Rajadhyaksha, Ashish.
Rajadhyaksha, Ashish, 19..-....
Rajadhyaksha, Ashish 1957-
Ashish Rajadhyaksha
VIAF ID: 79138247 ( Personal )
Permalink: http://viaf.org/viaf/79138247
Preferred Forms
- 100 0 _ ‡a Ashish Rajadhyaksha
- 200 _ | ‡a Rajadhyaksha ‡b Ashish
- 100 1 _ ‡a Rajadhyaksha, Ashish
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- 100 1 _ ‡a Rajadhyaksha, Ashish
- 100 1 _ ‡a Rajadhyaksha, Ashish
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- 100 1 _ ‡a Rajadhyaksha, Ashish
- 100 1 _ ‡a Rajadhyaksha, Ashish ‡d 1957-
- 100 1 _ ‡a Rajadhyaksha, Ashish, ‡d 19..-....
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4xx's: Alternate Name Forms (6)
5xx's: Related Names (2)
Works
Title | Sources |
---|---|
Bātacīta Maheśa Elakuñcavārā̃śī, 2008: | |
Batcheet Mahesh Elkunchwaranshi | |
Edge of desire recent art in India [exhibition, Art gallery of Western Australia, Perth, September 25, 2004-January 16, 2005, Asia society museum and Queens museum of art, New York, March 1-June 5, 2005, Tamayo museum, Mexico city, August 18-November 20, 2005...] | |
Encyclopaedia of Indian cinema | |
Essays. | |
Exposition. | |
The guilty secret : the latter career of the Bollywood's illegitimacy | |
The hunger of the republic : our present in retrospect | |
Indian cinema : a very short introduction | |
Indian cinema in the time of celluloid from Bollywood to the emergency | |
John-Ghatak-Tarkovsky citizens, filmakers, hackers | |
Kumar Shahani : the shock of desire and other essays | |
Native women of South India : manners and customs : Pushpamala N., Clare Arni : [exposition Gallery Sumukha, Bangalore, 6.03-27.03, 2004, Gallery Chemould and Artists Centre, Mumbai, 03.09-17.09, 2004, Seagull Arts and Media resource Centre, Kolkata, 02.11-21.11, 2004, Nature Morte, New Delhi, 19.02-12.03, 2005, Bose Pacia, New York, 10.11-23.12, 2005] | |
Ranbir Kaleka moving image works | |
Realism, modernism and post-colonial theory | |
Reflejos de la India contemporánea [La Casa Encendida] | |
Ritwik Ghatak, a return to the epic, 1982: | |
Vivan Sundaram : disjunctures : [exhibition, Haus der Kunst, Munich, 29 juin-7 octobre 2018 | |
你不属于 : 印度电影的过去与未来 = ou don't belong : pasts and futures of Indian cinema |