Carlson, Marvin A., 1935-
Carlson, Marvin, 1935-....
Carlson, Marvin
كارلسون، مارفن أ.، 1935-
Marvin Carlson
Marvin Carlson American specialist in literature and theatrologist
Carlson, Marvin A.
Carlson, Marvin (Marvin A.), 1935-
VIAF ID: 91218563 ( Personal )
Permalink: http://viaf.org/viaf/91218563
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- 100 1 _ ‡a Carlson, Marvin A.
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- 100 1 _ ‡a Carlson, Marvin A. ‡d 1935-
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- 100 1 0 ‡a Carlson, Marvin A. ‡d 1935-
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- 100 1 _ ‡a Carlson, Marvin ‡d 1935-
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- 100 1 _ ‡a Carlson, Marvin, ‡d 1935-
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- 100 1 _ ‡a Carlson, Marvin, ‡d 1935-....
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- 100 0 _ ‡a Marvin Carlson
- 100 0 _ ‡a Marvin Carlson ‡c American specialist in literature and theatrologist
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4xx's: Alternate Name Forms (23)
5xx's: Related Names (2)
Works
Title | Sources |
---|---|
The Arab Oedipus : four plays from Egypt and Syria | |
Booth, Lincoln, and theatrical reception | |
Contemporary theatre in Egypt : a symposium, three plays, bibliography | |
Deathtraps : the postmodern comedy thriller | |
A doll's house : Lyric Hammersmith, London : September 6 - October 5, 2019 | |
An enemy of the people : Burgtheater, Vienna ; November 18, 2017 - in repertory, 2018 | |
An enemy of the people : The Schaubühne : Brooklyn Academy of Music, November 6-10, 2013 | |
Four melodramas | |
The French stage in the nineteenth century | |
Ghosts : Almeida Theatre, London, September 26 - November 23, 2013 : Trafalgar Studio 1, London, December 17, 2013 - extended toMarch 22, 2014 | |
The governess | |
Haunted stage : the theatre as memory machine | |
Hedda Gabler : Deutsches Theater, Berlin : May, 2013 | |
The heirs of Molière : four French comedies of the 17th and 18th centuries | |
Ibsen's A doll's house in America | |
The Italian Shakespearians : performances by Ristori, Salvini, and Rossi in England and America | |
The Italian stage from Goldoni to D'Annunzio | |
Letâif-i hayâl. | |
I married you for happiness | |
Nehad Selaiha : selected essays | |
Nowojorskie En Garde Arts | |
Obres. | |
Peer Gynt : Staatsheatre, Frankfurt Schauspielhaus : in repertory, 2019-20 Season | |
Performance : a critical introduction | |
Performance. CIP, p. [4] de la couv. (prof. de théâtre et de littérature comparative au Graduate Center of the City University of New York) | |
Performatyka wczoraj i dziś | |
Peter Gynt : National Theatre, the Olivier : London, June 27 - October 18, 2019 | |
Places of performance : the semiotics of theatre architecture | |
Plays. | |
Przyszłość dialogu w teatrze | |
René Pollescha "Trylogia z Prateru" | |
Speaking in tongues. | |
Teatr | |
Le Téâtre de la Révolution française | |
Teatro como máquina de la memoria | |
Teorias do teatro : estudo histórico-crítico, dos gregos à atualidade | |
Teorie del teatro : panorama storico e critico | |
Théâtralités contemporaines entre les arts plastiques et les arts de la scène | |
Theatre | |
Theatre is more beautiful than war German stage directing in the late twentieth century | |
Theatre of the french revolution | |
theatres of Morocco, Algeria, and Tunisia performance traditions of the Maghreb | |
Theatrical performance : illustration, translation, fullfillment, or supplement? | |
Theories of the theatre | |
Theories of the theatre : a historical and critical survey from the Greeks to the present | |
The trilogy of future memory | |
Twenty ground-breaking directors of Eastern Europe | |
Veinte directores rompedores de Europa del este | |
"What light through yonder window speaks?" | |
The wild duck : Zurich Schauspielhaus : March 9-June 10, 2017 : in repertory, 2018 | |
Works. | |
اللغات المتعددة فى المسرح | |
اماكن العرض المسرحى : سيميوطيقا العمارة المسرحية | |
فن الأداء : مقدمة نقدية | |
نظريات المسرح : عرض نقدى و تاريخى من الاغريق الى الوقت الحاضر |