Gržinić, Marina
Gržinić, Marina, 1958-
Gržinić, Marina, 1959-
Marina Gržinić slovenska filozofkinja i teoretičarka
Gržinic, Marina (Slovene artist, born 1958)
VIAF ID: 74127437 ( Personal )
Permalink: http://viaf.org/viaf/74127437
Preferred Forms
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- 200 _ | ‡a Gržinić ‡b Marina ‡f 1958-....
- 100 1 _ ‡a Gržinić, Marina ‡d 1958-
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- 100 1 _ ‡a Gržinić, Marina, ‡d 1958-
- 100 1 _ ‡a Gržinić, Marina, ‡d 1958-....
- 100 1 _ ‡a Gržinic, Marina ‡g Slovene artist, born 1958
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- 100 1 _ ‡a Gržinić, Marina
- 100 1 _ ‡a Gržinić, Marina
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- 100 1 _ ‡a Gržinić, Marina ‡d 1958-
- 100 1 _ ‡a Gržinić, Marina ‡d 1959-
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- 100 0 _ ‡a Marina Gržinić ‡c slovenska filozofkinja i teoretičarka
4xx's: Alternate Name Forms (45)
5xx's: Related Names (3)
Works
Title | Sources |
---|---|
Abstraction, evacuation of resistance and sensualisation of emptiness | |
Avangarda i politika : istočnoevropska paradigma i rat na Balkanu | |
Avant-garde and politics. | |
The body under communism. | |
Border thinking disassembling histories of racialized violence | |
Constructed stories of (non)belonging to Europe | |
Decoloniality as-in-at the frontier | |
Đejmi Hadrović : upodobitev konvulzije postsocialističnega turbokapitalizma v Sloveniji. | |
DK | |
Does contemporary art need museums anymore? | |
Double check : re-framing space in photography : the other space, parallel histories | |
Drawing a border : (Reartikulacija, Part 3 of 3) | |
Ekspozicijski čas, avra in telerobotika | |
Encountering the Balkans : discussion | |
Estetika kibersvijeta i učinci derealizacije | |
Exposure time, the aura, and telerobotics. | |
Fatalna privlačnost moderne i postmoderne: Šuvakovićev Asimetrični drugi | |
Une fiction reconstruite : Europe de l'Est, post-socialisme et rétro-avant-garde | |
From elsewhere to cyberfeminism and back | |
From transitional postsocialist spaces to neoliberal global capitalism | |
Gallery (Dante) Marino Cettina : future perspectives | |
Geschichten traumatischer Vergangenheiten. | |
Global capitalism and the genetic paradigm of culture | |
Das Herz des Kapitalismus zur Schau gestellt Marina Grzinic im Augustin-Interview | |
Homeland as a display for the missing Slovenian/German bilingual signposts | |
Hysteria: Physical presence and juridical absence & AIDS: Physical absence and juridical precence | |
Identity re-read, re-worked, re-coded by new media and technology | |
Introduction | |
Jane Stravs photographic incarnations | |
Labirint | |
De-linking epistemology from capital and pluri-versality - a conversation with Walter Mignolo | |
Ljubljana, Ljubljana, 1991: | |
Looking for work | |
Marina Gržinić, Aina Šmid. | |
The media and the war | |
Medialization/ labour/ spatialization/ (re)politicization | |
Mediji in vojna. | |
Mind the map! history is not given : a critical anthology based on the symposium [Leipzig, 13th-16th October 2005] | |
Necropolitical screens | |
Necropolitics, racialization, and global capitalism : historicization of biopolitics and forensics of politics, art, and life | |
Not for sale, sold out | |
NSK | |
NSK - (ostanek) dogodka ali zgolj še (prazna) institucija | |
On the repoliticization of art through contamination | |
Performative alternative economics | |
Performativity and processuality | |
O pogojih produkcije | |
politics of migration in the artwork of Tanja Ostojić [to the Exhibition Integration Impossible?: The Politics of Migration in the Work of Tanja Ostojić 2000 - 07, that took place in the Kunstpavillon Innsbruck from 19 September - 8 November 2008] | |
Postcoloniality - Decoloniality - Black Critique Joints and Fissures | |
Racialized bodies, and the digital (financial) mode of production | |
Radicale libre | |
Razveza epistemologije od kapitala in pluriverzalnost - pogovor z Walterjem Mignolom. | |
Rdeči čeveljčk | |
Re-politicizing art, theory, presentation and new media technology | |
Rearticulation of the history of performance art. | |
Rearticulation of the state of things or Euro-Slovenian necrocapitalism. | |
Reartikulacija razmer ali evropsko-slovenski nekrokapitalizem | |
Reartikulacija zgodovine performansa | |
Regimes of Invisibility in Contemporary Art, Theory and Culture Image, Racialization, History | |
Rekonstruirana fikcija. | |
O repolitizaciji umetnosti skozi kontaminacijo | |
Rupture. | |
S strani | |
Salon de Fleurus | |
Servicing the art, or serving the (political) concept? | |
Servisiranje umetnosti - ali služenje (političnemu) konceptu?. | |
Sinteza: retroavantgarda ali mapiranje postsocializma | |
Situated contemporary art practices art, theory and activism from (the east of) Europe | |
Slovenska pomlad = Slovenian spring | |
The spectralization of Europe | |
Spektralizacija Evrope | |
Spremna beseda | |
State in time | |
Stelarc: politics of the body | |
Stories of traumatic pasts colonialism, antisemitism, and turbo-nationalism | |
Strategies of success : curators series, 2001-2003 : Tanja Ostojić | |
The subject of production and/or production of the subject : (Summary) | |
The system of racism/white supremacy | |
Theorizing decoloniality in Southeastern Europe: vocabularies, politics, perspectives | |
Time for a new state : some say you can find happiness there : [Ausstellung, razstava, exhibition Fallen imperials, forgotten spaces-reoccupied!, 5. 10. 2012-24. 11. 2012] | |
Tokiomedia | |
The trans* reformulation of language in experimental political videos | |
Transdecolonial and black Marxist futures | |
Tri sestre | |
Trouble with Sex, Theory & History | |
Umetnost in politika : nasilje neoliberalnega nekrokapitalizma | |
Uvod | |
Video from Slovenia | |
Video gradivo : Bond, Czegledy, Didenko | |
Video in the time of a double, political and technological, transition in the former Eastern European context | |
The virtual-image and the real-time interval | |
Vlasta Delimar : to sam ja : retrospektivna izlozba 1979.-2014. = This is I : retrospective exhibition 1979-2014 : 15.5.-24.8.2014 : Muzej suvremene umjetnosti Zagreb / Editor & Curator: Martina Munivrana. | |
Vorwort | |
... Was ist Kunst? ... | |
What has remained of Central Europe? : Slovenia | |
What is to be done? : a conversation with Dmitry Vilensky | |
What kind of memory does Europe construct? What kind of memory does Europe impose? | |
Zone(s) of interference |