Gerow, Aaron Andrew
Gerow, Aaron 1964-....
Gerow, Aaron
آرون جيرو مؤرخ
Gerow, Aaron Andrew, 19..-....
Gerow, Aaron Andrew (1964- ).
جيرو، آرون
Gerow, Aaron (Aaron Andrew), 1964-
VIAF ID: 89846817 (Personal)
Permalink: http://viaf.org/viaf/89846817
Preferred Forms
- 200 _ | ‡a Gerow ‡b Aaron ‡f 1964-....
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- 100 1 _ ‡a Gerow, Aaron Andrew
- 100 1 _ ‡a Gerow, Aaron Andrew
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- 100 1 _ ‡a Gerow, Aaron Andrew
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- 100 1 _ ‡a Gerow, Aaron Andrew, ‡d 19..-....
- 100 1 _ ‡a Gerow, Aaron ‡d 1964-
- 100 1 _ ‡a Gerow, Aaron ‡d 1964-...
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- 100 0 _ ‡a آرون جيرو ‡c مؤرخ
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4xx's: Alternate Name Forms (17)
5xx's: Related Names (5)
- 551 _ _ ‡a New Haven, Conn. ‡4 ortw ‡4 https://d-nb.info/standards/elementset/gnd#placeOfActivity
- 551 _ _ ‡a Tokio ‡4 ortw ‡4 https://d-nb.info/standards/elementset/gnd#placeOfActivity
- 510 2 _ ‡a Yale University ‡4 affi ‡4 https://d-nb.info/standards/elementset/gnd#affiliation ‡e Affiliation
- 551 _ _ ‡a Yokohama ‡4 ortw ‡4 https://d-nb.info/standards/elementset/gnd#placeOfActivity
- 510 2 _ ‡a Yokohama Kokuritsu Daigaku ‡4 affi ‡4 https://d-nb.info/standards/elementset/gnd#affiliation ‡e Affiliation
Works
Title | Sources |
---|---|
Akira Kurosawa and Intertextual Cinema | |
Branded to Thrill: The Delirious Cinema of Suzuki Seijun | |
Bunka eiga kenkyū. | |
Colonial Era Korean Cinema and the Problem of Internalization | |
Consuming Asia, consuming Japan: The new neonationalist revisionism in Japan | |
Critical Reception: Historical Conceptions of Japanese Film Criticism | |
Divided Lenses Screen Memories of War in East Asia | |
Documentary film review | |
Eigagaku no susume | |
Eigahō kaisetsu, 2003: | |
Finding an Indigenous Film Voice: An Interview with Auraeus Solito | |
From Film to Television | |
In praise of film studies essays in honor of Makino Mamoru | |
Introduction | |
Kantoku Ozu Yasujirō | |
Kawabata and cinema: the ambivalence of knowledge, medium, and influence | |
Kitano Takeshi | |
Narrating the Nation-ality of a Cinema | |
Nation, Citizenship, and Cinema | |
Nihon senzen eiga ronshu : Eiga riron no saihakken. | |
no00034542 | |
Ozu to Asia via Hasumi | |
A page of madness : cinema and modernity in 1920s Japan | |
Rediscovering classical Japanese film theory | |
Research guide to Japanese film studies | |
Routledge Handbook of Japanese Culture and Society: Japanese film and television | |
Satyajit Ray: The Inner Eye | |
Spectateurs combattants. La réception du cinéma japonais dans la Sphère de coprospérité de la Grande Asie orientale | |
Visions of Japanese modernity articulations of cinema, nation, and spectatorship, 1895-1925 | |
War and Nationalism in Recent Japanese Cinema | |
The Word before the Image: Criticism, the Screenplay, and the Regulation of Meaning in Prewar Japanese Film Culture | |
Writing a pure cinema, 1996: | |
ভূমিকা | |
সত্যজিৎ রায়: দ্য ইনার আই | |
文化映畫研究. | |
日本戦前映画論集 : 映画理論の再発見 | |
映#xE980;学のススメ | |
映画藝術研究. | |
映画芸術研究第五輯(1933年10月)・映画芸術研究第六輯(1933年11月) | |
映画芸術研究第三年第四輯(1935年5月)・映画芸術研究第三年第五輯(1935年6月) | |
映画芸術研究第十一輯(1934年12月)・映画芸術研究第十二輯(1935年1月) | |
映画学ノススメ : 牧野守に捧げる | |
映画科学研究 | |
映畫科學硏究. |