Lowinsky, Edward E. (Edward Elias), 1908-1985
Lowinsky, Edward E., 1908-1985
Lowinsky, Edward Elias, 1908-1985
Lowinsky, Edward E.
Edward Lowinsky American musicologist
Lowinsky, Edward 1908-1985
Lowinsky, Edward Elias
Edward Lowinsky US-amerikanischer Musikwissenschaftler
Lowinsky, Edward E. (Edward Elias)
VIAF ID: 56658001 ( Personal )
Permalink: http://viaf.org/viaf/56658001
Preferred Forms
- 100 0 _ ‡a Edward Lowinsky ‡c American musicologist
- 100 0 _ ‡a Edward Lowinsky ‡c US-amerikanischer Musikwissenschaftler
- 200 _ | ‡a Lowinsky ‡b Edward E. ‡f 1908-1985
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- 100 1 _ ‡a Lowinsky, Edward E.
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- 100 1 0 ‡a Lowinsky, Edward E. ‡d 1908-1985
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- 100 1 _ ‡a Lowinsky, Edward E. ‡q (Edward Elias)
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- 100 1 _ ‡a Lowinsky, Edward E. ‡q (Edward Elias), ‡d 1908-1985
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- 100 1 _ ‡a Lowinsky, Edward E., ‡d 1908-1985
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- 100 1 _ ‡a Lowinsky, Edward ‡d 1908-1985
4xx's: Alternate Name Forms (28)
5xx's: Related Names (5)
- 500 1 _ ‡a Blackburn, Bonnie J. ‡d 1939- ‡4 bezf ‡4 https://d-nb.info/standards/elementset/gnd#familialRelationship ‡e Beziehung familiaer
- 551 1 _ ‡a Chicago, IL
- 551 _ _ ‡a Chicago, Ill. ‡4 orts ‡4 https://d-nb.info/standards/elementset/gnd#placeOfDeath
- 551 _ _ ‡a Stuttgart ‡4 ortg ‡4 https://d-nb.info/standards/elementset/gnd#placeOfBirth
- 551 1 _ ‡a Stuttgart
Works
Title | Sources |
---|---|
Das Antwerpener Motettenbuch Orlando di Lasso's und seine Beziehungen zum Motettenschaffen der niederländischen Zeitgenossen | |
Baisés moy, ma doulce amye | |
Bonus et rectus Dominus | |
Bulletin of the American Musicological Society | |
Cipriano de Rore's Venus Motet : its poetic and pictorial sources | |
A confidential matter : the letters of Richard Strauss and Stefan Zweig : 1931-1935 | |
A correspondence of Renaissance musicians | |
'Duo' cromatico di Adrian Willaert riesaminato | |
Early scores in manuscript | |
Fortuna d'un gran tempo | |
The function of conflicting signatures in early polyphonic music | |
grant desir d'aymer m'y tient | |
Heinrich Besseler (1900-1969) | |
Intercessio, quesumus, Domine | |
Intonuit de celo Dominus | |
Jan van Eyck's Tymotheos : sculptor or musician? | |
J'ay pris amours | |
Je depiste tous | |
Je vous emprie | |
Josquín des Prez : proceedingsof the International Josquin Festival- Conference held at The Juilliard School at Lincoln Center in New York City, 21-25 June, 1971 | |
L'antica musica ridotta alla moderna prattica. | |
Luigi Zenobi and his letter on the Perfect Musician | |
Mater floreat, florescat | |
Matthaeus Greiter's Fortuna, an experiment in chromaticism and in musical iconography | |
The Medici codex of 1518; a choirbook of motets dedicated to Lorenzo de' Medici, Duke of Urbino. | |
Miserere | |
Mon mary m'a diffamée | |
Monuments of Renaissance music.. General editor Edward E. Lowinsky | |
moza falle yo | |
Music history and its relation to the history of ideas | |
Music in the culture of the Renaissance and other essays | |
Music in Titian's Bacchanal of the Adrians : origin and history of the canon per tonos | |
Musica duorum : Rome, 1521 | |
Musica nova accomadata per cantar et sonar sopra organi ; et altri strumenti composta per diversi eccellentissimi musici, Venezia 1540 | |
Musica rinascimentale vista dai musicisti del Rinascimento | |
Musical genius Evolution and origins of a concept | |
La musique aux Pays-Bas avant le XIX-e siècle : documents inédits et annotés : compositeurs, virtuoses, théoriciens, Luthiers ; opéras, motets, airs nationaux, académies, maîtrises, livres, portraits, etc. avec planches de musique et table alphabétique. | |
La musique aux Pays-Bas : avant le XIX siècle : in eight volumes bound as four. | |
Newly discovered sixteenth-century motet manuscript at the Biblioteca Vallicelliana in Rome | |
Nimphes des bois, déesses des fontaines | |
Nuptie facte sunt | |
Ockeghem's canon for thirty-six voices : an essay in musical iconography | |
Oimè il bel viso, oimè il soave sguardo | |
omme armé | |
On Mozart's rhythm | |
On the matter of a doctor's degree for composers | |
Ottaviano Petrucci : Canti B | |
Pace non trovo et non ho da far guerra | |
Per lignum salvi facti sumus | |
Petrus apostolus | |
Puer natus est nobis | |
A qui dir'elle sa pencée | |
Regina celi | |
regretée en tous biens acomplie | |
Saluto te, sancta virgo Maria | |
Salva nos | |
Se per humidita daque s'acoglie | |
Secret chromatic art in the Netherlands motet | |
Si sumpsero | |
Sicut Lilium | |
Te matrem Dei laudamus | |
Tonalità e atonalità nella musica del XVI secolo | |
Tonality and atonality in sixteenth-century music. | |
Tota pulchra es | |
De tous biens [pleine] | |
A treatise on text underlay by a German disciple of Francisco de Salinas | |
Ut re mi fa sol la | |
Va vilment | |
Veci la danse barbari | |
Veni sancte Spiritus | |
Verbum bonum et suave | |
Virgo saluti feri, genitrix intacta Tonantis | |
Vobis datum est | |
Vrai Dieu, qui m'y confortera | |
Vulnerasti cor meum | |
Wat willen wij met den buiden spelen | |
Zur Frage der Deklamationsrythmik in der a-cappella-Musik des 16. Jahrhunderts |