Cumberland, George, 1754-1848
Cumberland, George
George Cumberland artist and art collector (1754-1848)
Cumberland, George (English collector and amateur artist, 1754-1848)
קומברלנד, ג'ורג', 1754-1848
VIAF ID: 289149106005368490433 ( Personal )
Permalink: http://viaf.org/viaf/289149106005368490433
Preferred Forms
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- 100 1 _ ‡a Cumberland, George
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- 100 1 0 ‡a Cumberland, George ‡d 1754-1848
- 100 1 _ ‡a Cumberland, George ‡d 1754-1848
- 100 1 _ ‡a Cumberland, George ‡g English collector and amateur artist, 1754-1848
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- 100 1 _ ‡a Cumberland, George, ‡d 1754-1848
- 100 1 _ ‡a Cumberland, George, ‡d 1754-1848
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- 100 0 _ ‡a George Cumberland ‡c artist and art collector (1754-1848)
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4xx's: Alternate Name Forms (10)
Works
Title | Sources |
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An attempt to describe Hafod, and the neighbouring scenes about the bridge over the Funack, commonly called the Devil's Bridge, in the county of Cardigan. An ancient seat belonging to Thomas Johnes, Esq. member for the county of Radnor. By George Cumberland. | |
[Autograph letters, signed.] | |
The captive of the Castle of Sennaar : an African tale... | |
The Cumberland letters, being the correspondence of Richard Dennison Cumberland & George Cumberland, between the years 1771 and 1784 | |
Emigrants or, A trip to the Ohio, a theatrical farce (1817) | |
An essay on the utility of collecting the best works of the ancient engravers of the Italian school : accompanied by a critical catalogue, with interesting anecdotes of the engravers, of a chronological series of rare and valuable prints, from the earliest practice of the art in Italy to the year 1549, now deposited in the British Museum and Royal Academy, in London | |
George Cumberland, 1754-1848 : painter, geologist, printmaker, agricultural experimentalist, critic, draughtsman, biographer, novelist, and friend of William Blake : Spring Exhibition, March 9- April 6, William Drummond, Covent Garden Gallery | |
A letter to Henry Griffiths, Esq. of Beaumont Lodge; from George Cumberland. | |
Lewina the maid of Snowdon : A tale | |
Original tales | |
Outlines from the antients, exhibiting their principles of composition in figures and basso-relievos; | |
A poem on the landscapes of Great-Britain : dedicated to James Irvine, Esq. at Rome, by George Cumberland. written in the year 1780. With Etchings by the Author. | |
Reliquiae conservatae from the primitive materials of our present globe, with popular descriptions of the prominent characters of some remarkable fossil encrinites, and their connecting links | |
Some anecdotes of the life of Julio Bonasoni, a bolognese artist, who followed the styles of the best schools in the sixteenth century : Accompanied by a catalogue of the engravings, with their measures, of the works of that tasteful composer. And remarks on the general character of his rare and exquisite performances. To which is prefixed, a plan for the improvement of the arts in England. By George Cumberland. | |
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes : accompanied with free remarks on the practice of the moderns, and Liberal Hints Cordially Intended for their Advantage. To which are annexed twenty-four designs of classical subjects invented on the principle recommended in the essay by George Cumberland. | |
VIEWS IN SPAIN AND PORTUGAL : taken during the Campaigns of His Grace the Duke of Wellington |