Roche, David, 1976-....
David Alexander O'Grady Roche (born 1976)
VIAF ID: 89826437 ( Personal )
Permalink: http://viaf.org/viaf/89826437
Preferred Forms
- 100 0 _ ‡a David Alexander O'Grady Roche ‡c (born 1976)
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- 100 1 _ ‡a Roche, David ‡d 1976-
- 100 1 _ ‡a Roche, David ‡d 1976-
- 100 1 _ ‡a Roche, David ‡d 1976-
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- 100 1 _ ‡a Roche, David, ‡d 1976-
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- 100 1 _ ‡a Roche, David, ‡d 1976-....
Works
Title | Sources |
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American social realism in the postmodern era. | |
Analyser, interpréter et évaluer le cinéma nord-américain contemporain | |
Analyzing, Interpreting and Assessing Contemporary North American Films. | |
Approaches to film and reception theories | |
The asocial criminal in the American literature of the second half of the twentieth century. | |
Bande dessinée et adaptation : (littérature, cinéma, tv) | |
Le cinéma de la peur à l'ère du maccarthysme | |
Cinéma et théories de la réception, français | |
The cinema of fear in the era of McCarthyism. | |
Comics and adaptation | |
Conversations with Russell Banks | |
Le criminel asocial dans la littérature américaine de la seconde moitié du vingtième siècle | |
Edgar Poe et ses motifs à l'écran | |
Effraction de l'esprit, altération de l'image : esthétique de l'après-coup traumatique dans le cinéma d'horreur contemporain. | |
Electing, inheriting, learning : transmission amongst pirates in english-speaking popular culture. | |
Election, héritage, apprentissage : la transmission chez les pirates dans la culture populaire anglophone | |
"Evil is not born, dearie, it is made" : gender, race, class and sexuality in ABC's once upon a time | |
Figures du vampire à l'ère des nouvelles images : le mythe à l'épreuve des fictions du corps | |
The figures of the vampire in the age of digital images : the myth challenged by the fictions of the body. | |
The Frankenstein motif in Tim Burton's films : (Re)creation and metafiction | |
Identités télévisuelles post-placard : Etasuniens gays en représentation(s) et politiques de visibilité | |
Imaginaries of dystopia and the posthuman in contemporary science-fictional TV series (2009-2019). | |
Inglourious basterds" de Quentin Tarantino | |
Intimacy in cinema : critical essays on English language films | |
L'empowerment par l'image : expression audiovisuelle des minorités aux Etats-Unis | |
L'imagination malsaine, c2007: | |
L'industrie du cinéma américain comme lieu d'interaction culturelle | |
De l'intime dans le cinéma anglophone | |
Louisiana voodoo in audiovisual fictions : representation, identity, subversion. | |
Making and remaking horror in the 1970s and 2000s : why don't they do it like they used to? | |
Meta in film and television series | |
Mind effraction, image alteration : aesthetic of the traumatic afterwardness on contemporary horror movies.. | |
Narrative and narration in the film adaptations of F. Scott Fitzgerald's The great Gatsby | |
The Politics of Boys Don't Cry (Kimberly Peirce, 1999) : Dispelling the Ambiguity | |
Post-closet television? Mapping the evolution of coming out narratives in American TV series. | |
Post-closet TV identities : representing gay united statesians and visibility politics. | |
The power of religion and politics in Madonna's work. An approach to her expression through her documentaries : Madonna, Truth or Dare, 1991; I'm Going to Tell You a Secret, 2005; I Am Because We Are, 2008. | |
Quentin Tarantino : poetics and politics of cinematic metafiction | |
Renouveler le cinéma hollywoodien classique : à la recherche d'Hitchcock et Wilder | |
Savage war and empire of liberty : continuations of the frontier myth in post-western American cinema. | |
Sexual ambiguity in Alien 3 | |
Steven Spielberg Hollywood Wunderkind & humanist | |
Subjectivity through the prism of reflexivity in the work of Stanley Kubrick : from 2001 A Space Odyssey to Eyes Wide Shut. | |
Les super-héros américains comme formes symboliques : étude d’un genre cinématographique contemporain | |
Une télévision post-placard ? Histoire et formes du coming out dans les séries américaines | |
The transgression in David Cronenberg's work. | |
Transnationalism and imperialism : endurance of the global Western film | |
The unhealthy imagination and its ambiguities : a study of a contemporary aesthetic in north-american cinema and literature (Russell Banks, Raymond Carver, David Cronenberg, Bret Easton Ellis, David lynch). | |
Les Variations Jarmusch | |
Weimar’s Little Man : The Individual and the Collective in Robert Siodmak’s first German Period. | |
Women who kill gender and sexuality in film and series of the post-feminist era |