Institute of contemporary art Boston, Mass.
Institute of Contemporary Art, Boston
Institute of Contemporary Art (Boston, Massachusetts)
Institute of contemporary art
VIAF ID: 158852929 ( Corporate )
Permalink: http://viaf.org/viaf/158852929
Preferred Forms
- 110 2 0 ‡a Institute of Contemporary Art (Boston)
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- 110 2 _ ‡a Institute of Contemporary Art (Boston, Mass.)
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- 110 2 _ ‡a Institute of Contemporary Art (Boston, Mass.)
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- 110 2 _ ‡a Institute of Contemporary Art ‡g Boston, Mass.
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- 151 _ _ ‡a Institute of Contemporary Art, Boston
- 110 2 _ ‡a Institute of contemporary art
- 110 2 _ ‡a Institute of contemporary art (Boston, Mass)
- 210 | | ‡a Institute of contemporary art ‡c Boston, Mass.
4xx's: Alternate Name Forms (53)
5xx's: Related Names (7)
- 510 2 _ ‡a Boston Institute of Modern Art ‡4 vorg ‡4 https://d-nb.info/standards/elementset/gnd#precedingCorporateBody ‡e Vorgaenger
- 551 _ _ ‡a Boston, Mass. ‡4 orta ‡4 https://d-nb.info/standards/elementset/gnd#placeOfBusiness
- 510 2 _ ‡a Institute of Modern Art (Boston, Mass.)
- 510 2 _ ‡a Institute of Modern Art (Boston, Massachusetts)
- 510 2 _ ‡a Institute of Modern Art, Boston
- 510 2 _ ‡a Institute of Modern Art, Boston, Mass
- 551 _ _ ‡a USA ‡4 geow ‡4 https://d-nb.info/standards/elementset/gnd#spatialAreaOfActivity
Works
Title | Sources |
---|---|
American art of the late 80s | |
Amerikanische Kunst der späten 80er Jahre | |
Anish Kapoor : past, present, future | |
Annu. rep. - Inst. Contemp. Art (Boston Mass.) | |
Annual report, 1986: | |
Arlene Shechet : all at once | |
Art & dance. | |
Art in the age of the Internet : 1989 to today | |
Artists imaginearchitecture : may 22-september 2-2002 | |
The artist's museum | |
Between spring and summer : Soviet conceptual art in the era of late communism | |
Bill Viola : Buried secrets = Vergrabene geheimnisse | |
Boston now : sculpture . Emerging Massachusetts painters | |
Boston school | |
Catherine Opie : empty and full | |
Chic clicks | |
Choreographic objects | |
Christo : Oceanfront | |
Contemporary painters of Japanese origin in America | |
Cornelia Parker | |
Deana Lawson | |
Egon Schiele, 1890-1918. | |
Elvis + Marilyn : 2 x immortal | |
Endgame : reference and simulation in recent painting and sculpture | |
Fiber : sculpture 1960-present | |
Forecast form : art in the Caribbean diaspora, 1990s-today | |
Frank Lloyd Wright: a pictorial record of architectural progress. | |
Os Gemeos | |
Georges Rouault : retrospective loan exhibition, Boston, the Institute of modern art, Wahsington, the Phillips Memorial Gallery, San Francisco, the San Francisco Museum of art, Nov. 1940-Mar. 1941. | |
Gothic : transmutations of horror in late twentieth century art | |
ICA currents | |
The image lost and found ... the inaugural exhibition opening the new gallery at the Metropolitan Boston Arts Center ... | |
Images of the modern dialogue : 1890-1980 : [exhibition] | |
Jack Levine | |
Jacques Villon, Lyonel Feininger | |
James Ensor | |
Jewelry as sculpture as jewelry | |
Jim Hodges : give more than you take | |
John Marin, a retrospective exhibition, 1947. | |
The journal and catalog of the exhibition entitled Sculpture and Carl Milles | |
Julius Bissier; 70th year retrospective. | |
Katalog wystawy (Institute of Contemporary Art ; Boston ; 1976) | |
Katalog wystawy (Institute of Contemporary Art ; Boston ; 1988) | |
Katalog wystawy (Institute of Contemporary Art ; Boston ; 1994) | |
Katalog wystawy (Institute of Contemporary Art ; Boston ; 1996) | |
Katalog wystawy (Institute of Contemporary Art ; Boston ; 2012) | |
Katalog wystawy (Institute of Contemporary Art ; Boston ; 2018) | |
Katalog wystawy (Institute of Contemporary Art ; Boston ; 2020) | |
Leap before you look : Black Mountain College, 1933-1957 | |
Mark Dion : misadventures of a 21st-century naturalist | |
Marlene Dumas : one hundred models and endless rejects | |
A memorial exhibition; selections from the Nathaniel Saltonstall Collection. | |
Migration through contemporary art | |
Milestones of American painting in our century | |
Montage and modern life, 1919-1942 | |
Multiple Occupancy: Eleanor Antin's "Selves" | |
New directions in collecting. | |
New histories | |
Nine Canadians. | |
On the passage of a few people through a rather brief moment in time : the Situationist International, 1957-1972 | |
Oskar Kokoschka; 48 plates in photogravure, 8 plates in color, with 2 original lithographs. | |
Paul Gauguin, 1848-1903; | |
A Photographic patron : the Carl Siembab Gallery | |
Photographs from one year | |
The presence of Walker Evans : Diane Arbus, Willian Christenberry, Robert Frank, Lee Friedlander, Helen Levitt, Alston Purvis, John Szarkowski, Jerry Thompson | |
Quincy book | |
Roni Horn aka Roni Horn | |
Rosemarie Trockel | |
South Station studio show, Saturday and Sunday, October 27 and 28, 1973, 11:00 a.m.-7:00 p.m. | |
Spectacle of image | |
Sur le passage de quelques personnes à travers une assez courte unité de temps à propos de l'Internationale situationniste, 1957-1972 [exposition, 21 février-9 avril 1989, Paris], Musée national d'art moderne, Galeries contemporaines | |
This will have been : art, love & politics in the 1980s | |
Thomas Struth : strangers and friends : photographs 1986-1992 | |
Utopia post Utopia : configurations of nature and culture in recent sculpture and photography : January 29-March 27, 1988 | |
We wanted a revolution : black radical women, 1965-85, new perspectives | |
Ein Weg zur Einheit künstlerischer Gestaltung | |
Workworkworkworkwork | |
The world as a stage | |
Young Italians. |