Dávila, Arlene M., 1965-
Dávila, Arlene M.
Arlene Dávila Puerto Rican academic
VIAF ID: 90667491 ( Personal )
Permalink: http://viaf.org/viaf/90667491
Preferred Forms
- 100 0 _ ‡a Arlene Dávila ‡c Puerto Rican academic
- 200 _ | ‡a Dávila ‡b Arlene M. ‡f 1965-....
- 100 1 _ ‡a Dávila, Arlene M. ‡d 1965-
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- 100 1 _ ‡a Dávila, Arlene M., ‡d 1965-
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- 100 1 _ ‡a Dávila, Arlene M., ‡d 1965-....
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- 100 1 _ ‡a Dávila, Arlene M.
- 100 1 _ ‡a Dávila, Arlene M.
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- 100 1 _ ‡a Dávila, Arlene M. ‡d 1965-
- 100 1 0 ‡a Dávila, Arlene M. ‡d 1965-
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4xx's: Alternate Name Forms (15)
5xx's: Related Names (5)
- 510 2 _ ‡a New York University
- 510 2 _ ‡a New York University ‡4 affi ‡4 http://d-nb.info/standards/elementset/gnd#affiliation ‡e Affiliation
- 551 _ _ ‡a New York, NY ‡4 ortw ‡4 http://d-nb.info/standards/elementset/gnd#placeOfActivity
- 510 2 _ ‡a Rethinking Taíno (the cultural politics of the use of their legacy and imagery)
- 510 2 _ ‡a University of California Press
Works
Title | Sources |
---|---|
The Author's Latino spin | |
Barrio dreams Puerto Ricans, Latinos and the neoliberal city | |
Contemporary Latina/o media production, circulation, politics | |
Culture in the ad world : producing the Latin look | |
Culture works, (New York University Press) | |
Culture works : space, value, and mobility across the neoliberal Americas | |
Ethnographic refusals, unruly Latinidades | |
El Kiosko Budweiser : the making of a "national television show in Puerto Rico | |
Latino spin : public image and the whitewashing of race | |
Latinos, Inc. : the marketing and making of a people | |
Latinx art artists, markets, politics | |
Making and marketing national identitites, c1997: | |
El mall | |
El mall : políticas de espacio y clase social en los centros comerciales latinoamericanos | |
Mall : the spatial and class politics of shopping malls in latin america | |
Mambo montage : the Latinization of New York | |
Race in the marketplace : crossing critical boundaries | |
Sponsored identities : cultural politics in Puerto Rico | |
Women and Migration : Responses in Art and History |