Bindman, David, 1940-....
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Bindman, David
David Bindman
VIAF ID: 79042527 (Personal)
Permalink: http://viaf.org/viaf/79042527
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100 1 _ ‡a Bindman, David ‡d (1940- ).
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100 1 _ ‡a Bindman, David, ‡d 1940-
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200 _ 1 ‡a Bindman, ‡b David, ‡f 1940-
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David Bindman
4xx's: Alternate Name Forms (6)
5xx's: Related Names (1)
Works
| Title | Sources |
|---|---|
| 1600-1870 |
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| Africans in the Christian ordinance of the world |
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| Am I not a man and a brother? : British art and slavery in the eighteenth century |
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| Ape to Apollo aesthetics and the idea of race in the 18th century |
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| The art of illustration : Englische illustrierte Bücher des 19. Jahrhunderts : aus der Sammlung Dr. Ulrich von Kritter : eine Ausstellung im Zeughaus der Herzog August Bibliothek Wolfenbüttel, 1. Dezember 1984 bis 21. April 1985 |
|
| Artists of the Renaissance and Baroque |
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| The black figure in the European imaginary |
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| Black models and white myths |
|
| Blake as an artist |
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| Blake's illuminated books |
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| British drawings by artists born before 1900 |
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| Burning bright : essays in honour of David Bindman |
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| Colour versions of William Blake's Book of Job designs from the circle of John Linnell : facsimiles of the New Zealand and Collins sets and the Fitzwilliam plates |
|
| The complete graphic works of William Blake |
|
| The complete paintings of Canaletto |
|
| Dante rediscovered : from Blake to Rodin |
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| divine comedy" |
|
| Englische Reise |
|
| The English journey : journal of a visit to France and Britain in 1826 |
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| Enlightened princesses Caroline, Augusta, Charlotte, and the shaping of the modern world |
|
| Europe and the world beyond |
|
| European sculpture from Bernini to Rodin, 1970. |
|
| Form/performance/notes |
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| French revolution version anglaise [exposition], Musée de la Révolution française, [Vizille], 9 juin-9 septembre 1990 |
|
| From colony to nation |
|
| From the "Age of discovery" to the age of abolition |
|
| From the American revolution to World War I |
|
| From the demonic threat to the incarnation of sainthood |
|
| From the pharaohs to the fall of the Roman empire |
|
| history of British art |
|
| Hogarth |
|
| Hogarth place and progress [exhibition, Sir John Soane's museum, London, October 9, 2019-January 1, 2020] |
|
| How the French became frogs English caricature and stereotypes of nations |
|
| image of the Black in western art |
|
| The impact of Africa |
|
| John Flaxman : [catalogue of an exhibition] |
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| John Flaxman : Royal Academy of Arts, 26 October - 9 December 1979 |
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| John Flaxmann - Mythologie und Industrie : Kunst um 1800 |
|
| Milton a poem, and the final illuminated works : The ghost of Abel, On Homers poetry, [and] On Virgil Laocoön |
|
| Mind-forg'd manacles William Blake and slavery [exhibition, Ferens art gallery, Hull, 7 April-20 May 2007, Burrell collection, Glagow, 3 November 2007-6 January 2008, Whitworth art gallery, Manchester, 26 January-6 April 2008] |
|
| Le modèle noir : de Géricault à Matisse : [exposition, Paris, Musée d'Orsay, 26 mars-21 juillet 2019, Pointe-à-Pitre, Mémorial ACTe, 13 septembre-29 décembre 2019 |
|
| No laughing matter : visual humor in ideas of race, nationality, and ethnicity |
|
| Philippe-Jacques de Loutherbourg : 1740-1812 |
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| 'Race Is Everything' : Art and Human Difference |
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| Reise nach England, Schottland und Paris im Jahre 1826 |
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| The rise of Black artists |
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| Roubiliac and the eighteenth-century monument sculpture as theatre |
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| Samuel Palmer, 1805-1881 : vision and landscape |
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| shadow of the guillotine |
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| Slaves and liberators |
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| Songs of innocence and of experience |
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| The Twentieth Century |
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| Warm flesh, cold marble Canova, Thorvaldsen, and their critics |
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| William Blake : 1757-1827 : Imperial Stables Prague Castle, 15.9.-19.11.2000 |
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| William Blake catalogue of the Collection in the Fitzwilliam Museum, Cambridge... |
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| William Blake's illustrations of the Book of Job : the engravings and related material with essays, catalogues of states and printings, commentary on the plates and documentary record. |
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| William Blake's universe |
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| William Hodges 1744-1797 |
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| 윌리엄 호가스 도판 166점, 원색 17점 |
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