61658777

Preferred Forms

Works

Title	Sources
Akten des XI. Internationalen Germanistenkongresses Paris 2005 "Germanistik im Konflikt der Kulturen"
Alibis for another world? : outdoor theatrical experiences in Paris and New York : 1913-1939.
Animal et animalité dans le théâtre germanophone : un « moment 1800 ». Penthésilée de Heinrich von Kleist du point de vue des études animales.
Bertolt Brecht, la théorie en débat
Bertolt Brecht l'homme et son oeuvre
Bodies, violence and identities in Dea Lohers theater plays : a dramaturgical journey.
The "body image" in the theatre of Angélica Liddell.
Corps, violences et identités dans le théâtre de Dea Loher : un parcours dramaturgique
Crime Devils : the power(s) of the mobster figure and its ideological use in the literature and cinema of the interwar period (Germany, France, United States).
Démons du crime : les pouvoirs du truand et son instrumentalisation idéologique dans la littérature et le cinéma de l'entre-deux-guerres (Allemagne, États-Unis, France)
Du roman adapté au roman inadaptable. Dostoïevski sur la scène théâtrale française moderne et contemporaine
Former des artistes ? : l'institut d'études théâtrales appliquées à Gießen
The French theatre of the “absurd” in West Germany (1949-1989) : productions and receptions of Adamov’s, Beckett’s, Genet’s and Ionesco’s plays.
From adapted to unadaptable. Dostoevsky’s novel on the modern and contemporary French theatrical scene.
Le grotesque dans le théâtre de Bertolt Brecht (1913-1926) : contribution à l'étude de la genèse d'une dramaturgie expérimentale
Hans im Glück
Im Kopf von Bruno Schulz
The "interruption" of politics in the contemporary political theatre : workaround strategies in a situation of political and critical aporia in the French and German theatre from 1995 to 2015.
Jean la Chance et autres inédits
L'art comme organisme vivant : l'oeuvre de Christoph Schlingensief
Lives inhabited by a dream : Voltaire and Brecht in three biographical fictions by Jacques-Pierre Amette..
Max Reinhardt : l'art et la technique à la conquête de l'espace = Max Reinhardt : Kunst und Technik zur Eroberung des Raumes
Max Reinhardt : l'avènement du metteur en scène
Max Reinhardt und Pressburg
Der neue Geist des Kollektivs. Politische und ästhetische Implikationen kollektiver Produktionsverfahren im Theater in den 1960/70er-Jahren und zu Beginn des 21. Jahrhunderts (am Beispiel der Schaubühne am Halleschen Ufer sowie She She Pop und Gob Squad)
The new spirit of the collective. The political and aesthetical implications of collective production methods in German theatre in the 1960s/70s and early 21st century (taking as an example the Schaubühne am Halleschen Ufer and the contemporary theatre collectives She She Pop and Gob Squad).
Pourquoi le théâtre contemporain ne ferait-il pas rire ? : humour, subversion et crise de la réception dans la création théâtrale contemporaine française, anglaise et allemande
« Qui est là ? » ˸ enquête sur l'identification et l'identité des personnages anonymes dans le théâtre de William Shakespeare
Realism ans ist double on the theatre stage. Thomas Ostermeier, stage direction as recreation.
Une requête de Bruno Schulz : nouvelle
La Révolution mise en scène : [actes du colloque organisé à l'Université de Rennes, du 10 au 13 mars 2010
Le rire au corps : grotesque et caricature
Roger Planchon and his theatres (1949-1987). Investigation of a stage director, administrator and author of theatre.
Roger Planchon et ses théâtres (1949-1987). Enquête sur un metteur en scène, directeur et auteur de théâtre
Theâtre et architecture sous le Troisième Reich : les scènes de plein air au service de la propagande de masse
Theatre for young audiences in French-speaking Belgium : history and future of a specificity : conventions (practices and values) challenged by transmission.
Theatre in Reality in the Mirror of Max Reinhardt and Bertolt Brecht, Research on the German Theatrical Space from 19th Century to Present Times.
Théâtre jeune public en Belgique francophone : histoire et devenir d'une spécificité : des conventions (pratiques et valeurs) à l'épreuve de la transmission
Übersetzen im Kulturkonflikt
“Who’s there?” ˸ a Study of the Identification and the Identity of Anonymous Characters in William Shakespeare’s Plays.
Why would not contemporary theatre make us laugh? : humour, subversion and crisis of the reception in french, english and german contemporary theatrical creation.

Selected Co-authors

Valentin, Jean-Marie 1938- ‎(18)
Besson, Jean-Louis (1946- ). ‎(10)
Banoun, Bernard ‎(10)
Vaissié, Cécile (1962-....). ‎(4)
Marx, Peter W. (1973- ). ‎(4)
Poulain-Beaufils, Eliane (1970-....). ‎(3)
Jeske, Wolfgang ‎(3)
Brecht, Bertolt 1898-1956 ‎(3)
Biller, Maxim, 1960- ‎(3)
Berg, Günter ‎(3)

Countries and Regions of Publication (5)

View the list below for more details.

Low

High

The flags indicate which authority file had at least some publications from the country or region:

FR - France (47)
CH - Switzerland (13)
TW - Taiwan, Province of China (3)
DE - Germany (3)
SK - Slovakia (1)

Publication Statistics

Selected Publishers (10)

P. Lang ‎(15)
Peter Lang ‎(11)
Klincksieck ‎(8)
Didier érudition ‎(6)
l'Arche ‎(5)
Solin-Actes Sud ‎(3)
VEDA, vydavatel'stvo SAV Bratislava ‎(1)
Theatermuseum Wien ‎(1)
Société des études germaniques ‎(1)
PUPS ‎(1)

Record ID	Action	Time
BNF\|12536930	add	2009-03-03T12:03:20+00:00
LC\|n 96049687	add	2009-03-03T12:03:34+00:00
BIBSYS\|x07066406	delete	2012-11-27T04:00:16+00:00
DNB\|1027790747	add	2012-12-19T19:11:18+00:00
DNB\|113834276	delete	2012-12-19T19:11:18+00:00
NTA\|304531545	add	2012-12-19T19:11:18+00:00
ISNI\|0000000115722231	add	2014-05-14T22:19:01+00:00
SUDOC\|034633774	add	2014-08-28T14:36:24+00:00
NUKAT\|n 98032088	add	2014-10-27T16:17:29+00:00
BIBSYS\|7066406	add	2017-04-23T05:10:18.889990+00:00
PLWABN\|9810570268305606	add	2019-06-09T14:09:33.864117+00:00
NLP\|a10549778	delete	2019-07-14T11:52:55.573757+00:00
J9U\|987007358710805171	add	2020-02-02T18:20:04.285344+00:00
NLI\|004872247	delete	2020-04-12T17:48:39.930701+00:00
RERO\|vtls003831730	delete	2020-06-17T01:10:51.908531+00:00
RERO\|A003831730	add	2020-06-18T00:11:23.697744+00:00
CAOONL\|ncf11279513	add	2020-07-14T15:23:13.212808+00:00

VIAF

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Silhouette, Marielle.

VIAF ID: 61658777 (Personal)

Permalink: http://viaf.org/viaf/61658777

Preferred Forms

Works

Selected Co-authors

Countries and Regions of Publication (5)

Publication Statistics

Publication History

Identifiers

Selected Publishers (10)

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History of VIAF ID:61658777 (17)