Drucker, Johanna, 1952-....
Drucker, Johanna
Drucker, Johanna (Johanna Ruth), 1952-
Johanna Drucker historienne de l'art américaine
Drucker, Johanna (American author and artist, born 1952)
VIAF ID: 71503942 (Personal)
Permalink: http://viaf.org/viaf/71503942
Preferred Forms
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200 _ | ‡a Drucker ‡b Johanna ‡f 1952-....
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100 1 _ ‡a Drucker, Johanna (sparse)
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100 1 _ ‡a Drucker, Johanna ‡d 1952-
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100 1 _ ‡a Drucker, Johanna ‡d 1952-
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100 1 _ ‡a Drucker, Johanna ‡g American author and artist, born 1952
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100 1 _ ‡a Drucker, Johanna, ‡d 1952-
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100 1 _ ‡a Drucker, Johanna, ‡d 1952-
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100 1 _ ‡a Drucker, Johanna, ‡d 1952-....
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100 0 _ ‡a Johanna Drucker ‡c historienne de l'art américaine
4xx's: Alternate Name Forms (7)
Works
Title | Sources |
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22, 2014: |
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Against fiction |
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Alfabetski lavirint : slova u istoriji i imaginaciji : [sa 339 ilustracija] |
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Alphabetic labyrinth : the letters in history and imagination |
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The book as art : artists' books from the National Museum of Women in the arts |
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Books, 1994: |
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Brieven van Johanna Ruth Drucker (1952-) aan Harry Hoogstraten (1941-) |
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The century of artists' books |
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A chronology of books from 1970 to 1994, written on occasion of the show at Granary Books, New York City, June 1994 |
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Cuba |
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Damaged nature, salvage culture : specific fragments |
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Dark decade |
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Diagrammatic writing |
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Digital humanities |
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"Don't pay any attention to him. He's 90% water" the cartooning career of Boris Drucker : a retrospective exhibition of the artist's work : [Louise and Bernard Palitz Gallery, Joseph I. Lubin House of Syracuse University, New York City, 21 March - 29 April 2005]. |
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The dual muse : the writer as artist, the artist as writer. |
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Dutch: domestic interior : [poems] |
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Emerging sentience |
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Events : particle zoo. |
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Experimental - visual - concrete : avant-garde poetry since the 1960s |
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Fabulas feminae |
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Figuring the word : essays on books, writing, and visual poetics |
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From A to Z our an (collective specifics) : an im partial bibliography; incidents in a non-relationship, or, how I came to not know who is |
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A girl's life |
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Graphesis : visual forms of knowledge production |
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Graphic design history : a critical guide |
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Her I.D., auto-, bio-, mono-graphy |
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History of the/my word : fragments of a testimonial to history, some lived and realized moments open to claims of memory. |
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Italy |
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John Eric Broaddus : Arts of the Book Collection, Yale University Library, April 25, 2001-June 25, 2001. |
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Il labirinto alfabetico : le lettere nella storia e nel pensiero |
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À l'interieur deu [sic] la langueage [sic] |
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Lourdes Castro : all the books : catalogue raisonné, anglais |
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M/E/A/N/I/N/G an anthology of artists' writings, theory, and criticism |
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Narratology : historical romance, sweet romance, science fiction, romantic suspense, supernatural, horror, sensual romance, adventure, thriller, glitz |
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Netherland: (How) so far |
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Night crawlers on the Web |
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Night visions the secret designs of moths |
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Nova reperta : new discoveries and inventions |
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Le Petit Journal des Refusées |
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Queenie & the prince slide-tape performance by Johanna Drucker plus films by Abigail Child, Yune twelfth at eight PM, intersection 756 Union St. SF, [dollar sign] two fifty. |
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Queenie and the prince |
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Seeing double : Susan Bee and Miriam Laufer |
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Selected writing, 1971. |
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Simulant portrait |
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SpecLab : digital aesthetics and projects in speculative computing |
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Stochastic poetix |
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The surprise party : or, On not going not ongoing |
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Sweet dreams : contemporary art and complicity |
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Testament of women : a new translation to & from the texts |
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Theorizing modernism : visual art and the critical tradition |
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Todos os livros catálogo comprovado |
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Tongues : a parent language. |
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Tribute to Emma Bee Bernstein (1985-2008) |
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Twenty-six let her's not a matter of permission |
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Typographically speaking : the art of Matthew Carter |
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The visible word : experimental typography and modern art, 1909-1923 |
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What is? : nine epistemological essays |
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The word made flesh. |
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