Parrish Art Museum.
Parrish art museum Southampton, NY
Parrish Art Museum (Water Mill, N.Y.)
VIAF ID: 158263846 ( Corporate )
Permalink: http://viaf.org/viaf/158263846
Preferred Forms
- 110 2 _ ‡a Parrish Art Museum
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- 110 2 _ ‡a Parrish Art Museum
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- 110 2 _ ‡a Parrish Art Museum
- 151 _ _ ‡a Parrish Art Museum
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- 110 2 _ ‡a Parrish Art Museum
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- 110 2 _ ‡a Parrish Art Museum (Water Mill, N.Y.)
- 110 2 _ ‡a Parrish Art Museum Southampton, NY
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- 210 | | ‡a Parrish art museum ‡c Southampton, NY
4xx's: Alternate Name Forms (4)
5xx's: Related Names (6)
- 510 2 _ ‡a Parrish Memorial Art Museum.
- 551 _ _ ‡a Southampton (Suffolk county, New York state, United States) (inhabited place)
- 510 2 _ ‡a Southampton Art Museum (Southampton, N.Y.)
- 510 2 _ ‡a Southampton Art Museum.
- 551 _ _ ‡a Southampton, NY ‡4 orta ‡4 https://d-nb.info/standards/elementset/gnd#placeOfBusiness
- 551 _ _ ‡a Water Mill, NY ‡4 orta ‡4 https://d-nb.info/standards/elementset/gnd#placeOfBusiness
Works
Title | Sources |
---|---|
17 abstract artists of East Hampton : the Pollock years, 1946-56 : the Parrish Art Museum, Southampton, N.Y., July 20-September 14, 1980, the William Benton Museum of Art, the University of Connecticut, Storrs, Conn., October 11-November 16, 1980, Zabriskie Gallery, New York, N.Y., November 18-December 14, 1980. | |
All the more real | |
The American painter-etcher movement | |
American realist and impressionist paintings : from the collection of Mr. & Mrs. Haig Tashjian | |
Angels, demons, and savages : Pollock, Ossorio, Dubuffet | |
The Architecture of Suffolk County. | |
The attack on liberalism : an address delivered at the Parrish Art Museum, Southampton, Long Island, September 2, 1934 | |
Augustus Saint-Gaudens : American sculptor of the Gilded Age | |
Bayberry bush | |
Between transcendence and brutality : American sculptural drawings from the 1940s and 1950s : Louise Bourgeois, Dorothy Dehner, Herbert Ferber, Seymour Lipton, Isamu Noguchi, Theodore Roszak, David Smith | |
The celebration of American ideals : paintings from the Brooklyn Museum | |
Congregations | |
Definitive statements : American art, 1964-66 : an exhibition | |
Dorothea Rockburne, 2011 | |
Drawing on the East End, 1940-1988 : September 18 to November 13, 1988. | |
Face value American portraits [exhibition, the Parrish art museum, Southampton, New York, July 16-September 13, 1995, Wexner center for the visual arts, Columbus, Ohio, February 3-April 21, 1996, Tampa museum of art, Tampa, Florida, July 14-September 8, 1996] | |
Fairfield Porter raw : the creative process of an American master | |
Fauns and fountains : American garden statuary 1890-1930, April 14 through June 2, 1985 | |
First impressions : nineteenth-century American master prints | |
Forming | |
From lens to eye to hand : photorealism 1969 to today | |
Half-truths : Grenville Davey, Robert Gober, Erik Levine, Ann Messner, Joel Otterson, Jack Risley, Tony Tasset, Rosemarie Trockel : July 29-September 16, 1990 | |
Image building : how photography transforms architecture | |
In my mind's eye | |
In support of liberty : European paintings at the 1883 Pedestal Fund Art Loan Exhibition | |
Japanese ceramics from prehistoric times to the present | |
Jennifer Bartlett, history of the universe : works 1970-2011 | |
Joan Snyder, painter : 1969 to now. | |
Katalog wystawy (Parrish Art Museum ; Nowy Jork ; 2006) | |
Katalog wystawy (Parrish Art Museum ; Nowy Jork ; 2013) | |
Katalog wystawy (Parrish Art Museum ; Nowy Jork ; 2017) | |
Katalog wystawy (Parrish Art Museum ; Nowy Jork ; 2018) | |
Katalog wystawy (Parrish Art Museum ; Nowy Jork ; 2022) | |
Keith Sonnier : until today | |
Knots and nets | |
Landscapes | |
Levon West. | |
The Long Island country house, 1870-1930. | |
The Long Island landscape, 1914-1946 : the transitional years | |
Maverick modernist | |
Mel Kendrick : seeing things in things | |
Nineteenth century American etchings in the collection of the Parrish Art Museum | |
North Fork/South Fork : East End art now | |
The painterly figure | |
Painting as landscape : views of American Modernism, 1920-1984 : 13 March-5 May 1985, Baxter Art Gallery, California Institute of Technology, Pasadena, 4 August-22 September 1985, the Parrish Art Museum, Southampton, New York. | |
Painting naturally : Fairfield Porter & his influences : 15 April through 3 June 1984, the Parrish Art Museum, Southampton, New York. | |
Painting, paper, process | |
The Parrish Invitational '83 : [exhibition]. | |
Past imperfect, c1993: | |
Polish paintings; a loan exhibition, August 1-August 21, 1957 [at] the Parrish Art Museum. | |
Power dressing : men's fashion and prestige in Africa | |
Rackstraw Downes : onsite paintings, 1972-2008 | |
Radical seafaring | |
Romantic modernist : the life and work of Norman Jaffe, architect | |
Roy Lichtenstein : American Indian encounters | |
Roy Lichtenstein : history in the making, 1948-1960 | |
Sand : memory, meaning and metaphor | |
Seen and unseen | |
Selected contemporary photographs of hands from the collection of Henry Mendelssohn Buhl | |
Some stories are worth repeating | |
The Tenth Street Studio Building : artist-entrepreneurs from the Hudson River School to the American impressionists | |
Tomashi Jackson, 2021, ©2021: | |
Tracing Taiwan | |
Treasures from the Parrish Art Museum | |
Underground pop | |
Unfinished business : paintings from the 1970s and 1980s by Ross Bleckner, Eric Fischl, and David Salle | |
Weir Farm, an American painter's rural retreat | |
William Glackens | |
William Merritt Chase in the company of friends : [exhibition and catalogue] the Parrish Art Museum, Southampton, New York, May 13-June 24, 1978 |