Williams-Wanquet, Eileen
Williams-Wanquet, Eileen, 1951-
VIAF ID: 5993690 ( Personal )
Permalink: http://viaf.org/viaf/5993690
Preferred Forms
- 200 _ | ‡a Williams-Wanquet ‡b Eileen
- 100 1 _ ‡a Williams-Wanquet, Eileen
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- 100 1 _ ‡a Williams-Wanquet, Eileen
- 100 1 _ ‡a Williams-Wanquet, Eileen ‡d 1951-
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- 100 1 _ ‡a Williams-Wanquet, Eileen, ‡d 1951-
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4xx's: Alternate Name Forms (6)
Works
Title | Sources |
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Anne Brontë's The tenant of wildfell hall : a feminist novel | |
The application of British slave policy to Mauritius : 1810-1835 | |
Art and life in the novels of Anita Brookner : reading for life, subversive re-writing to live | |
Charles Dickens's Great Expectations, a subversive novel? | |
Children's literature and the Victorian heritage : Edith Nesbit's The railway children : subversive Bildungsroman? | |
The construction of identity through relationships in "The Buddha of Suburbia" by Hanif Kureishi | |
Creating chaos by Claire Dowie : the inexorable decline of society | |
Écritures de violence et d'interculturalité : enjeux identitaires dans le roman contemporain mauricien d'expression française et anglaise | |
Edward Morgan Forster's "A passage to India" : a tragedy of fragmentation | |
Emily Bronte͏̈'s subversive vision of life in "Wuthering Heights" | |
Emma Tennant's Faustine : the rewriting of the modern values vehicled by Goethe's Faust | |
A feminine re-writing of colonial history : the snake spirit part.1, the fire giver by Chaya Parmassur | |
"Flesh & blood" by Michèle Roberts, a feminist novel | |
From Jane Eyre's hidden story in Charlotte Brontë's novel to the story of Adèle by Emma Tennant : the emancipation of a forgotten character | |
A history of the world in 10 1/2 chapters by Julian Barnes : a subversive rewriting of bible and of history | |
Identités, migrations et territoires dans l'océan Indien | |
Imperiaism in "Heart of darkness" | |
Impersonality and Emotion in Twentieth-Century British Literature | |
Jeux et enjeux du regard : entre plaisir et danger : l'œuvre d'art dans le roman de Siri Hustvedt | |
L'ironie comme arme | |
The mill on the floss : the evolution of Maggie Tulliver | |
The neo-gothic and challenge to history in Jean Rhys "Wide Sargasso sea" | |
"Oranges are not the only fruit" by Jeanette Winterson : an autobiographical novel : fiction or reality? | |
Politics in Lindsey Collen's novels. | |
A postmodern confrontation of Ferdinand and Prospero : "The Magus", John Fowles' rewriting of "The Tempest | |
"Pride and Prejudice" a comedy of manners : Jane Austen, "Pride and Prejudice" (1813) | |
Regression in "Lord of the flies" | |
Repenser la diversité : le sujet diasporique | |
Repenser les mythes fondateurs et l'écriture de l'histoire dans l'espace océan Indien | |
La répétition | |
Rewriting, Mrs de Winter by Susan Hill, 1993 as a sequel to Rebecca by Daphne du Maurier,1938 | |
Rewriting of Pride and Prejudice by Seth Grahame-Smith: When Obscure Creatures Lift up the Veil that Hides Reality | |
Les romans d'Anita Brookner de 1981 à 1992 : l'écriture de la subversion | |
Salman Rushdie's "Midnight's children" as historiographic métafiction | |
The spectator's gaze : between pleasure and danger : the work of art in Siri Hustvedt's novel. | |
The spectre of the first wife in "Jane Eyre" by charlotte Brontë & "Rebecca by Daphné du Maurier | |
Steven's identity in Kazuo Ishiguro's "The remains of the day" | |
Transtextuality in A start in life by Anita Brookner | |
Writing as re-vision | |
The Writing of Violence and Interculturality : Issues of Identity in Contemporary Mauritian novels written in French and English. |