Hammer, Victor Karl, 1882-1967
Hammer, Victor, 1882-1967
Hammer, Victor Karl, 1882-
Victor Hammer Schriftdesigner
Hammer, Victor
Hammer, Viktor (Austrian painter, 1882-1967)
Hammer, Victor, 1882-
VIAF ID: 69858092 ( Personal )
Permalink: http://viaf.org/viaf/69858092
Preferred Forms
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- 100 1 _ ‡a Hammer, Victor Karl ‡d 1882-
- 100 1 _ ‡a Hammer, Victor Karl ‡d 1882-1967
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- 100 1 _ ‡a Hammer, Victor Karl, ‡d 1882-1967
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- 100 1 _ ‡a Hammer, Victor, ‡d 1882-1967
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- 100 1 _ ‡a Hammer, Viktor ‡g Austrian painter, 1882-1967
- 100 0 _ ‡a Victor Hammer ‡c Schriftdesigner
4xx's: Alternate Name Forms (22)
5xx's: Related Names (4)
- 510 2 _ ‡a Akademie der Bildenden Künste in Wien
- 500 1 _ ‡a Hammer, Carolyn ‡d 1911-2001 ‡4 bezf ‡4 http://d-nb.info/standards/elementset/gnd#familialRelationship ‡e Beziehung familiaer
- 510 2 _ ‡a Transylvania University
- 510 2 _ ‡a Wells College
Works
Title | Sources |
---|---|
American uncial : specimen of a type face produced from punches designed and cut by Victor Hammer. | |
Begegnung mit Stefan George | |
Bible. | |
A blessing of a home. | |
Blutiger Kehraus 1918 Aufzeichnungen der Erlebnisse des Friedrich, genannt Fritz, Kredel weiland Fahnenjunkers in der 10ten Kompagnie des Infanterie Leibregiments "Grossherzogin" (3. Grossherzogl. Hess.) No 117 im Sommer und Herbst neunzehnhundert und achtzehn | |
Le centaure. | |
Coelii Sedulii De quatuor Evangelistis ex libro primo Operis Paschalis, vulgati circa annum CCCC.XXXIV. | |
Concern for the art of civilized man. | |
dialogue on the Uncial between a paleographer and a printer faithfully recorded as it was heard ; Society of Typographie Arts | |
Erläuternde Anmerkungen zur Pindar-Schrift | |
An Exhibition of the work of Victor Hammer : [exhibition], University of Chicago, 20 mai-19 juin 1948 | |
Forms of our letters | |
Hagia Sophia | |
A Hammer bibliography : 1930-1952 | |
Ivy without moss a small college speaks up ; [address at a dinner given by the trustees and the alumnae of New York and vicinity Waldorf-Astoria Hotel, December 2, 1946] | |
A Kelmscott centennial, p. 22 (né à Vienne en 1882, architecte, puis imprimeur à Stamperia del Santuccio (Florence). Immigre aux E.-U. en 1939 où il a enseigné) | |
Manifesto, 1987: | |
Memory and her nine daughters, the Muses : a pretext for printing, cast into the mould of a dialogue in four chapters | |
The Newe Testamente : M.D. XXVI | |
Notes on the two-color initials of Victor Hammer | |
Opus Paschale. | |
Paradeisspiel in der Steiermark. | |
Richard Gerstl, Oskar Kokoschka : Galerie St. Etienne, [New York, March 17-May 9, 1992] | |
Sammlung | |
Samson agonistes : a dramatic poem | |
satire against mankind and other poems | |
A second book of fragments | |
Sheets & fragments from five presses : M.CM.XXVIII-M.CM.LXXVIII | |
Some fragments for c. r. h. | |
Spruchweisheit der Buchbinder | |
A theory of architecture : the second chapter from A platonic dialog | |
three-cornered hat | |
Three Fragments from the postumous papers 1841-1895 | |
The twelve Apostles. | |
Type design in relation to language & to the art of the punch cutter | |
Ventiquattro sonetti | |
Victor Hammer artist and printer | |
Victor Hammer [The drawings of Victor Hammer ; (An exhibition of a selection from the artist's works) ; Transylvania University, Mitchell Fine Arts Center, Morlan Gallery, 27. Sept.-11. Oct., 1970] | |
Victor Hammer's engravings and woodcuts. | |
Walls : Res sanctae, res sacrae; a passage from "Versuch ueber die Graebersymbolik der Alten." |