Tudor, David, 1926-1996
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David Tudor American pianist and composer
Tudor, David
Tudor, David, 1926-
Tudor, David (American musician, composer, and sound artist, 1926-1996)
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VIAF ID: 42035532 (Personal)
Permalink: http://viaf.org/viaf/42035532
ISNI: 0000 0001 1059 2044
Preferred Forms
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100 0 _
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David Tudor
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American pianist and composer
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100 0 _
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David Tudor
‡c
American pianist and composer
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200 _ |
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Tudor
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David
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1926-1996
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100 1 _ ‡a Tudor, David
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100 1 _ ‡a Tudor, David ‡d (1926-1996)
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100 1 _ ‡a Tudor, David ‡d (1926-1996).
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100 1 _
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Tudor, David
‡d
1926-1996
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100 1 0
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Tudor, David
‡d
1926-1996
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100 1 _
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Tudor, David
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American musician, composer, and sound artist, 1926-1996
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100 1 _ ‡a Tudor, David, ‡d 1926-
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100 1 _
‡a
Tudor, David,
‡d
1926-1996
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100 1 _
‡a
Tudor, David,
‡d
1926-1996
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100 1 _ ‡a Tudor, David, ‡d 1926-1996
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100 1 _ ‡a Tudor, David, ‡d 1926-1996
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100 1 _ ‡a Tudor, David, ‡d 1926-1996
4xx's: Alternate Name Forms (11)
Works
| Title | Sources |
|---|---|
| 4' 33" |
|
| 50 Jahre neue Musik in Darmstadt |
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| Anima Pepsi |
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| Bandoneon! (A combine) |
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| Cartridge music |
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| David Tudor & Gordon Mumma |
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| David Tudor plays Cage & Tudor |
|
| Dialects |
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| Due parole per chiederti notizie lettere (inedite) a David Tudor |
|
| Duo for pianists I |
|
| Earle Brown - a life in music |
|
| Electronic music |
|
| Electronic music. Selections |
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| EXTENDED VOICES |
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| FOR 1, 2 OR 3 PEOPLE |
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| For piano with preparations (11 min 26 s) |
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| Fünfundsiebzig Jahre Donaueschinger Musiktage 1921-1996 |
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| HPSCHD |
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| HPSCHD : for harpsichords & computer-generated sound tapes |
|
| Impromptu et variations deux |
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| Improvisation ajoutée |
|
| Instrumental music. |
|
| John Cage] (53 mn) [je n'ai rien à dire et je le dis] |
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| John Cage and David Tudor : correspondence on interpretation and performance |
|
| John Cage,Variations V |
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| Klavierstücke |
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| Kompositionen neunzehnhundert fünfzig zu neunzehnhundert siebzig zwei |
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| Kontakte |
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| Larry Austin retrospective, 1967-94. |
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| [Lettre de David Tudor à J. Barraqué, 1956] |
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| Music for piano |
|
| Music of changes |
|
| Music of John Cage and Harry Partch. |
|
| Musics, metaphors, machines |
|
| Musik in Deutschland 1950 - 2000 |
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| Neural network plus |
|
| Neural synthesis. No. 6-9 |
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| Neutral network plus |
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| orgue moderne |
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| Pepscillator |
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| Pepsibird |
|
| Phonemes |
|
| The piano concertos |
|
| Piano sonata No 3 (11 min 58 s) |
|
| Présence de la musique contemporaine |
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| Proiezioni sonore |
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| Pulsers |
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| Quantitäten für Klavier (3 min 47 s) |
|
| Rainforest, no. 1 |
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| Rainforest, no. 2 |
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| Rainforest, no. 4 |
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| A Second wind for organ. [Sound recording] |
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| Sextet for seven |
|
| SHE WAS A VISITOR |
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| Shock |
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| SOLOS FOR VOICE 2 |
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| Sonates |
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| SOUND PATTERNS |
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| Stråkkvartett nr 4 |
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| Toneburst |
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| Transición II, for piano, percussion, and two magnetic tapes. [Sound recording] |
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| Transición II. [from old catalog] |
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| Trois visages de Liège |
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| [twenty-five-year] retrospective concert of the music of John Cage |
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| Untitled |
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| Variations IV. [Sound recording] |
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| Variations V (Choreographic work : Cunningham) |
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| The viola in my life |
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| Virtual focus |
|
| Virtual focus. Selections |
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| Wave train musique from 1959 to 1968 |
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| Weatherings |
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| Webwork |
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| Wergo 40 years 1962-2002. |
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| Works. |
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| Zyklus : for one percussionist ; Refrain : for three performers |
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