Maniez, Claire
VIAF ID: 41863238 ( Personal )
Permalink: http://viaf.org/viaf/41863238
Preferred Forms
- 200 _ | ‡a Maniez ‡b Claire
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- 100 1 _ ‡a Maniez, Claire
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- 100 1 _ ‡a Maniez, Claire
- 100 1 _ ‡a Maniez, Claire
- 100 1 _ ‡a Maniez, Claire
Works
Title | Sources |
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American social realism in the postmodern era. | |
Anglais : fiches-logiciels I | |
Atout lecture. | |
‘The Authority of the Written Word’ : writing and transgressions in The Cider House Rules, A Prayer for Owen Meany et A Widow for One Year by John Irving. | |
Les "avatars du moi" chez Paul Auster : autofiction et métafiction dans les romans de la maturité | |
Call me Elmo ! : séquences pédagogiques | |
La chambre de Van Gogh : roman | |
The Community in William Faulkner's "Light in August" | |
Discours et objets scientifiques dans l'imaginaire américain du XIXe siècle | |
Du conte au récit de science-fiction : mutation d'un genre de la fiction narrative en prose, 1785 – 1937 | |
Ecritures, masques et voix : pour une poétique des chansons de Leonard Cohen et Bob Dylan | |
The emergence of a feminist speech in the short fiction of Nathaniel Hawthorne (1832-1844 ) : the writing of woman-becoming. | |
Expliquer | |
Figures of the detective in contemporary american detective fiction. | |
Hawthorne et l'héritage de la romance dans la fiction contemporaine : paul Auster, Russel Banks, et Steven Millhauser | |
Identity and alterity in Hubert Selby Jr's work. | |
The Implied Spectator in Sam Shepard's plays : His work at the Magic Theatre (1976- 1983). | |
magic kingdom | |
“The metamorphoses of the ‘I’" in Paul Auster’s works : autofiction and metafiction in his later works. | |
Metamorphosis in the work of Steven Millhauser. | |
La modernité de l'origine : acentralité et cubisme narratif dans The Recognitions de William Gaddis | |
Mythe, rite & oralité | |
Nathanael West, notre contemporain : esthétique de la rupture et figurations du chaos | |
Paroles d'ailleurs | |
Percival Everett transatlantic readings | |
Pour une poétique du lien dans l'écriture fragmentée de David Markson (1927-2010) | |
Pouvoirs et savoirs de l'écrit | |
Le royaume enchanté | |
Science and American literature in the 20th and 21st centuries : from Henry Adams to John Adams | |
The Short Story Unbound : unraveling the Stories of William H. Gass, Steven Millhauser and David Foster Wallace. | |
Tales and science-fiction : Mutation of a particular kind, 1785-1937. | |
The theatre of Tennessee Williams from 1962 to 1983 : the androgyne and the artist. | |
Towards a poetics of connection in the fragmented texts of David Markson (1927-2010). | |
Van Gogh's room at Arles | |
Why, honey? de Raymond Carver : les limites de l'interprétation | |
William H. Gass : l'ordre de la voix | |
Writing, masks and voices : an integrated poetics of Leonard Cohen and Bob Dylan's songs. | |
The writing of the accident in Rick Moody’s fiction. | |
Young adult fiction through the prism of stylistics and narratology : a redeployment of the mechanisms of storytelling in creative writing classes : the cases of Veronica Roth, Sabaa Tahir and Tomi Adeyemi. |