Batchen, Geoffrey.
Batchen, Geoffrey, 1956-
Geoffrey Batchen Australian art historian
VIAF ID: 5083759 ( Personal )
Permalink: http://viaf.org/viaf/5083759
Preferred Forms
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- 200 _ | ‡a Batchen ‡b Geoffrey ‡f 1956-....
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- 100 1 _ ‡a Batchen, Geoffrey
- 100 1 _ ‡a Batchen, Geoffrey
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- 100 1 _ ‡a Batchen, Geoffrey
- 100 1 _ ‡a Batchen, Geoffrey
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- 100 1 _ ‡a Batchen, Geoffrey ‡d 1956-
- 100 1 _ ‡a Batchen, Geoffrey ‡d 1956-
- 100 1 _ ‡a Batchen, Geoffrey ‡d 1956-
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- 100 0 _ ‡a Geoffrey Batchen ‡c Australian art historian
4xx's: Alternate Name Forms (19)
Works
Title | Sources |
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America and the tintype [published in conjunction with the exhibition "America and the Tintype" organized by Stephen Kasher and Brian Wallis for the International Center of Photography, New York ; exhibition dates: september 19, 2008 - january 4, 2009] | |
Apparitions : photography and dissemination | |
Arsenale der Erinnerung | |
Burning with desire : the conception of photography | |
Cancellations | |
Deep storage. | |
Deep storage collecting, storing, and archiving in art ; [in conjunction with the exhibition of the same name held at P.S.1 Contemporary Art Center, New York (July 5 - August 30, 1998) and Henry Art Gallery, Seattle (November 5, 1998 - January 31, 1999)] | |
Each wild idea writing, photography, history | |
Emanations : the art of the cameraless photograph | |
Forget me not photography & remembrance [exhibition, Amsterdam, Van Gogh museum, 2004] | |
FotoSkulptur die Fotografie der Skulptur 1839 bis heute [anlässlich der Ausstellung Fotoskulptur. Die Fotografie der Skulptur 1839 bis Heute, The Museum of Modern Art, New York, 1. August - 1. November 2010, Kunsthaus Zürich, 25. Februar - 15. Mai 2011] | |
Hercule Florence : le nouveau Robinson : [exposition, Monte Carlo - NMNM (Villa Paloma), 17 mars - 11 juin 2017 | |
The hidden mother | |
Hiroshi Sugimoto : time machine : [exhibition held at Hayward Gallery, London, 11 October 2023 to 7 January 2024 ; travelling to UCCA Beijing 23 March to 23 June 2024 ; MCA, Australia 2 August to 27 October 2024 | |
Ian van Coller you travel far exhibition, Beaumont, Art museum of Southeast Texas, October 11-December 7, 2003 | |
Image & Imagination : le mois de la photo à Montréal 2005 | |
Joan Fontcuberta : landscapes without memory | |
joy of photography, Piotr Uklański [exposition, Strasbourg, Musée d'art moderne et contemporain, 25 octobre 2007-9 mars 2008] | |
LisboaPhoto 2005 : A imagem cesura | |
A living man declared dead and other chapters : I-XVIII | |
Local modernisms | |
Lost world | |
Marion Kagerer] | |
Negative / positive a history of photography | |
Normal : Catherine Opie, Roni Horn, Charlotte Haslund-Christensen, Geoffrey Batchen, Ivonne Thein | |
Now is then : snapshots from the Maresca Collection | |
nr95036836 | |
Obraz a diseminace : za novou historii pro fotografii | |
original copy photography of sculpture 1839 to today | |
Pałając pragnieniem : narodziny fotografii | |
Photography degree zero reflections on Roland Barthes's Camera lucida | |
Photography : theoretical snapshots | |
Picturing atrocity : photography in crisis | |
Real hieroglyphs, 1994: | |
Rear views, a star-forming nebula, and the office of foreign propaganda : the works of Taryn Simon. | |
Repetition och skillnad : fotografins re-produktion | |
Second languages reading Piotr Uklański ; [in conjunction with the exhibition "Czterdzieści i Cztery", Zachęta National Gallery of Art, Warsaw, December 11, 2012 - February 17, 2013, "ESL", Bass Museum of Art, Miami Beach, December 5, 2013 - March 16, 2014] | |
Shashin no arukeorojī | |
Singular images : essays on remarkable photographs | |
Suspending time, 2010: | |
Toki no chūzuri : sei, shashin, shi, japonais | |
Van Goghs Schuhe ein Streitgespräch | |
Vernacular photographies | |
The way out West : desert landscapes | |
What is a photograph? | |
What of shoes? | |
William Henry Fox Talbot | |
사진의 고고학 빛을 향한 열망과 근대의 탄생 | |
写真のアルケオロジー | |
時の宙づり : 生・写真・死 |