Drucker, Johanna, 1952-....
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Drucker, Johanna
Drucker, Johanna (Johanna Ruth), 1952-
Johanna Drucker historienne de l'art américaine
Drucker, Johanna (American author and artist, born 1952)
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VIAF ID: 71503942 (Personal)
Permalink: http://viaf.org/viaf/71503942
Preferred Forms
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Drucker
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Johanna
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Drucker, Johanna
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100 1 _ ‡a Drucker, Johanna ‡d (1952- )
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100 1 _ ‡a Drucker, Johanna ‡d (1952- ).
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Drucker, Johanna
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Drucker, Johanna
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American author and artist, born 1952
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100 1 _ ‡a Drucker, Johanna ‡q (Johanna Ruth), ‡d 1952-
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100 1 _ ‡a Drucker, Johanna, ‡d 1952-
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100 1 _ ‡a Drucker, Johanna, ‡d 1952-
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100 1 _ ‡a Drucker, Johanna, ‡d 1952-
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Drucker, Johanna,
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100 1 _ ‡a Drucker, Johanna, ‡d 1952-
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100 1 _ ‡a Drucker, Johanna, ‡d 1952-
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100 1 _ ‡a Drucker, Johanna, ‡d 1952-
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Drucker, Johanna,
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200 _ 1 ‡a Drucker, ‡b Johanna
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Johanna Drucker
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historienne de l'art américaine
4xx's: Alternate Name Forms (7)
Works
| Title | Sources |
|---|---|
| 22, 2014: |
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| Against fiction |
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| Alfabetski lavirint : slova u istoriji i imaginaciji : [sa 339 ilustracija] |
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| Alphabetic labyrinth : the letters in history and imagination |
|
| The book as art : artists' books from the National Museum of Women in the arts |
|
| Books, 1994: |
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| Brieven van Johanna Ruth Drucker (1952-) aan Harry Hoogstraten (1941-) |
|
| The century of artists' books |
|
| A chronology of books from 1970 to 1994, written on occasion of the show at Granary Books, New York City, June 1994 |
|
| Cuba |
|
| Damaged nature, salvage culture : specific fragments |
|
| Dark decade |
|
| Diagrammatic writing |
|
| Digital humanities |
|
| "Don't pay any attention to him. He's 90% water" the cartooning career of Boris Drucker : a retrospective exhibition of the artist's work : [Louise and Bernard Palitz Gallery, Joseph I. Lubin House of Syracuse University, New York City, 21 March - 29 April 2005]. |
|
| The dual muse : the writer as artist, the artist as writer. |
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| Dutch: domestic interior : [poems] |
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| Emerging sentience |
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| Events : particle zoo. |
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| Experimental - visual - concrete : avant-garde poetry since the 1960s |
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| Fabulas feminae |
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| Figuring the word : essays on books, writing, and visual poetics |
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| From A to Z our an (collective specifics) : an im partial bibliography; incidents in a non-relationship, or, how I came to not know who is |
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| A girl's life |
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| Graphesis : visual forms of knowledge production |
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| Graphic design history : a critical guide |
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| Her I.D., auto-, bio-, mono-graphy |
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| History of the/my word : fragments of a testimonial to history, some lived and realized moments open to claims of memory. |
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| Italy |
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| John Eric Broaddus : Arts of the Book Collection, Yale University Library, April 25, 2001-June 25, 2001. |
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| Il labirinto alfabetico : le lettere nella storia e nel pensiero |
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| À l'interieur deu [sic] la langueage [sic] |
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| Lourdes Castro : all the books : catalogue raisonné, anglais |
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| M/E/A/N/I/N/G an anthology of artists' writings, theory, and criticism |
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| Narratology : historical romance, sweet romance, science fiction, romantic suspense, supernatural, horror, sensual romance, adventure, thriller, glitz |
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| Netherland: (How) so far |
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| Night crawlers on the Web |
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| Night visions the secret designs of moths |
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| Nova reperta : new discoveries and inventions |
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| Le Petit Journal des Refusées |
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| Queenie & the prince slide-tape performance by Johanna Drucker plus films by Abigail Child, Yune twelfth at eight PM, intersection 756 Union St. SF, [dollar sign] two fifty. |
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| Queenie and the prince |
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| Seeing double : Susan Bee and Miriam Laufer |
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| Selected writing, 1971. |
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| Simulant portrait |
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| SpecLab : digital aesthetics and projects in speculative computing |
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| Stochastic poetix |
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| The surprise party : or, On not going not ongoing |
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| Sweet dreams : contemporary art and complicity |
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| Testament of women : a new translation to & from the texts |
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| Theorizing modernism : visual art and the critical tradition |
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| Todos os livros catálogo comprovado |
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| Tongues : a parent language. |
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| Tribute to Emma Bee Bernstein (1985-2008) |
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| Twenty-six let her's not a matter of permission |
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| Typographically speaking : the art of Matthew Carter |
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| The visible word : experimental typography and modern art, 1909-1923 |
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| What is? : nine epistemological essays |
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| The word made flesh. |
|
