Fuller-Maitland, John Alexander, 1856-1936
Fuller-Maitland, John Alexander
Fuller-Maitland, J. A. (John Alexander), 1856-1936
Fuller-Maitland, J. A., 1856-1936
Fuller-Maitland, John A. 1856-1936
Fuller-Maitland, J. A. (John Alexander)
Fuller-Maitland, J. A.
John Alexander Fuller Maitland British music critic (1856-1936)
VIAF ID: 66731603 ( Personal )
Permalink: http://viaf.org/viaf/66731603
Preferred Forms
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- 100 1 _ ‡a Fuller Maitland, John Alexander, ‡d 1856-1936
- 200 _ | ‡a Fuller-Maitland ‡b John Alexander ‡f 1856-1936
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- 100 1 _ ‡a Fuller-Maitland, J. A. ‡d 1856-1936
- 100 1 _ ‡a Fuller-Maitland, J. A. ‡q (John Alexander)
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- 100 1 _ ‡a Fuller-Maitland, J. A. ‡q (John Alexander), ‡d 1856-1936
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- 100 1 _ ‡a Fuller-Maitland, John A. ‡d 1856-1936
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- 100 1 _ ‡a Fuller-Maitland, John Alexander
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- 100 0 _ ‡a John Alexander Fuller Maitland ‡c British music critic (1856-1936)
4xx's: Alternate Name Forms (60)
5xx's: Related Names (2)
- 551 1 _ ‡a Borwick Hall
- 551 1 _ ‡a London
Works
Title | Sources |
---|---|
35 morceaux pour instruments à clavier | |
The '48' : Bach's Wohltemperirtes Clavier | |
The age of Bach & Handel | |
Aire | |
Almand | |
At the court of queen Anne. Twenty easy pieces by English court composers and others. Edited by J. A. Fuller-Maitland. Piano | |
Ausgewählte Stücke | |
Ayre | |
Bach's Brandenburg concertos, 1929: | |
Benjamin Cosynʹs Virginal Book | |
bonny grey ey'd morn. | |
Brahms | |
Come, sweet lass. | |
The consort of music; a study of interpretation and ensemble. | |
The Contemporaries of Purcell. Harpsichord pieces | |
Corant | |
A door-keeper of music | |
English carols of the fifteenth century from a Ms. roll in the library of Trinity College, Cambridge | |
English county songs : words and music | |
Fantasia | |
Fitzwilliam Virginal Book | |
Fourteen Pieces for keyed instruments..., edited by J. A. Fuller-Maitland and W. Barclay Squire | |
Galliard | |
Giovanni Pierluigi da Palestrina | |
Ground | |
Grove's dictionary of music and musicians; | |
Inganno fedele | |
Jeremiah Clarke | |
Jigg | |
Johann Sebastian Bach, his work and influence on the music of Germany, 1685-1750 | |
Joseph Joachim | |
The keyboard suites of J. S. Bach | |
The keys of heaven | |
Laudate Dominum! | |
March | |
Masters of German music | |
Minuet | |
The music in Dryden's King Arthur | |
The opera : a sketch of the development of opera : with full descriptions of all works in the modern repertory | |
The Oxford history of music | |
Pièces pour clavecin | |
Praeludium | |
Reminiscences | |
Robert Schumann, 1810-1856 | |
Room for th'express | |
Schumann's concerted chamber music | |
Schumann's pianoforte works | |
Serenade [en ré] | |
serenading song | |
Set of Bach's | |
Shore's trumpet | |
Soldier, soldier, take off the wine | |
Sonates. | |
The spell of music; an attempt to analyse the enjoyment of music | |
I spy Celia | |
Stücke für Clavicembalo | |
Suite | |
Tangentinstrumentmusik . | |
There ne'er was so wretched a lover as I | |
The toccatas of Bach | |
Trumpet tune [en ré] | |
Vesperae solennes de confessore [Köch. 339] | |
Werken. | |
When gay Philander left the plain | |
When lovely Phillis | |
When the cook begins to crow | |
Wine in a morning | |
The works of Henry Purcell. |