Johnson, Edward, active 1572-1601
Johnson, Edward, 15..-16.., compositeur
Johnson, Edward, 1572-1601
Johnson, Edward 1549-1602p
Johnson, Edward
Johnson, Edward 1549-1602
Edward Johnson English composer
Johnson, Edward apie 1570-1602
Johnson, Edward (fl.1572-1601)
VIAF ID: 22485028 ( Personal )
Permalink: http://viaf.org/viaf/22485028
Preferred Forms
- 100 0 _ ‡a Edward Johnson ‡c English composer
- 200 _ | ‡a Johnson ‡b Edward ‡f 15..-16.. ‡c compositeur
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- 100 1 _ ‡a Johnson, Edward ‡d 15..-16. ‡c compositeur
- 100 1 _ ‡a Johnson, Edward ‡d 1549-1602
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- 100 1 _ ‡a Johnson, Edward ‡d active 1572-1601
- 100 1 _ ‡a Johnson, Edward, ‡d 15..-16.., ‡c compositeur
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- 100 1 _ ‡a Johnson, Edward, ‡d active 1572-1601
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4xx's: Alternate Name Forms (21)
5xx's: Related Names (1)
- 551 _ _ ‡a Hengrave Hall
Works
Title | Sources |
---|---|
Almighty God | |
AMYNTAS WITH HIS PHILLIS FAIR | |
Awake, sweet love... [Lute songs, consort songs and lute solos by John Dowlnd and his contemporaries] | |
Cantus to 126 | |
I care not for these ladies (2 min 10 s Thomas Campion, comp.) | |
Com agayne, faire nature's treasure | |
Come again sweet love | |
Come, blessed bird | |
Cries of London = Die Marktschreier von London = Musik zu Ehren von Königin Elizabeth I. | |
The divine musick scholars guide, : wᵗʰ the famous Mʳ Tho: Revenscrofts Psalm tunes in four parts, corrected & newly reviv'd. : To which is added a choice collection of new Psalm tunes, hymns, & anthems, yᵉ Psalm tunes are composᵈ in two, three, four, five, & six parts, yᵉ hymns & anthems in two, three, & four parts, by the best masters, and intended for the use & benefit of all true lovers of divine musick. : Likewisᵉ here are all the old common Psalm tunes now used in most parish churches, & at yᵉ begining of the booke being plain easie & familiar rules & directions, for young practitioners to learn to sing true by the notes, according to the gam-ut & other principle things : allso rules & directions for playing on the spinⁿet, harpsicord, or organ, / yᵉ whole collected & printed by Francis Timbrell, for the use of his scholars, and all such as delight in church musick. | |
Elisa is the fayrest quene | |
Faine would I wed (3 min 47 s) | |
The Fitzwilliam virginal book : selection | |
Galliard "shall I strive" (2 min 04 s) | |
HAVE I FOUND HER | |
Heigh-ho holiday (48 s) | |
honeysuckle (2 min 30 s) | |
Hymnus comitialis, in honorem virginis victricis, D. Elisabethae, 1595?: | |
IF THAT A SINNER'S SIGHS | |
IN THIS TREMBLING SHADOW CAST | |
An inaugural dissertation on the putrid ulcerous sore throat : Submitted to the examination of the Rev. John Ewing, S.T.P. provost, the trustees and medical professors of the University of Pennsylvania, for a degree of Doctor in Medicine, on the 8th day of May, 1793 | |
Instrumental pieces | |
Jhonsons medley | |
Joan, quoth John, 1968: | |
JOYNE HANDS | |
[Kein Hauptsachtitel erfasst] | |
let me live | |
LORD ZOUCHES MASKE | |
mistress mine : Chanson pour "Twelfth night or what you will", II, 3 | |
Mother, I will have a husband (1 min 41 s) | |
Move now with measured sound 1 min 47 s Thomas Campion, comp. | |
Music at court [SR] p1983: | |
Music in Honour of Queen Elizabeth I. | |
Musik bei Hofe | |
Musique a la cour des Tudor | |
My Lord Willoughby's welcome home | |
