Galenson, David W.
Galenson, David W., 1951-....
Galenson, David
David Galenson American economist
Galenson, David Walter 1951-
VIAF ID: 265377968 ( Personal )
Permalink: http://viaf.org/viaf/265377968
Preferred Forms
- 100 0 _ ‡a David Galenson ‡c American economist
- 200 _ | ‡a Galenson ‡b David W. ‡f 1951-....
-
- 100 1 _ ‡a Galenson, David
-
-
- 100 1 _ ‡a Galenson, David W.
- 100 1 0 ‡a Galenson, David W.
-
-
-
-
-
-
-
- 100 1 _ ‡a Galenson, David W. ‡d 1951-
-
- 100 1 _ ‡a Galenson, David W., ‡d 1951-....
4xx's: Alternate Name Forms (15)
5xx's: Related Names (9)
- 510 2 _ ‡a American Economic Association
- 510 2 _ ‡a Cambridge University Press
- 510 2 _ ‡a Centro de Estudios Macroeconómicos de Argentina ‡b Universidad ‡e Affiliation
- 510 2 _ ‡a Econometric Society
- 510 2 _ ‡a Harvard University
- 510 2 _ ‡a National Bureau of Economic Research
- 510 2 _ ‡a National Bureau of Economic Research (Cambridge, Mass.)
- 510 2 _ ‡a National Bureau of Economic Research ‡e Affiliation
- 510 2 _ ‡a University of Chicago / Department of Economics
Works
Title | Sources |
---|---|
Analyzing artistic innovation | |
Anticipating artistic success (or, how to beat the art market) lessons from history | |
Artistic capital | |
Artists and the market: from Leonardo and Titian to Andy Warhol and Damien Hirst | |
Careers and canvases | |
Co-authoring advanced art | |
Conceptual revolutions in twentieth-century art | |
conceptual world | |
Creative careers the life cycles of Nobel laureates in economics | |
Do the Young British Artists rule (or, has London stolen the idea of postmodern art from New York?) evidence from the auction market | |
Filming images or filming reality the life cycles of movie directors from D.W. Griffith to Federico Fellini | |
From the New Wave to the New Hollywood: the life cycles of important movie directors from Godard and Truffaut to Spielberg and Eastwood | |
From "White Christmas" to Sgt. Pepper: the conceptual revolution in popular music | |
The greatest architects of the twentieth century goals, methods, and life cycles | |
Innovators | |
Late bloomers in the arts and sciences answers and questions | |
The life cycles of modern artists : theory, measurement, and implications | |
Literary life cycles: the careers of modern American poets | |
Markets in history : economic studies of the past | |
Masterpieces and markets: why the most famous modern paintings are not by American artists | |
Measuring masters and masterpieces : French rankings of French painters and paintings from realism to surrealism | |
The methods and careers of leading American painters in the late nineteenth century | |
The New York School vs. the School of Paris: who really made the most important art after World War II? | |
Old masters and young geniuses : the two life cycles of artistic creativity | |
One-hit wonders: why some of the most important works of modern art are not by important artists | |
Painting by proxy: the conceptual artist as manufacturer | |
Painting outside the lines : patterns of creativity in modern art | |
A portrait of the artist as a young or old innovator measuring the careers of modern novelists | |
Precedence and wealth evidence from nineteenth century Utah | |
The reappearing masterpiece: ranking American artists and art works of the late twentieth century | |
The rise and (partial) fall of abstract painting in the twentieth century | |
Towards abstraction | |
Traders, planters, and slaves, 1985:CIP t.p. (David W. Galenson; Dept. of Econ., Univ. of Chicago) CIP data sheet (David Walter Galenson; b. 6/20/51) | |
Traders, planters, and slaves : market behavior in early English America | |
Two paths to abstract art: Kandinsky and Malevich | |
Understanding creativity | |
Was Jackson Pollock the greatest modern American painter? : a quantitative investigation | |
White servitude in colonial America, 1981: | |
Who are the greatest living artists? the view from the auction market | |
Who were the greatest women artists of the twentieth century? a quantitative investigation | |
Wisdom and creativity in old age lessons from the impressionists | |
You cannot be serious: the conceptual innovator as trickster |