d 1967-
- 100 1 _ ‡a Baert, Barbara, ‡d 1967-...
- 100 1 _ ‡a Baert, Barbara, ‡d 1967-....
- 100 0 _ ‡a Barbara Baert
4xx's: Alternate Name Forms (6)
5xx's: Related Names (1)
Works
Title | Sources |
---|---|
Eén 2002-2004 | |
50 | |
Aan de vruchten kent men de boom, 2001: | |
About sieves and sieving motif, symbol, technique, paradigm | |
About stains (Bildband) | |
About stains or The image as residue | |
Aby Warburg's (1866-1929) butterflies as art historical paradigms. | |
Afterlife studies and the Occasio grisaille in Mantua (School of Mantegna, 1495-1510) | |
The antependium of Nedstryn and the Exultation of the cross | |
Backlit heaven : power and devotion in the archdiocese Mechelen | |
Berlinde De Bruyckere : [exposition au Caermersklooster - Centre Provincial d'Art et de Culture à Gand du 15 février au 14 avril 2002] | |
Berlinde De Bruyckereé : one 2002-2004 : [exhibition, De Pont Museum of Contemporary Art, Tilburg, January 22-May 29, 2005 ; La Maison Rouge, Fondation Antoine de Galbert, Paris, June 23-October 9, 2005] | |
Big Bang : De verbeelding van het universum | |
Big bang : imagining the universe | |
Het "Boec van den Houte" | |
De boom in natuur, cultuur en religie | |
Bruegel revisited | |
Caput Johannis in disco : {essay on a man's head} | |
Chi ha toccato i miei vestiti ... | |
Contribution to the study of Aby Warburg (1866 - 1929) | |
Decapitation and sacrifice Saint John's head in interdisciplinary perspectives: text, object, medium | |
Eerste beweging : beschouwingen over het museale bezit tot 1600 | |
Erfenis van heilig hout. | |
Essays. Selections | |
Fluid flesh : the body, religion and the visual arts | |
Folded stones : tied up tree | |
Fragments | |
From Kairos to Occasio through Fortuna : text | |
El fruto de la fe : el legado artístico de Flandes en la Isla de La Palma | |
The gaze from above : reflections on cosmic eyes in visual culture | |
"Gender" visione e sensi : nuova luce sul tabernacolo del Beato Chiarito | |
A golden age of European art : celebrating fifty years of the Sarah Campbell Blaffer Foundation | |
The head of Saint John the Baptist on a platter : the gaze of death | |
A heritage of holy wood the legend of the true cross in text and image | |
The Iconography of Saint Elizabeth of Hungary : dynastic Saints and Exemplary Images (13th-15th century). | |
In response to echo : beyond mimesis or dissolution as scopic regime (with special attention to camouflage) | |
Interruptions and transitions : essays on the senses in Medieval and early modern visual culture | |
Interspaces between word, gaze and touch : the Bible and the visual medium in the Middle Ages : collected essays on 'Noli me tangere', the woman with the Haemorrhage, the head of John the Baptist | |
Kairos or occasion as paradigm in the visual medium Nachleben, iconography, hermeneutics | |
Kleine iconologie van het weven | |
Late medieval enclosed gardens of the low countries : contributions to gender and artistic expression | |
L'iconographie de sainte Elisabeth de Hongrie : saints dynastiques et images exemplaires (XIIIe-XVe siècle) | |
Lieven Gevaert series | |
"Locus amoenus" and the sleeping nymph : "ekphrasis", silence and "genius loci" | |
Looking into the rain magic, moisture, medium | |
Mantle, fur, pallium : veiling and unveiling in the martyrdom of Agnes of Rome | |
Maria Magdalena in veelvoud | |
Medien der Natur | |
n2001088884 | |
New perspectives in iconology : visual studies and anthropology | |
Noli me tangere in interdisciplinary perspective : textual, iconographic and contemporary interpretations | |
Noli me tangere : Mary Magdalene: one person, many images : exhibition Maurits Sabbe Library 23 February - 30 April 2006, Faculty of Theology, K.U. Leuven | |
Nymph : motif, phantom, affect. | |
'Ornamenta Sacra' : late medieval and early modern liturgical objects in a European context | |
Petrifying gazes : Danaë and the uncanny space | |
Pneuma and the visual medium in the Middle Ages and early modernity : essays on wind, ruach, incarnation, odour, stains, movement, Kairos, web and silence | |
Revisiting Salome's dance in medieval and early modern iconology | |
The right moment : essays offered to Barbara Baert : laureate of the 2016 Francqui Prize in Human Sciences on the occasion of the celebratory symposium at the Francqui Foundation Brussels, 18-19 October 2018 | |
Right Moment (peeters) | |
Signed "PAN" : Erwin Panofsky's (1892-1968) "The history of art as a humanistic discipline" (Princeton, 1938) | |
De sluier en het gelaat : het mandylion en het auteursportret in het licht van de vroegmiddeleeuwse beeldtheorieën | |
Thread on the origin of creation | |
Utopia's doom : the graal as paradise of lust, the sect of the free spirit and Jheronimus Bosch's so-called Garden of delights | |
Veiling | |
Verschwinden | |
Weaving, veiling, and dressing : textiles and their metaphors in the late Middle Ages | |
The weeping rock : revisiting Niobe through paragone, pathosformel and petrification | |
wellende water de bron in tekst en beeld in de middeleeuwse Nederlanden en het Rijnland | |
What about enthusiasm? A rehabilitation : Pentecost, Pygmalion, 'Pathosformel' | |
The woman with the blood flow (Mark 5:24-34) : narrative, iconic, and anthropological spaces | |
風のイコノロジー : 風、ルーアハ、受肉、匂い、しみ、動き、カイロス、クモの巣、静けさについてのエッセイ集 |