A new Booke of Tabliture, Containing sundrie easie and familiar Instructions, shewing howe to attaine to the knowledge, to guide and dispose thy hand to play on sundry instruments, as the Lute, Orpharion, and Bandora . . . Whereunto is added an introduction to Prickesong, and certaine famillar rules of Descant . . . Collected together out of the best authors professing the practise of these instruments. | |
Now hath Flora robb'd her bow'rs (2 min 43 s) | |
Now, oh now I needs must part | |
Paduanen und Galliarden | |
Pavans, instruments (5), no. 1 | |
Pavans, instruments (5), no. 2 | |
peaceful western wind (3 min 07 s) | |
PHILLIPS PAVAN AND GALLIARD TO PHILLIPS PAVAN | |
pilgrimes solace | |
A plain account of the Trinity from scripture and reason : Wherein is clearly proved That the Belief of This Doctrine as Imposed by Church Authority, is a Human Invention, and not to be found in the Scriptures. With A Dissertation upon the Beauty and Style of the Sacred Writings, And a Conference between the Author and his Friend concerning the gross Absurdities of the Trinitarian Scheme now insisted on. Written by a Gentleman | |
A play of passion : songs for the Elzabethan stage, consort songs and dances | |
pretty duck there was (2 min 50 s) | |
A primitive discourse upon prayer : Wherein are proved, three positions. Viz. I. That the address of prayer is due only to God supreme; and that a Plurality of Gods is Inconsistent with the Christian Religion. II. That the holy scriptures do not authorise praying to the second and third persons in the trinity; neither can any such Worship be inferred from Nature or Reason. III. That our Saviour has in plain and express terms forbid our praying to him; and that the Holy Ghost is not in any Sense stiled God throughout the whole Bible | |
Psalm 126 | |
Quatre instruments à clavier [SR] 197-?: | |
Rest, sweet nymph 3 min 27 s Francis Pilkington, comp. | |
Shakespeare, 2011 | |
Shall I sue (3 min 33 s) | |
I sigh, as sure to wear the fruit (4 min 22 s) | |
Sing a song of joy (2 min 06 s) | |
Sing we and chant it 3 min 05 s Thomas Morley, comp. | |
SOLA SOLETTA | |
Sorrow, come (3 min 16 s) | |
Sweet Philomel (2 min 27 s) | |
Taffel Consort | |
Taffel Consort erster Theil von allerhand newen lustigen musicalischen Sachen mit vier Stimmen, neben einem General Bass mit sonderlichem Fleiss zusammen getragen, verfertigt und publicirt durch Thomam Simpson. Hamburg, Bey Paul Langen, In verlegung Michael Herings, 1621. | |
The triumphs of Oriana madrigals, 1601. | |
The Walsingham consort books | |
What then is love [Enregistrement sonore] : an Elizabethan songbook | |
What then is love sings coridon (3 min 19 s) | |
When that the Lord | |
The whole book of Psalmes | |
The whole booke of Psalmes; with the hymnes evangelicall, and songs spirituall. Composed into 4. parts by sundry authors, with such severall tunes as have beene, and are usually sung in England, Scotland, Wales, Germany, Italy, France, and the Nether-lands. Never as yet before in one volume published. Also: a briefe abstract of the prayse, efficacie, and vertue of the psalmes. Newly corrected and enlarged by Tho. Ravenscroft . . . | |
THE | WHOLE BOOKE | OF PSALMES. | With their woonted | Tunes, as they are sung | in Churches, composed | into foure parts. | Compiled by sundrie Au- | thors, who haue so laboured here- | in, that the vnskilfull with smal | practise may attaine to sing | that part, which is fit- | test for their | voice. | Printed at London in | little S. Hellens by W. Barley, the | assigne of T. Morley, and are to be | sold at his shop in Grations street. | Cum priuilegio. | |
Witty wanton (3 min 04 s) | |
Woo her and win her (2 min 29 s) |